{"id":21,"date":"2011-12-22T22:01:07","date_gmt":"2011-12-22T21:01:07","guid":{"rendered":"http:\/\/www.coones.de\/?page_id=21"},"modified":"2016-12-20T01:03:48","modified_gmt":"2016-12-20T00:03:48","slug":"replace-day-2","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=21","title":{"rendered":"re:place – day 2"},"content":{"rendered":"\n\n\n\n\n\n\n
<\/td>\n<\/tr>\n
\n
Day 2<\/strong>
\nFriday, 16 November 2007<\/span><\/div>\n<\/td>\n<\/tr>\n
Panel 3: CONCURRENT MORNING SESSION
\n10.00-12.30, Auditorium<\/strong><\/span> <\/p>\n

Histories of Abstraction<\/span><\/strong><\/span>
\n<\/em><\/span>(Moderation and Introduction: Sean Cubitt (UK\/AU)) <\/em> <\/em><\/span><\/p>\n

<\/em> <\/em>Speakers:<\/em><\/p>\n

Laura Marks<\/a> (CA):\u00a0
\nArtificial life from classical Islamic art to new media art, via 17th-century Holland <\/a><\/span><\/p>\n

Arianna Borrelli <\/a>(IT\/DE):\u00a0
\n(full paper) The Media Perspective in the Study of S<\/a>cientific Abstraction <\/span><\/a>
\n
\nAmir Alexander<\/a> (US):\u00a0
\n(full paper) Death in Paris: When Mathematics became Art
\n<\/a>
\nPaul Thomas<\/a> (AU):\u00a0
\nConstructed infinite smallness<\/a><\/span><\/span><\/p>\n

\n

Panel 4: <\/strong><\/span>CONCURRENT MORNING SESSION<\/span>
\n10.00-12.30, Theatersaal<\/span><\/strong><\/span><\/p>\n

Comparative Histories of Art Institutions<\/span><\/strong><\/span>
\n(Moderation: Stephan Kovats DE\/CA)<\/em><\/span><\/span>Speakers:<\/em><\/span><\/p>\n

Lioudmila Voropai <\/a>(RU\/DE):\u00a0
\n(full paper) Institutionalisation of Media Art in the Post-Soviet Space: The Role of Cultural Policy and Socioeconomic Factors<\/a><\/span><\/p>\n

Renata Sukaityte<\/a> (LT):\u00a0
\nElectronic art in Estonia, Latvia and Lithuania: the interplay of local, regional and global processes<\/a><\/p>\n

Christoph Kl\u00fctsch<\/a> (DE):\u00a0
\nThe roots and influences of information aesthetics in Germany, Canada, US, Brazil and Japan <\/a><\/p>\n

Catherine Hamel<\/a> (CA):\u00a0
\nCrossing Into The Border – an intersection of vertical and horizontal migration<\/a><\/p>\n

\n

12:30 – 15:00
\nbreak<\/span><\/p>\n

\n

Panel 5: CONCURRENT AFTERNOON SESSION
\n15.00-17.30, Auditorium <\/strong><\/span>
\n<\/span>Place Studies: Media Art Histories<\/span><\/strong>
\n<\/span><\/span>(Moderation and Introduction: Andreas Broeckmann (DE)) <\/em><\/span><\/p>\n

Speakers:<\/em><\/p>\n

Daniel Palmer<\/a> (AU):\u00a0
\n(full paper) Media Art and Its Critics in the Australian Context<\/a><\/span><\/p>\n

Ryszard W. Kluszczynski<\/a> (PL):\u00a0
\nFrom Media Art to Techno Culture. Reflections on the Transformation of the Avant-Gardes (the Polish case) <\/a><\/p>\n

Caroline Seck Langill<\/a> (CA):\u00a0
\n(full paper) Corridors of Practice I: Technology and Performance Art on the North American Pacific Coast in the 1970s and Early 80s <\/a><\/p>\n

Machiko Kusahara <\/a>(JP):\u00a0
\nA Turning Point in Japanese Avant-garde Art: 1964 – 1970<\/a><\/p>\n

\n

Panel 6: CONCURRENT AFTERNOON SESSION
\n15.00-17.30, Theatersaal
\n<\/strong><\/span>Media Theory<\/span><\/strong><\/span> in Cultural Practice<\/span><\/strong>
\n<\/span><\/span>(Moderation: Tapio M\u00e4kel\u00e4 (FI))<\/em><\/span><\/p>\n

Speakers<\/em>:<\/span><\/p>\n

Kathryn Farley<\/a> (US):\u00a0
\n(full paper) Generative Systems: The Art and Technology of Classroom Collaboration<\/a>
\n
\nNils R\u00f6ller<\/a> (DE\/CH):\u00a0
\nAn Individual Academy: Vilem Flusser’s passage from institutional to individual practices <\/a><\/span><\/p>\n

Wendy Hui Kyong Chun<\/a> (US):\u00a0
\nThe Enduring Ephemeral, or the Future is a Memory <\/a><\/p>\n

Antony Hudek<\/a> (US\/CH),\u00a0Antonia Wunderlich<\/a> (DE):\u00a0
\nBetween Tomorrow and Yesterday: charting Les Immat\u00e9riaux as technoscientific event<\/a><\/p>\n

\n

General Discussion<\/span><\/strong><\/span>
\n17.30-18.30, Auditorium<\/span><\/strong><\/p>\n

\n

Forum Discussion: ISEA2008 <\/span>
\nwith Gunalan Nadarajan
\n18:30-20:00, Conference Hall 3 (dinner discussion)<\/span><\/span><\/strong><\/p>\n

\n

Keynote 2:
\nSiegfried Zielinski<\/span> (DE) (Universit\u00e4t der K\u00fcnste, Berlin)<\/strong><\/span>
\n<\/span><\/strong><\/span>On Deep Time Relations between Arts, Sciences,
\nand Technologies<\/span>
\nModeration: Miklos Peternak (HU)
\n16 November, Friday, 20.00, Auditorium<\/strong><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

<\/span><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

V<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Day 2 Friday, 16 November 2007 Panel 3: CONCURRENT MORNING SESSION 10.00-12.30, Auditorium  Histories of Abstraction (Moderation and Introduction: Sean Cubitt (UK\/AU)) Speakers: Laura Marks (CA):\u00a0 Artificial life from classical Islamic art to new media art, via 17th-century Holland Arianna Borrelli (IT\/DE):\u00a0 (full paper) The Media Perspective in the Study of Scientific Abstraction Amir Alexander (US):\u00a0 (full paper) Death in Paris: When Mathematics became Art Paul Thomas (AU):\u00a0 Constructed infinite smallness Panel 4: CONCURRENT MORNING SESSION 10.00-12.30, Theatersaal Comparative Histories of Art Institutions (Moderation: Stephan Kovats DE\/CA)Speakers: Lioudmila Voropai (RU\/DE):\u00a0 (full paper) Institutionalisation of Media Art in the Post-Soviet Space: The Role of Cultural Policy and Socioeconomic Factors Renata Sukaityte (LT):\u00a0 Electronic art in Estonia, Latvia and Lithuania: the interplay of local, regional and global processes Christoph Kl\u00fctsch (DE):\u00a0 The roots and influences of information aesthetics in Germany, Canada, US, Brazil and Japan Catherine Hamel (CA):\u00a0 Crossing Into The Border – an intersection of vertical and horizontal migration 12:30 – 15:00 break Panel 5: CONCURRENT AFTERNOON SESSION 15.00-17.30, Auditorium Place Studies: Media Art Histories (Moderation and Introduction: Andreas Broeckmann (DE)) Speakers: Daniel Palmer (AU):\u00a0 (full paper) Media Art and Its Critics in the Australian Context Ryszard W. Kluszczynski (PL):\u00a0 From Media Art to Techno Culture. Reflections on the Transformation of the Avant-Gardes (the Polish case) Caroline Seck Langill (CA):\u00a0 (full paper) Corridors of Practice I: Technology and Performance Art on the North American Pacific Coast in the 1970s and Early 80s Machiko Kusahara (JP):\u00a0 A Turning Point in Japanese Avant-garde Art: 1964 – 1970 Panel 6: CONCURRENT AFTERNOON SESSION 15.00-17.30, Theatersaal Media Theory in Cultural Practice (Moderation: Tapio M\u00e4kel\u00e4 (FI)) Speakers: Kathryn Farley (US):\u00a0 (full paper) Generative Systems: The Art and Technology of Classroom Collaboration Nils R\u00f6ller (DE\/CH):\u00a0 An Individual Academy: Vilem Flusser’s passage from institutional to individual practices Wendy Hui Kyong Chun (US):\u00a0 The Enduring Ephemeral, or the Future is a Memory Antony Hudek (US\/CH),\u00a0Antonia Wunderlich (DE):\u00a0 Between Tomorrow and Yesterday: charting Les Immat\u00e9riaux as technoscientific event General Discussion 17.30-18.30, Auditorium Forum Discussion: ISEA2008 with Gunalan Nadarajan 18:30-20:00, Conference Hall 3 (dinner discussion) Keynote 2: Siegfried Zielinski (DE) (Universit\u00e4t der K\u00fcnste, Berlin) On Deep Time Relations between Arts, Sciences, and Technologies Moderation: Miklos Peternak (HU) 16 November, Friday, 20.00, Auditorium       V  <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":25,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/21"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21"}],"version-history":[{"count":11,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/21\/revisions"}],"predecessor-version":[{"id":2686,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/21\/revisions\/2686"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/25"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}