conf Series
Refresh! 2005
Refresh! original site
Refresh! original program
REFRESH! – Call for Papers
programmatic key texts
re:place 2007
re:place general programme
re:place – day 1
re:place – day 2
re:place – day 3
re:place participants
Re:live 2009
Re:live venues and registration
Re:live themes
Re:live programme
Re:live committees
Re:live sponsors
Re:live proceedings
Rewire 2011
LEAF@Rewire
Rewire original site
Rewire Programme
Rewire: Workshop Outputs
Rewire: Call for Papers
RENEW 2013
Renew – General Information
RENEW 2013: Programme and Venues
RENEW 2013: Accommodation
RENEW 2013: Proceedings
RENEW 2013: Support and Partners
RENEW 2013: Contacts
RENEW 2013: Registration
RE-CREATE 2015
RE-CREATE 2015
Re-Create 2015 : Call for Papers (Closed)
RE-CREATE 2015 : Overview
Re-Create 2015 : Programme
Re-Create 2015 : Documentation
Re-Create 2015 : INFO for delegates travelling to Montréal
Re-Create 2015: Registration (CLOSED)
Re:Trace 2017
Re:Trace 2017 – main
Re:Trace 2017 – Registration
Re:Trace 2017 – Keynote Speakers
Re:Trace 2017 – Advisory Board
Re:Trace 2017 – Award
Re:Trace 2017 – Program
Re:Trace 2017 – Conference Chairs
Re:Trace 2017 – Images
Re:Trace 2017 – Call for Papers
Re:Trace 2017 – Practical Information
Re:Trace 2017 – Venues
Re:Trace 2017 – Accommodations
Re:Trace 2017 – Getting There and Around
RE:SOUND 2019
RE:SOUND – Main Call
RE:SOUND – Track 1: Resounding Media Art: Archeologies, Indeterminate Textualities, and Possible Futures
RE:SOUND – Track 2: Sounding Difference: Gender, Sound, and Technology
RE:SOUND – Track 3: Sound and Voice: Art Practices and Politics
RE:SOUND – Track 4: Art and Technology: Methodologies, Practices, Histories
RE:SOUND – Track 5: Sound Art Curating. Critical Histories, Strategies and Practices
RE:SOUND – Track 6: Sound within Bodies, Moist Media Practices, Environment and Life-World: Organisms, Geology and Ecological Niches
RE:SOUND – Track 7: The Return of the Sonic Real
RE:SOUND – Track 8: Archive, Archives, Archiving
RE:SOUND – Track 9: General Topics
RE:SOUND – Struer Tracks: Sound Art, Community and Engineering
Ph.d. Summer Camp
Re:Sound – Two Step Open Call for Participation: Step One, First Call
RE:SOURCE 2023
Network
MediaArtHistory Board (Steering Committee)
Network
Media Art History on Wikipedia
Declaration
Declaration cont.
Archive
Awards
Media Art Histories Award for Contributions to the Field
Media Art Histories Emerging Researchers Award
— Main Menu —
conf Series
- Refresh! 2005
- - Refresh! original site
- - Refresh! original program
- - REFRESH! – Call for Papers
- - programmatic key texts
- re:place 2007
- - re:place general programme
- - re:place – day 1
- - re:place – day 2
- - re:place – day 3
- - re:place participants
- Re:live 2009
- - Re:live venues and registration
- - Re:live themes
- - Re:live programme
- - Re:live committees
- - Re:live sponsors
- - Re:live proceedings
- Rewire 2011
- - LEAF@Rewire
- - Rewire original site
- - Rewire Programme
- - Rewire: Workshop Outputs
- - Rewire: Call for Papers
- RENEW 2013
- - Renew – General Information
- - RENEW 2013: Programme and Venues
- - RENEW 2013: Accommodation
- - RENEW 2013: Proceedings
- - RENEW 2013: Support and Partners
- - RENEW 2013: Contacts
- - RENEW 2013: Registration
- RE-CREATE 2015
- - RE-CREATE 2015
- - Re-Create 2015 : Call for Papers (Closed)
- - RE-CREATE 2015 : Overview
- - Re-Create 2015 : Programme
- - Re-Create 2015 : Documentation
- - Re-Create 2015 : INFO for delegates travelling to Montréal
- - Re-Create 2015: Registration (CLOSED)
- Re:Trace 2017
- - Re:Trace 2017 – main
- - Re:Trace 2017 – Registration
- - Re:Trace 2017 – Keynote Speakers
- - Re:Trace 2017 – Advisory Board
- - Re:Trace 2017 – Award
- - Re:Trace 2017 – Program
- - Re:Trace 2017 – Conference Chairs
- - Re:Trace 2017 – Images
- - Re:Trace 2017 – Call for Papers
- - Re:Trace 2017 – Practical Information
- - Re:Trace 2017 – Venues
- - Re:Trace 2017 – Accommodations
- - Re:Trace 2017 – Getting There and Around
- RE:SOUND 2019
- - RE:SOUND – Main Call
- - RE:SOUND – Track 1: Resounding Media Art: Archeologies, Indeterminate Textualities, and Possible Futures
- - RE:SOUND – Track 2: Sounding Difference: Gender, Sound, and Technology
- - RE:SOUND – Track 3: Sound and Voice: Art Practices and Politics
- - RE:SOUND – Track 4: Art and Technology: Methodologies, Practices, Histories
- - RE:SOUND – Track 5: Sound Art Curating. Critical Histories, Strategies and Practices
- - RE:SOUND – Track 6: Sound within Bodies, Moist Media Practices, Environment and Life-World: Organisms, Geology and Ecological Niches
- - RE:SOUND – Track 7: The Return of the Sonic Real
- - RE:SOUND – Track 8: Archive, Archives, Archiving
- - RE:SOUND – Track 9: General Topics
- - RE:SOUND – Struer Tracks: Sound Art, Community and Engineering
- - Ph.d. Summer Camp
- - Re:Sound – Two Step Open Call for Participation: Step One, First Call
- RE:SOURCE 2023
Network
- MediaArtHistory Board (Steering Committee)
- Network
- Media Art History on Wikipedia
Declaration
- Declaration cont.
Archive
Awards
- Media Art Histories Award for Contributions to the Field
- Media Art Histories Emerging Researchers Award
print / download
Media Art Histories Emerging Researchers Award
2015 – Inaugural Award
Alison Leigh
Morgane Stricot