{"id":137,"date":"2011-12-03T09:55:10","date_gmt":"2011-12-03T08:55:10","guid":{"rendered":"http:\/\/www.coones.de\/?page_id=137"},"modified":"2016-12-20T01:07:59","modified_gmt":"2016-12-20T00:07:59","slug":"programmatic-key-texts","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=137","title":{"rendered":"programmatic key texts"},"content":{"rendered":"<p><strong>Programmatic Key Texts<\/strong> &#8211; from 2004, during the lead-up time to Refresh!<\/p>\n<p>&nbsp;<\/p>\n<p>Dieter Daniels &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Daniels.pdf\" target=\"_blank\">What is the point of art in the media age?<\/a><\/p>\n<p>Sara Diamond &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Diamond.pdf\" target=\"_blank\">Reframing the Cathedral: Opening the Sources of Technologies and Cultural Assumptions<\/a><\/p>\n<p>Jean Gagnon &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Gagnon.pdf\" target=\"_blank\">Collecting, preserving and archiving the media arts<\/a><\/p>\n<p>Oliver Grau &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Grau.pdf\" target=\"_blank\">Integrating Media Art into our Culture<\/a><\/p>\n<p>Tom Gunning &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Gunning.pdf\" target=\"_blank\">Illusions Past and Future: The Phantasmagoria and its Specters<\/a><\/p>\n<p>Erkki Huhtamo &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Huhtamo.pdf\" target=\"_blank\">Trouble at the Interface, or the Identity Crisis of Interactive Art<\/a><\/p>\n<p>Douglas Kahn &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Kahn.pdf\" target=\"_blank\">Digits on the historical pulse: Being a way to think about how so much is happening and has happened in sound in the arts<\/a><\/p>\n<p><!-- p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Times New Roman} span.s1 {font: 12.0px Times} -->Ryszard W. Kluszczy\u0144ski &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Kluszczynski.pdf\" target=\"_blank\">After Brunelleschi, after Alberti\u2026<\/a><\/p>\n<p>Lev Manovich &#8211; <a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/manovich.pdf\" target=\"_blank\">Abstraction and Complexity<\/a><\/p>\n<p>W.J.T Mitchell &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/mitchell.pdf\" target=\"_blank\">There Are No Visual Media<\/a><\/p>\n<p>Gunalan Nadarajan &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Nadarajan.pdf\" target=\"_blank\">Phytodynamics and Plant Difference<\/a><\/p>\n<p>Christiane Paul &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Paul.pdf\" target=\"_blank\">Challenges for a Ubiquitous Museum: Presenting and Preserving New Media<\/a><\/p>\n<p>Frank Popper (interviewed conducted by Joseph Nechvatal)\u00a0&#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Popper.pdf\" target=\"_blank\">Origins of Virtualism: An Interview with Frank Popper<\/a><\/p>\n<p>Edward Shanken &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Shanken.pdf\" target=\"_blank\">Historicizing Art and Technology: Forging a Method and Firing a Canon<\/a><\/p>\n<p>Barbara Maria Stafford &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Stafford.pdf\" target=\"_blank\">Still Trapped in Transcendance. Coherence vs. the Lure of Elsewhere<\/a><\/p>\n<p>Peter Weibel &#8211;\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/refresh\/Programmatic%20key%20texts\/pdfs\/Weibel.pdf\" target=\"_blank\">The Allusive Eye. Illusion, Anti-Illusion, Allusion<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Programmatic Key Texts &#8211; from 2004, during the lead-up time to Refresh! &nbsp; Dieter Daniels &#8211;\u00a0What is the point of art in the media age? Sara Diamond &#8211;\u00a0Reframing the Cathedral: Opening the Sources of Technologies and Cultural Assumptions Jean Gagnon &#8211;\u00a0Collecting, preserving and archiving the media arts Oliver Grau &#8211;\u00a0Integrating Media Art into our Culture Tom Gunning &#8211;\u00a0Illusions Past and Future: The Phantasmagoria and its Specters Erkki Huhtamo &#8211;\u00a0Trouble at the Interface, or the Identity Crisis of Interactive Art Douglas Kahn &#8211;\u00a0Digits on the historical pulse: Being a way to think about how so much is happening and has happened in sound in the arts Ryszard W. Kluszczy\u0144ski &#8211;\u00a0After Brunelleschi, after Alberti\u2026 Lev Manovich &#8211; Abstraction and Complexity W.J.T Mitchell &#8211;\u00a0There Are No Visual Media Gunalan Nadarajan &#8211;\u00a0Phytodynamics and Plant Difference Christiane Paul &#8211;\u00a0Challenges for a Ubiquitous Museum: Presenting and Preserving New Media Frank Popper (interviewed conducted by Joseph Nechvatal)\u00a0&#8211;\u00a0Origins of Virtualism: An Interview with Frank Popper Edward Shanken &#8211;\u00a0Historicizing Art and Technology: Forging a Method and Firing a Canon Barbara Maria Stafford &#8211;\u00a0Still Trapped in Transcendance. Coherence vs. the Lure of Elsewhere Peter Weibel &#8211;\u00a0The Allusive Eye. Illusion, Anti-Illusion, Allusion<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/137"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=137"}],"version-history":[{"count":18,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/137\/revisions"}],"predecessor-version":[{"id":2406,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/137\/revisions\/2406"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/5"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}