{"id":23,"date":"2011-12-22T22:01:44","date_gmt":"2011-12-22T21:01:44","guid":{"rendered":"http:\/\/www.coones.de\/?page_id=23"},"modified":"2017-04-20T11:14:56","modified_gmt":"2017-04-20T10:14:56","slug":"replace-day-3","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=23","title":{"rendered":"re:place – day 3"},"content":{"rendered":"\n\n\n\n\n\n\n
<\/td>\n<\/tr>\n
\n
Day 3 <\/strong>
\nSaturday, 17 November 2007<\/span><\/div>\n<\/td>\n<\/tr>\n
Panel 7: CONCURRENT MORNING SESSION
\n10.00-12.30, Auditorium<\/strong><\/span>
\n<\/span>
\nInterdisciplinary Theory in Practice<\/span><\/strong><\/span><\/span>
\n(Moderation:Sara Diamond (CA)<\/em><\/span>Speakers:<\/em><\/span><\/p>\n

Christopher Salter<\/a> (US\/CA):\u00a0
\n(full paper) Unstable Events: Performative Science, Materiality and Machinic Practices <\/a>
\n
\nSimone Osthoff<\/a> (BR\/US):\u00a0
\n(full paper) Philosophizing in Translation: Vilem Flusser’s Brazilian Writings
\n<\/a>
\nKarl Hansson<\/a> (SE):\u00a0
\n(full paper) Haptic Connections – On Hapticality and the History of Visual Media
\n<\/a>
\nJanine Marchessault<\/a> (CA)\/\u00a0Michael Darroch<\/a> (CA):\u00a0
\nAnonymous History as Methodology: The Collaborations of Siegfried Giedion, Jacqueline Tyrwhitt, and the Explorations Group (1951-53)<\/a><\/span><\/p>\n

\n

Panel 8: CONCURRENT MORNING SESSION
\n10.00-12.30, Theatersaal<\/strong><\/span>
\n<\/span>Place Studies: Russia \/ Soviet Union<\/span><\/strong><\/span>
\n<\/strong>(Introduction\/Moderation: Inke Arns)<\/em><\/span><\/p>\n

Speakers:<\/em><\/span><\/p>\n

Inke Arns<\/a> (DE):\u00a0
\nThe Avant-Garde in the Rear View Mirror <\/a><\/span><\/p>\n

Olga Goriunova<\/a> (RU):\u00a0
\n<\/a>(full paper) Vitalist Technocratism in the Times of Materialist Idealism. On the Philosophy of Technology by Piotr Engelmeier in Pre- and Early Soviet Russia<\/a>
\n<\/a>
\nMargareta Tillberg<\/a> (SE\/DE):\u00a0
\nCybernetics and Arts: The Soviet Group Dvizhenie (Movement) 1962-1972
\n<\/a>
\nMargarete Voehringer<\/a> (DE):\u00a0
\n‘Space, not Stones’ Nikolai Ladovski’s Psychotechnical Laboratory for Architecture, Moscow 1926 <\/a><\/p>\n

Irina Aristarkhova<\/a> (RU\/US):\u00a0
\nStepanova’s ‘Laboratory’<\/a><\/p>\n

\n

12:30 – 14:30
\nbreak<\/span><\/p>\n

\n

Panel 9: CONCURRENT AFTERNOON SESSION
\n14.30-17.00, Auditorium<\/strong><\/span>
\n<\/span>Cross-Cultural Perspectives<\/span><\/strong>
\n<\/span><\/span>(Moderation: Bernd Scherer (DE) <\/em><\/span><\/p>\n

Speakers:<\/em><\/p>\n

Sheila Petty<\/a> (CA):
\n(full paper) African Digital Imaginaries
\n<\/a>
\nCynthia Ward<\/a> (US):\u00a0
\nMinding Realities: Geometries of Cultural Cognition<\/a><\/span><\/p>\n

Erkki Huhtamo<\/a> (FI\/US):\u00a0
\nIntercultural Interfaces: Correcting the pro-Western Bias of Media History <\/a><\/p>\n

Manosh Chowdhury<\/a> (Bangladesh\/JP):\u00a0
\n(full paper) Can there be an ‘Art History’ in the South?: Myth of Intertextuality and Subversion in the Age of Media Art<\/a><\/p>\n

\n

Panel 10: <\/strong><\/span>CONCURRENT AFTERNOON SESSION<\/span>
\n14.30-17.00, Theatersaal<\/span><\/strong><\/span>
\n<\/span>
\nCybernetic Histories of Artistic Practices<\/span><\/strong><\/span>
\n(Moderation and Introduction: Geoff Cox (UK))<\/em><\/span>Speakers<\/em>:<\/span><\/p>\n

Geoff Cox<\/a> (UK):\u00a0
\n(full paper) Software Art has No History
\n<\/a>
\nChristina Dunbar-Hester<\/a> (US):\u00a0
\n(full paper) Listening to Cybernetics: Music, Machines, and Nervous Systems, 1950-1980 <\/a><\/span><\/p>\n

David Link<\/a> (DE):\u00a0
\nMemory for Love Letters. Computer Archaeology of a Very Early Program.<\/a><\/p>\n

Brian Reffin Smith<\/a> (UK\/DE):\u00a0
\nHijack! How the computer was wasted for art<\/a><\/p>\n

Kristoffer Gansing<\/a> (SE):\u00a0
\n(full paper) Humans thinking like Machines – Incidental Media Art in the Swedish Welfare State<\/a><\/p>\n

\n

Forum Discussion: Access for International Scholarship – Archiving MediaArtHistories <\/strong><\/span>
\n17 November, Saturday, 18:30-20:00, Conference Hall 3 (dinner discussion)<\/strong><\/span><\/p>\n

\n

Keynote 2: <\/strong><\/span>
\nLorrain Daston<\/span> (US\/DE)<\/span><\/span><\/strong>
\nDreams of a Perfect Medium<\/a><\/span>
\n17 November, Saturday, 20.00, Auditorium<\/span><\/span><\/strong>
\nModeration: Gunalan Nadarajan (SH\/US)<\/strong><\/span><\/p>\n

\n<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Day 3 Saturday, 17 November 2007 Panel 7: CONCURRENT MORNING SESSION 10.00-12.30, Auditorium Interdisciplinary Theory in Practice (Moderation:Sara Diamond (CA)Speakers: Christopher Salter (US\/CA):\u00a0 (full paper) Unstable Events: Performative Science, Materiality and Machinic Practices Simone Osthoff (BR\/US):\u00a0 (full paper) Philosophizing in Translation: Vilem Flusser’s Brazilian Writings Karl Hansson (SE):\u00a0 (full paper) Haptic Connections – On Hapticality and the History of Visual Media Janine Marchessault (CA)\/\u00a0Michael Darroch (CA):\u00a0 Anonymous History as Methodology: The Collaborations of Siegfried Giedion, Jacqueline Tyrwhitt, and the Explorations Group (1951-53) Panel 8: CONCURRENT MORNING SESSION 10.00-12.30, Theatersaal Place Studies: Russia \/ Soviet Union (Introduction\/Moderation: Inke Arns) Speakers: Inke Arns (DE):\u00a0 The Avant-Garde in the Rear View Mirror Olga Goriunova (RU):\u00a0 (full paper) Vitalist Technocratism in the Times of Materialist Idealism. On the Philosophy of Technology by Piotr Engelmeier in Pre- and Early Soviet Russia Margareta Tillberg (SE\/DE):\u00a0 Cybernetics and Arts: The Soviet Group Dvizhenie (Movement) 1962-1972 Margarete Voehringer (DE):\u00a0 ‘Space, not Stones’ Nikolai Ladovski’s Psychotechnical Laboratory for Architecture, Moscow 1926 Irina Aristarkhova (RU\/US):\u00a0 Stepanova’s ‘Laboratory’ 12:30 – 14:30 break Panel 9: CONCURRENT AFTERNOON SESSION 14.30-17.00, Auditorium Cross-Cultural Perspectives (Moderation: Bernd Scherer (DE) Speakers: Sheila Petty (CA): (full paper) African Digital Imaginaries Cynthia Ward (US):\u00a0 Minding Realities: Geometries of Cultural Cognition Erkki Huhtamo (FI\/US):\u00a0 Intercultural Interfaces: Correcting the pro-Western Bias of Media History Manosh Chowdhury (Bangladesh\/JP):\u00a0 (full paper) Can there be an ‘Art History’ in the South?: Myth of Intertextuality and Subversion in the Age of Media Art Panel 10: CONCURRENT AFTERNOON SESSION 14.30-17.00, Theatersaal Cybernetic Histories of Artistic Practices (Moderation and Introduction: Geoff Cox (UK))Speakers: Geoff Cox (UK):\u00a0 (full paper) Software Art has No History Christina Dunbar-Hester (US):\u00a0 (full paper) Listening to Cybernetics: Music, Machines, and Nervous Systems, 1950-1980 David Link (DE):\u00a0 Memory for Love Letters. Computer Archaeology of a Very Early Program. Brian Reffin Smith (UK\/DE):\u00a0 Hijack! How the computer was wasted for art Kristoffer Gansing (SE):\u00a0 (full paper) Humans thinking like Machines – Incidental Media Art in the Swedish Welfare State Forum Discussion: Access for International Scholarship – Archiving MediaArtHistories 17 November, Saturday, 18:30-20:00, Conference Hall 3 (dinner discussion) Keynote 2: Lorrain Daston (US\/DE) Dreams of a Perfect Medium 17 November, Saturday, 20.00, Auditorium Moderation: Gunalan Nadarajan (SH\/US)<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":25,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/23"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23"}],"version-history":[{"count":13,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":2687,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions\/2687"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/25"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}