{"id":212,"date":"2011-12-05T09:31:02","date_gmt":"2011-12-05T08:31:02","guid":{"rendered":"http:\/\/www.coones.de\/?page_id=212"},"modified":"2017-04-19T14:40:30","modified_gmt":"2017-04-19T13:40:30","slug":"212-2","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=212","title":{"rendered":"Refresh! original program"},"content":{"rendered":"\n\n\n\n\n
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WEBCASTING\u00a0ARCHIVES<\/span><\/strong><\/span><\/p>\n

Click\u00a0Here<\/a><\/strong><\/span>
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\u00a0<\/strong>\u00a0<\/strong><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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Day\u00a01<\/strong><\/span>
\nThursday, 29 September 2005<\/span><\/div>\n<\/td>\n
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Day\u00a02<\/strong>
\nFriday, 30 September 2005<\/span><\/div>\n<\/td>\n
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Day\u00a03 <\/strong>
\nSaturday, 1 October 2005<\/span><\/span><\/div>\n<\/td>\n<\/tr>\n
8:30am\u00a0– 9:20am Max Bell Aud. <\/span>\u00a0<\/span><\/span>London 3:30pm, Moscow 6:30pm, Tokyo 11:30pm\u00a0<\/span>Welcome Address<\/strong>\u00a0<\/strong>\u00a0<\/strong>by Conf. Chair Oliver Grau (8:30am)<\/span>Address Sara Diamond\/Susan Kennard – Roger MalinaKeynote<\/strong><\/span>Introduction:
\nRyszard Kluszczynski<\/span>Edmond Couchot:<\/a> Media Art: Hybridization and Autonomy<\/a>\u00a0<\/strong>Towards the Autonomous Image<\/a><\/strong><\/span><\/p>\n
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Opening
\nPlenary (9:20am -11:05am, Max Bell Aud.)<\/span><\/p>\n

London 4:20pm, Moscow 7:20pm, Tokyo 12:20am<\/p>\n

\u00a0<\/span>\u00a0<\/span><\/p>\n

Session I: <\/strong>MediaArtHistories:
\nTimes & Landscapes 1<\/strong><\/span> \u00a0<\/strong><\/span><\/p>\n

\u00a0<\/strong>(Chairs: Oliver Grau and Gunalan Nadarajan ) <\/strong><\/p>\n

After photography, film, video, and the little known media art history of\u00a0the 1960s-80s, today media artists are active in a wide range of digital\u00a0areas (including interactive, genetic, telematic and nanoart). Media Art\u00a0History offers a basis for attempting an evolutionary history of the audiovisual\u00a0media, from the Laterna Magica to the Panorama, Phantasmagoria, Film, and\u00a0the Virtual Art of recent decades. This panel tries to clarify, if and how\u00a0varieties of Media Art have been splitting up during the last decades. It\u00a0examines also how far back Media Art reaches as a historical category within\u00a0the history of Art, Science and Technology. This session will offer a first\u00a0overview about the visible influence of media art on all fields of art.<\/p>\n

Speakers:<\/em><\/span><\/p>\n

Plenary\u00a0(8:45am – 10:45am, Max Bell Aud.)<\/span>London 3:45pm, Moscow 6:45pm, Tokyo 11:45pmSession
\nVI: Collecting, Preserving and Archiving the Media Arts<\/strong><\/span>\u00a0<\/strong>(Chair: Steve Dietz) <\/strong>Collections grow because of different influences such as art dealers,
\nthe art\u00a0market, curators and currents in the international contemporary art scene.What are the conditions necessary for a wider consideration of media art\u00a0works and of new media in these collections?Speakers:<\/em><\/span><\/p>\n