{"id":13,"date":"2011-12-15T13:39:21","date_gmt":"2011-12-15T12:39:21","guid":{"rendered":"http:\/\/www.coones.de\/?page_id=13"},"modified":"2016-12-20T01:04:14","modified_gmt":"2016-12-20T00:04:14","slug":"replace-general-programme","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=13","title":{"rendered":"re:place general programme"},"content":{"rendered":"\n\n\n\n\n\n\n
<\/td>\n<\/tr>\n
\n
Pre-Conference Meetings<\/strong>
\n13-15 November<\/span><\/div>\n<\/td>\n
Conference Day 1<\/strong>
\nThurs, 15 November 2007<\/span><\/td>\n		\n
Conference Day 2<\/strong>
\nFri, 16 November 2007<\/span><\/div>\n<\/td>\n
\n
Conference Day 3 <\/strong>
\nSat, 17 November 2007<\/span><\/div>\n<\/td>\n
Feedback Session
\nand Panels<\/strong><\/span>
\n<\/span><\/strong>Sun, 18 November 2007<\/span><\/td>\n<\/tr>\n
14 November, Wed., 10.00-19.00, Conference Hall 2 <\/span><\/strong><\/span>
\nAt the crossroads of Media Art, Technology and Education<\/strong><\/span> <\/p>\n
\n


\nWorkshop
\n13 – 15 November,
\nConference Hall 1
\nOnline Archives of Media Art \u2013 Contextualisation, Metadata, Translation<\/span><\/span><\/strong><\/p>\n

 <\/td>\n

Visit the Flusser-Archiv<\/strong>
\n10:00 UdK Berlin-Sch\u00f6neberg<\/span><\/strong><\/span> <\/p>\n
\n

OPENING SESSION:
\n14:00 – 15:00 Auditorium<\/strong><\/span>
\nOpening Session<\/span><\/strong><\/span><\/p>\n

\n

Panel 1: 15:00 – 17:30, Auditorium<\/strong><\/span>
\nPlace Studies: Art\/Science\/Engineering<\/span><\/strong><\/span><\/p>\n

\n

Panel 2: 15.00-17.30, Theatersaal<\/strong><\/span>
\n<\/span>Intersections of Media and Biology<\/span><\/strong><\/span> <\/strong><\/span><\/p>\n

\n

Helmholtz-Zentrum<\/strong><\/span>18.30 <\/span>
\nHumboldt University<\/span><\/strong><\/span>
\n<\/span> <\/strong><\/span><\/p>\n

\n

Special Lecture Presentation: 21.00
\nTESLA Media>Art<Lab Berlin<\/strong><\/span>
\nCinemedia: Archaeologies of Computation and AI in Cinema<\/a><\/span><\/strong><\/span><\/span><\/span><\/td>\n

Panel 3: 10.00-12.30, Auditorium<\/strong><\/span>
\nHistories of Abstraction<\/span><\/strong><\/span><\/span> <\/p>\n
\n

Panel 4: <\/strong><\/span>10.00-12.30, Theatersaal<\/span><\/strong><\/span>
\nComparative Histories of Art Institutions<\/span><\/strong><\/span><\/p>\n

\n

Poster Session<\/strong><\/span><\/p>\n

\n

Conversation<\/strong><\/span>
\nUSCO<\/span><\/strong><\/p>\n

\n

Panel 5: 15.00-17.30, Auditorium <\/strong><\/span>
\n<\/span>Place Studies: Media Art Histories<\/span><\/strong>
\n<\/span><\/span><\/p>\n

\n

Panel 6: 15.00-17.30, Theatersaal
\n<\/strong><\/span>Media Theory in Cultural Practice <\/span><\/strong><\/span>
\n<\/span><\/span><\/p>\n

\n

General Discussion<\/span><\/strong><\/span> – 17.30-18.30, Auditorium<\/span><\/strong><\/p>\n

\n

Forum Discussion – ISEA2008
\n18:30-20:00
\nConference Hall 3<\/span><\/span><\/strong><\/span><\/p>\n

\n

Keynote 1: 20.00<\/span><\/strong><\/span>Auditorium
\nOn Deep Time Relations between Arts, Sciences,
\nand Technologies <\/span>
\nSiegfried Zielinski <\/span>
\n<\/strong><\/span><\/td>\n

Panel 7: 10.00-12.30, Auditorium<\/strong><\/span>
\n<\/span>Interdisciplinary Theory in Practice<\/span><\/strong><\/span><\/span> <\/p>\n
\n

Panel 8: 10.00-12.30, Theatersaal<\/strong><\/span>
\n<\/span>Place Studies: Russia \/ Soviet Union<\/span><\/strong><\/span><\/p>\n

\n

Poster Session<\/strong><\/span><\/p>\n

\n

Conversation
\nMARCEL<\/span><\/strong><\/span><\/p>\n

\n

Panel 9: 14.30-17.00, Auditorium<\/strong><\/span>
\n<\/span>Cross-Cultural Perspectives<\/span><\/strong>
\n<\/span><\/span><\/p>\n

\n

Panel 10: <\/strong><\/span>14.30-17.00, Theatersaal<\/span><\/strong><\/span>
\n<\/span>Cybernetic Histories of Artistic Practices<\/span><\/strong><\/span>
\n<\/span><\/p>\n

\n

General Discussion<\/span> – 17.30-18.30, Auditorium<\/strong><\/span><\/p>\n

\n

Forum Discussion- Access for International Scholarship – Archiving
\nMediaArtHistories<\/strong><\/span>
\n18:30-20:00, Conference Hall 3 (dinner discussion)<\/strong><\/span><\/strong><\/p>\n

\n

Keynote 2: <\/span><\/strong><\/span>20.00<\/span><\/strong><\/span>Auditorium
\nDreams of a Perfect Medium<\/a><\/span>
\nLorraine Daston<\/span><\/span><\/span><\/strong><\/p>\n

<\/strong> <\/span><\/td>\n

10.00-12:00
\nConference Hall 1<\/span><\/strong>
\nPresentation of Results of the LBI Workshop on Documentation and Metadata<\/strong><\/span> <\/p>\n
\n

Forum Discussion:<\/strong><\/span> 10.00-12:00
\nConference Hall 3\u00a0
\nMusic(ology) and Media Art<\/span><\/strong><\/span><\/strong><\/span><\/p>\n

\n

Forum Discussion: <\/span><\/strong><\/span>10:00-12:00 Conference Hall 2
\n<\/strong><\/span>Rebooting Cyberfeminism<\/strong><\/span><\/p>\n

\n

12.00
\nAuditorium <\/span>
\nFeedback Session and planning for re: conference follow-up in 2009<\/strong>
\n<\/span><\/td>\n<\/tr>\n

POSTERS<\/span>
\n(to be presented in the poster exhibition and in short lunchtime presentations) (several yet t.b.c.)<\/strong><\/span> <\/p>\n

Su Ballard<\/span><\/a> (NZ): ‘Real Time’: Early Encounters with Immersive Installation in Aotearoa New Zealand<\/a>
\n
\nClarisse Bardiot<\/a> (FR):\u00a0The Artists and Engineers of 9 Evenings: Theatre and Engineering, New York, 1966<\/a>
\n
\nRoss Bochnek<\/a> (US):\u00a0When Clinical Neuropsychology Met Time-Based Art
\n<\/a>
\nWayne Clements<\/a> (UK):\u00a0The Descent of New Media: Art, Warfare and Cambridge Cybernetics
\n<\/a>
\nLenka Dolanova<\/a> (CZ):\u00a0What They Were Cooking in There: Cooks, Their Kitchen and the Taste of Fresh Video
\n<\/a>
\nErnest Edmonds<\/a> (UK\/AU):\u00a0Human and Robot Behaviour: Art meets AI<\/a><\/span><\/p>\n

Francis Arsene Fogue Kuate<\/a> (Cameroon):\u00a0The contribution of technical centres to the development of Media Art in Africa: A case study of the Audiovisual Professional Training Centre of Ekounou (Yaounde) <\/a><\/p>\n

Francesca Franco<\/a> (IT\/UK):\u00a0New Media Art and an Institutional Crisis in the History of the Venice Biennale, 1968<\/a><\/p>\n

Darko Fritz<\/a> (HR\/NL):\u00a0Vladimir Bonacic: Dynamic Objects (1968-1971) – computer-generated works made in Zagreb within New Tendencies art network (1961-1973)<\/a><\/p>\n

Yara Guasque<\/a> (BR), Sandra Albuquerque Reis Fachinello <\/a>(BR), Silvia Guadagnini<\/a> (BR):\u00a0Skipping Stages. From constructivism in architecture and in poetry to the digital media: searching for parameters to understand the emerging media and the formation of a specialized audience in Brazil<\/a><\/p>\n

Rosana Horio Monteiro<\/a> (BR):\u00a0Art and Science Playing on the Margins. On the discovery of photography in the 19th century Brazil<\/a><\/p>\n

Karen Ingham<\/a> (UK):\u00a0A Ticket to The Theatre of The Dead: Re-framing Interdisciplinarity in the Bio-medical Theatre
\n<\/a>
\nMaude Ligier<\/a> (FR):\u00a0How cybernetics entered the world of art? The case of Nicolas Sch\u00f6ffer
\n<\/a>
\nDavid McConville<\/a> (US): Cosmological Cinema: Pedagogy, Propaganda, and Perturbation in Early Dome Theaters<\/a>
\n
\nVytautas Michelkevicius<\/a> (LT):\u00a0(Post)Photography and Media Art: Rethinking Institutionalization and Public Curatorship in Lithuania<\/a><\/p>\n

Simon Mills<\/a> (UK): framed: Interviews with New Media Writers and Artists<\/a><\/p>\n

Maria Jose Monge<\/a> (Costa Rica),\u00a0Jose-Carlos Mariategui<\/a> (PE):\u00a0Between a \u2018New Media Hub\u2019 and an Unknown History: New Media Art in Costa Rica<\/a><\/p>\n

Angela Ndalianis<\/a> (AU),\u00a0Lisa Beaven<\/a> (AU), Saige Walton (AU):\u00a0Technologies of Wonder \u2013 a Pansemiotic Approach
\n<\/a>
\nAriane Noel de Tilly<\/a> (CA):\u00a0The different ‘versions’ of John Massey’s As the Hammer Strikes (A Partial Illustration)
\n<\/a>
\nRyan Pierson<\/a> (US): Thinking Space: Mediating IBM’s Deep Blue in the History of Computers<\/a><\/p>\n

Markku Reunanen<\/a> (FI):\u00a0Observations on the Adoption of Science in a Subculture<\/a><\/p>\n

Nina Samuel<\/a> (DE\/CH):\u00a0Re-Reading Fractals: Towards an Archeology of the Digital Form<\/a><\/p>\n

Roberto Simanowski<\/a> (DE\/US):\u00a0The Art of Mapping Data: Statistics, Naturalism, and Transformation
\n<\/a>
\nStefan Sonvilla-Weiss<\/a> (AT\/FI):\u00a0Paul Otlet\u2019s impact on visual knowledge building in current developments of Web 2.0<\/a><\/p>\n

Melanie Swalwell<\/a> (NZ):\u00a0Early Digital Games Production in New Zealand<\/a><\/p>\n

Carolyn Tennant<\/a> (US), Kathy High<\/a> (US):\u00a0The Experimental Television Center <\/a><\/p>\n

Claudia X. Valdes (CL\/US), Phillip Thurtle (US):\u00a0From Spiderman to Alba: transgenics in a post-nuclear world
\n<\/a><\/p>\n

<\/span><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Pre-Conference Meetings 13-15 November Conference Day 1 Thurs, 15 November 2007 Conference Day 2 Fri, 16 November 2007 Conference Day 3 Sat, 17 November 2007 Feedback Session and Panels Sun, 18 November 2007 14 November, Wed., 10.00-19.00, Conference Hall 2 At the crossroads of Media Art, Technology and Education  Workshop 13 – 15 November, Conference Hall 1 Online Archives of Media Art \u2013 Contextualisation, Metadata, Translation   Visit the Flusser-Archiv 10:00 UdK Berlin-Sch\u00f6neberg  OPENING SESSION: 14:00 – 15:00 Auditorium Opening Session Panel 1: 15:00 – 17:30, Auditorium Place Studies: Art\/Science\/Engineering Panel 2: 15.00-17.30, Theatersaal Intersections of Media and Biology Helmholtz-Zentrum18.30 Humboldt University Special Lecture Presentation: 21.00 TESLA Media>Art<Lab Berlin Cinemedia: Archaeologies of Computation and AI in Cinema Panel 3: 10.00-12.30, Auditorium Histories of Abstraction  Panel 4: 10.00-12.30, Theatersaal Comparative Histories of Art Institutions Poster Session Conversation USCO Panel 5: 15.00-17.30, Auditorium Place Studies: Media Art Histories Panel 6: 15.00-17.30, Theatersaal Media Theory in Cultural Practice General Discussion – 17.30-18.30, Auditorium Forum Discussion – ISEA2008 18:30-20:00 Conference Hall 3 Keynote 1: 20.00Auditorium On Deep Time Relations between Arts, Sciences, and Technologies Siegfried Zielinski Panel 7: 10.00-12.30, Auditorium Interdisciplinary Theory in Practice  Panel 8: 10.00-12.30, Theatersaal Place Studies: Russia \/ Soviet Union Poster Session Conversation MARCEL Panel 9: 14.30-17.00, Auditorium Cross-Cultural Perspectives Panel 10: 14.30-17.00, Theatersaal Cybernetic Histories of Artistic Practices General Discussion – 17.30-18.30, Auditorium Forum Discussion- Access for International Scholarship – Archiving MediaArtHistories 18:30-20:00, Conference Hall 3 (dinner discussion) Keynote 2: 20.00Auditorium Dreams of a Perfect Medium Lorraine Daston 10.00-12:00 Conference Hall 1 Presentation of Results of the LBI Workshop on Documentation and Metadata  Forum Discussion: 10.00-12:00 Conference Hall 3\u00a0 Music(ology) and Media Art Forum Discussion: 10:00-12:00 Conference Hall 2 Rebooting Cyberfeminism 12.00 Auditorium Feedback Session and planning for re: conference follow-up in 2009 POSTERS (to be presented in the poster exhibition and in short lunchtime presentations) (several yet t.b.c.)  Su Ballard (NZ): ‘Real Time’: Early Encounters with Immersive Installation in Aotearoa New Zealand Clarisse Bardiot (FR):\u00a0The Artists and Engineers of 9 Evenings: Theatre and Engineering, New York, 1966 Ross Bochnek (US):\u00a0When Clinical Neuropsychology Met Time-Based Art Wayne Clements (UK):\u00a0The Descent of New Media: Art, Warfare and Cambridge Cybernetics Lenka Dolanova (CZ):\u00a0What They Were Cooking in There: Cooks, Their Kitchen and the Taste of Fresh Video Ernest Edmonds (UK\/AU):\u00a0Human and Robot Behaviour: Art meets AI Francis Arsene Fogue Kuate (Cameroon):\u00a0The contribution of technical centres to the development of Media Art in Africa: A case study of the Audiovisual Professional Training Centre of Ekounou (Yaounde) Francesca Franco (IT\/UK):\u00a0New Media Art and an Institutional Crisis in the History of the Venice Biennale, 1968 Darko Fritz (HR\/NL):\u00a0Vladimir Bonacic: Dynamic Objects (1968-1971) – computer-generated works made in Zagreb within New Tendencies art network (1961-1973) Yara Guasque (BR), Sandra Albuquerque Reis Fachinello (BR), Silvia Guadagnini (BR):\u00a0Skipping Stages. From constructivism in architecture and in poetry to the digital media: searching for parameters to understand the emerging media and the formation of a specialized audience in Brazil Rosana Horio Monteiro (BR):\u00a0Art and Science Playing on the Margins. On the discovery of photography in the 19th century Brazil Karen Ingham (UK):\u00a0A Ticket to The Theatre of The Dead: Re-framing Interdisciplinarity in the Bio-medical Theatre Maude Ligier (FR):\u00a0How cybernetics entered the world of art? The case of Nicolas Sch\u00f6ffer David McConville (US): Cosmological Cinema: Pedagogy, Propaganda, and Perturbation in Early Dome Theaters Vytautas Michelkevicius (LT):\u00a0(Post)Photography and Media Art: Rethinking Institutionalization and Public Curatorship in Lithuania Simon Mills (UK): framed: Interviews with New Media Writers and Artists Maria Jose Monge (Costa Rica),\u00a0Jose-Carlos Mariategui (PE):\u00a0Between a \u2018New Media Hub\u2019 and an Unknown History: New Media Art in Costa Rica Angela Ndalianis (AU),\u00a0Lisa Beaven (AU), Saige Walton (AU):\u00a0Technologies of Wonder \u2013 a Pansemiotic Approach Ariane Noel de Tilly (CA):\u00a0The different ‘versions’ of John Massey’s As the Hammer Strikes (A Partial Illustration) Ryan Pierson (US): Thinking Space: Mediating IBM’s Deep Blue in the History of Computers Markku Reunanen (FI):\u00a0Observations on the Adoption of Science in a Subculture Nina Samuel (DE\/CH):\u00a0Re-Reading Fractals: Towards an Archeology of the Digital Form Roberto Simanowski (DE\/US):\u00a0The Art of Mapping Data: Statistics, Naturalism, and Transformation Stefan Sonvilla-Weiss (AT\/FI):\u00a0Paul Otlet\u2019s impact on visual knowledge building in current developments of Web 2.0 Melanie Swalwell (NZ):\u00a0Early Digital Games Production in New Zealand Carolyn Tennant (US), Kathy High (US):\u00a0The Experimental Television Center Claudia X. Valdes (CL\/US), Phillip Thurtle (US):\u00a0From Spiderman to Alba: transgenics in a post-nuclear world  <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":25,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/13"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13"}],"version-history":[{"count":6,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":2365,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions\/2365"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/25"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}