{"id":19,"date":"2011-12-22T22:00:47","date_gmt":"2011-12-22T21:00:47","guid":{"rendered":"http:\/\/www.coones.de\/?page_id=19"},"modified":"2016-12-20T01:03:36","modified_gmt":"2016-12-20T00:03:36","slug":"replace-day-1","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=19","title":{"rendered":"re:place &#8211; day 1"},"content":{"rendered":"<table border=\"0\" width=\"653\" height=\"4997\" align=\"left\" bordercolor=\"#ffffff\">\n<tbody>\n<tr>\n<td width=\"647\" height=\"22\"><\/td>\n<\/tr>\n<tr bgcolor=\"#669933\" bordercolor=\"#669900\">\n<td height=\"47\">\n<div style=\"text-align: left;\"><span style=\"color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><strong>Day 1<\/strong><br \/>\nThursday, 15 November 2007<\/span><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td height=\"1916\" valign=\"top\"><span style=\"color: #669900; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><strong>OPENING SESSION<br \/>\n14:00pm &#8211; 15:00pm Auditorium<\/strong><\/span><span style=\"color: #009900; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><br \/>\n<\/span><span style=\"font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><br \/>\n<strong><span style=\"color: #000066;\">Welcome Address<br \/>\n<\/span><\/strong><span style=\"color: #000066;\">by\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/broeckmann_bio.htm\" target=\"_self\">Andreas Broeckmann<\/a> (DE) Gunalan Nadarajan (SG\/US), Bernd Scherer\/HKW (DE)<\/span><\/span>&nbsp;<\/p>\n<p><span style=\"color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\">Introductory talk by\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/grau_bio.htm\" target=\"_self\">Oliver Grau<\/a> (DE\/AT):\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/grau_abstract.htm\" target=\"_self\"><br \/>\nMediaArtHistory &#8211; Image Science &#8211; Digital Humanities<\/a><\/span><\/p>\n<hr \/>\n<p><span style=\"color: #669900; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><strong>Panel 1: CONCURRENT AFTERNOON SESSION<br \/>\n15:00 &#8211; 17:30, Auditorium<br \/>\n<\/strong><\/span><span style=\"font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><strong><br \/>\n<span style=\"color: #000066;\">Place Studies: Art\/Science\/Engineering<\/span><\/strong><span style=\"color: #000066;\"><strong><br \/>\n<\/strong><em>(Moderation: Edward Shanken(US)) <\/em><\/span><\/span><\/p>\n<p><em>Speakers:<\/em><span style=\"color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/century_bio.htm\" target=\"_self\">Michael Century<\/a> (CA\/US):\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/century_abstract.htm\" target=\"_self\"><br \/>\nEncoding motion in the early computer: knowledge transfers between studio and laboratory<\/a><br \/>\n<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/jones_bio.htm\" target=\"_self\"><br \/>\nStephen Jones<\/a> (AU):\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/jones_abstract.htm\" target=\"_self\"><br \/>\nThe Confluence of Computing and Fine Arts at the University of Sydney, 1968-1975<\/a><\/span><\/p>\n<p><a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/moraga_bio.htm\" target=\"_self\">Eva Moraga<\/a> (ES):\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/moraga_abstract.htm\" target=\"_self\"><br \/>\nThe Computation Center at Madrid University, 1966-1973:<br \/>\nAn example of true interaction between art, science and technology<\/a><br \/>\n<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/oppenheimer_bio.htm\" target=\"_self\"><br \/>\nRobin Oppenheimer<\/a> (US\/CA):\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/openheimer_abstract.htm\" target=\"_self\"><br \/>\nNetwork Forums and Trading Zones: How Two Experimental, Collaborative Art and<br \/>\nEngineering Subcultures Spawned the &#8220;9 Evenings: Theatre and Engineering&#8221; and E.A.T.<\/a><\/p>\n<hr \/>\n<p><span style=\"color: #669900; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><strong>Panel 2: CONCURRENT AFTERNOON SESSION<br \/>\n15.00-17.30, Theatersaal<br \/>\n<\/strong><\/span><span style=\"font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><br \/>\n<\/span><span style=\"color: #009900; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><strong><span style=\"color: #000066;\">Intersections of Media and Biology<\/span><\/strong><\/span><span style=\"color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"> <strong><br \/>\n<\/strong><em>(Moderation and Introduction: Ingeborg Reichle (DE))<\/em><\/span><\/p>\n<p><span style=\"color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><em>Speakers:<\/em><\/span><\/p>\n<p><span style=\"color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/kaniari_bio.htm\" target=\"_self\">Assimina Kaniari<\/a> (GR\/UK),<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/kaniari_abstract.htm\" target=\"_self\"><br \/>\nMorphogenesis in Action: D&#8217;Arcy Thompson and the experimental in Leonardo from LL Whyte to now<br \/>\n<\/a><br \/>\n<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/parikka_bio.htm\" target=\"_self\">Jussi Parikka<\/a> (FI):<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/parikka_abstract.htm\" target=\"_self\"><br \/>\nInsect Media of the Nineteenth Century<br \/>\n<\/a><a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/barker_bio.htm\" target=\"_self\"><br \/>\nMichele Barker<\/a> (AU):\u00a0<a href=\"http:\/\/hdl.handle.net\/10002\/454\" target=\"_blank\"><br \/>\nFrom Life to Cognition: investigating the rol of biology and neurology in new media arts practice<br \/>\n<\/a><br \/>\n<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/chapple_bio.htm\" target=\"_self\">Boo Chapple<\/a> (AU):\u00a0<a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/chapple_abstract.htm\" target=\"_self\"><br \/>\nSound, Matter, Flesh: A history of crosstalk from medicine to contemporary art and biology<\/a><\/span><\/p>\n<hr \/>\n<p><span style=\"color: #669900; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;\"><strong>HELMHOLTZ-ZENTRUM F\u00dcR KULTURTECHNIK <\/strong><\/span><span style=\"font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><br \/>\n<span style=\"color: #000066;\">An Introduction to the interdisciplinary research programme of the HELMHOLTZ-ZENTRUM F\u00dcR KULTURTECHNIK at HUMBOLDT UNIVERSITY (Unter den Linden 6) with Prof. Jochen Br\u00fcning, Prof. Thomas Macho, a.o.<\/span><br \/>\n<span style=\"color: #669900;\"><strong>15 November, Thursday, 18.30 at Helmholtz-Zentrum, Humboldt University<\/strong><\/span><\/span><\/p>\n<hr \/>\n<p><span style=\"color: #669900; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><strong><span style=\"font-size: small;\">Special Lecture Presentation <\/span><br \/>\nTimothy Druckrey (US): <\/strong><\/span><span style=\"color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><span style=\"color: #669900;\"><span style=\"color: #000066;\"><strong><span style=\"color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><a href=\"http:\/\/www.mediaarthistory.org\/replace\/replacearchives\/druckery_abstract.htm\">Cinemedia: Archaeologies of Computation and AI in Cinema<\/a><\/span><\/strong><\/span><\/span><\/span><span style=\"color: #669900; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;\"><strong><br \/>\n15 November, Thursday, 21.00 at TESLA Media&gt;Art&lt;Lab Berlin<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td height=\"2409\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Day 1 Thursday, 15 November 2007 OPENING SESSION 14:00pm &#8211; 15:00pm Auditorium Welcome Address by\u00a0Andreas Broeckmann (DE) Gunalan Nadarajan (SG\/US), Bernd Scherer\/HKW (DE)&nbsp; Introductory talk by\u00a0Oliver Grau (DE\/AT):\u00a0 MediaArtHistory &#8211; Image Science &#8211; Digital Humanities Panel 1: CONCURRENT AFTERNOON SESSION 15:00 &#8211; 17:30, Auditorium Place Studies: Art\/Science\/Engineering (Moderation: Edward Shanken(US)) Speakers:Michael Century (CA\/US):\u00a0 Encoding motion in the early computer: knowledge transfers between studio and laboratory Stephen Jones (AU):\u00a0 The Confluence of Computing and Fine Arts at the University of Sydney, 1968-1975 Eva Moraga (ES):\u00a0 The Computation Center at Madrid University, 1966-1973: An example of true interaction between art, science and technology Robin Oppenheimer (US\/CA):\u00a0 Network Forums and Trading Zones: How Two Experimental, Collaborative Art and Engineering Subcultures Spawned the &#8220;9 Evenings: Theatre and Engineering&#8221; and E.A.T. Panel 2: CONCURRENT AFTERNOON SESSION 15.00-17.30, Theatersaal Intersections of Media and Biology (Moderation and Introduction: Ingeborg Reichle (DE)) Speakers: Assimina Kaniari (GR\/UK), Morphogenesis in Action: D&#8217;Arcy Thompson and the experimental in Leonardo from LL Whyte to now Jussi Parikka (FI): Insect Media of the Nineteenth Century Michele Barker (AU):\u00a0 From Life to Cognition: investigating the rol of biology and neurology in new media arts practice Boo Chapple (AU):\u00a0 Sound, Matter, Flesh: A history of crosstalk from medicine to contemporary art and biology HELMHOLTZ-ZENTRUM F\u00dcR KULTURTECHNIK An Introduction to the interdisciplinary research programme of the HELMHOLTZ-ZENTRUM F\u00dcR KULTURTECHNIK at HUMBOLDT UNIVERSITY (Unter den Linden 6) with Prof. Jochen Br\u00fcning, Prof. Thomas Macho, a.o. 15 November, Thursday, 18.30 at Helmholtz-Zentrum, Humboldt University Special Lecture Presentation Timothy Druckrey (US): Cinemedia: Archaeologies of Computation and AI in Cinema 15 November, Thursday, 21.00 at TESLA Media&gt;Art&lt;Lab Berlin &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":13,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/19"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19"}],"version-history":[{"count":15,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":2685,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions\/2685"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/13"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}