Su Ballard (NZ): 'Real Time': Early Encounters with Immersive Installation in Aotearoa New Zealand

Clarisse Bardiot (FR): The Artists and Engineers of 9 Evenings: Theatre and Engineering, New York, 1966

Ross Bochnek (US): When Clinical Neuropsychology Met Time-Based Art

Wayne Clements (UK):
(full paper) The Descent of New Media: Art, Warfare and Cambridge Cybernetics

Lenka Dolanova (CZ): What They Were Cooking in There: Cooks, Their Kitchen and the Taste of Fresh Video

Ernest Edmonds (UK/AU): Human and Robot Behaviour: Art meets AI

Francis Arsene Fogue Kuate (Cameroon): Media and society in Cameroon: from the French Period to the beginning of the XXIst century

Francesca Franco (IT/UK):
(full paper) Democracy and Art at the Venice Biennale. The Legacy of 1968

Darko Fritz (HR/NL): Vladimir Bonacic: Dynamic Objects (1968-1971) - computer-generated works made in Zagreb within New Tendencies art network (1961-1973)

Yara Guasque (BR), Sandra Albuquerque Reis Fachinello (BR), Silvia Guadagnini (BR): Skipping Stages. From constructivism in architecture and in poetry to the digital media: searching for parameters to understand the emerging media and the formation of a specialized audience in Brazil

Rosana Horio Monteiro (BR):
(full paper) Art and Science Playing on the Margins. On the discovery of photography in the 19th century Brazil

Karen Ingham (UK): A Ticket to The Theatre of The Dead: Re-framing Interdisciplinarity in the Bio-medical Theatre

Maude Ligier (FR): How cybernetics entered the world of art? The case of Nicolas Schöffer

David McConville (US): Cosmological Cinema: Pedagogy, Propaganda, and Perturbation in Early Dome Theaters

Vytautas Michelkevicius (LT): (Post)Photography and Media Art: Rethinking Institutionalization and Public Curatorship in Lithuania

Simon Mills (UK): framed: Interviews with New Media Writers and Artists

Ariane Noel de Tilly (CA): The different 'versions' of John Massey's As the Hammer Strikes (A Partial Illustration)

Nina Samuel (DE/CH): Re-Reading Fractals: Towards an Archeology of the Digital Form

Stefan Sonvilla-Weiss (AT/FI): Paul Otlet’s impact on visual knowledge building in current developments of Web 2.0

Carolyn Tennant (US), Kathy High (US): The Experimental Television Center

Claudia X. Valdes (CL/US), Phillip Thurtle (US): From Spiderman to Alba: transgenics in a post-nuclear world