Deadline for final submission of proposals: Dec 1, 2023
\nMAH Advisory Board\u2019s decision for the 2025 Host will be announced at the Re:Source conference in Venice.
\n<\/strong><\/p>\n***********************************
\nMediaArtHistory Board (Steering Committee)<\/p>\n
Andreas BROECKMANN, Leuphana Universit\u00e4t
\nAndres BURBANO, Universidad de los Andes
\nSean CUBITT, Goldsmiths College, University of London
\nOliver GRAU, Danube University
\nInge HINTERWALDNER, Karlsruhe Institute of Technology
\nErkki HUHTAMO, University of California Los Angeles
\nMachiko KUSAHARA, Waseda University, Tokyo
\nKatja KWASTEK, Vrije Universiteit Amsterdam
\nGunalan NADARAJAN, University of Michigan
\nChris SALTER, Concordia University and Hexagram, Montreal
\nPaul THOMAS, UNSW Sydney<\/p>\n","protected":false},"excerpt":{"rendered":"
CALL FOR PROPOSALS to host an International Conference on the Histories of Media Art, Science and Technology The Media Art Histories Board invites applications to host the next International Conference on the Histories of Media Art, Science and Technology. The international conference series, which was inaugurated in 2005 in Banff, Canada, has since been held in several international venues around the globe including Berlin in 2007, Melbourne 2009, Liverpool 2011, Riga 2013, Montreal 2015, Krems\/Vienna 2017, Aalborg 2019, the MediaArtHistories stream at CIHA in Brazil 2021 and Re:Source 2023. The call for proposals to host the 11th international conference is currently open. The conference series aims to engage the growing community of scholars from a range of disciplines including art history, contemporary art practice, art theory, history of science, history of technology, science and technology studies, media studies, image science, visual studies, philosophy, cultural studies, anthropology, architecture theory, sound studies, computer science among others to develop and share new research and scholarship in the intersecting fields of the histories of media art, science and technology. The host of the each conference will have the opportunity to continue to build on the impressive history of the conference series. CONFERENCE SERIES MISSION Recognizing the increasing significance of media art for our culture, the conference series on the Histories of Media Art discusses… the history of media arts within the interdisciplinary and intercultural contexts of the histories of the arts. Numerous individuals and institutions collaborate to produce the international art history conference series covering the media arts, the arts and technology, art-science interaction, and the history of media as pertinent to the contemporary arts. GUIDELINES, SELECTION CRITERIA AND DEADLINES Proposals to host the conference will include the following information: 1. Proposed Dates 2. Proposed Venues (including information on number, capacity and AV and network capabilities of spaces) 3. Rationale for hosting the conference 4. Host Local Organizing Committee 5. Relevant previous experience (e.g., committee members, experience in hosting conferences, events, etc.) 6. Publicity Plan 7. Funding \/ Sponsorship plan 8. Preliminary Budget Those interested in making a bid to host the conference CAN DOWNLOAD THE GUIDELINES HERE and are encouraged to write to coordination(at)mediaarthistory.org with an expression of interest prior to submitting a formal proposal. Deadline for final submission of proposals: Dec 1, 2023 MAH Advisory Board\u2019s decision for the 2025 Host will be announced at the Re:Source conference in Venice. *********************************** MediaArtHistory Board (Steering Committee) Andreas BROECKMANN, Leuphana Universit\u00e4t Andres BURBANO, Universidad de los Andes Sean CUBITT, Goldsmiths College, University of London Oliver GRAU, Danube University Inge HINTERWALDNER, Karlsruhe Institute of Technology Erkki HUHTAMO, University of California Los Angeles Machiko KUSAHARA, Waseda University, Tokyo Katja KWASTEK, Vrije Universiteit Amsterdam Gunalan NADARAJAN, University of Michigan Chris SALTER, Concordia University and Hexagram, Montreal Paul THOMAS, UNSW Sydney<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/2244"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2244"}],"version-history":[{"count":25,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/2244\/revisions"}],"predecessor-version":[{"id":4572,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/2244\/revisions\/4572"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}