{"id":2503,"date":"2017-01-30T13:15:49","date_gmt":"2017-01-30T12:15:49","guid":{"rendered":"http:\/\/www.mediaarthistory.org\/?page_id=2503"},"modified":"2018-06-05T08:35:50","modified_gmt":"2018-06-05T07:35:50","slug":"retrace-cfp","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=2503","title":{"rendered":"Re:Trace 2017 call for papers (for reference purposes)"},"content":{"rendered":"
\n

 <\/p>\n

This conference is for
\nthe following fields:<\/p>\n

art history\u00b7<\/em>
\n anthropology \u00b7<\/em>
\n architecture\u00b7<\/em>
\n archiving \u00b7<\/em>
\n biology \/ biomedical \u00b7<\/em>
\n computer science\u00b7<\/em>
\n climate research \u00b7<\/em>
\n collecting \u00b7<\/em>
\n cultural studies \u00b7<\/em>
\n cultural heritage \u00b7<\/em>
\n curating \u00b7<\/em>
\n cyberfeminism \u00b7<\/em>
\n cybernetics \u00b7<\/em>
\n digital humanities \u00b7<\/em>
\n documentation \u00b7<\/em>
\n ethnography \u00b7<\/em>
\n ecology \u00b7<\/em>
\n film studies \u00b7<\/em>
\n history of science \u00b7<\/em>
\n history of technology \u00b7<\/em>
\n image science \u00b7<\/em>
\n interaction \u00b7<\/em>
\n interculturalism \u00b7<\/em>
\n media archaeology \u00b7<\/em>
\n media art \u00b7<\/em>
\n media studies \u00b7<\/em>
\n museum direction \u00b7<\/em>
\n museum exhibit creation<\/em>
\n nano arts \u00b7<\/em>
\n neuroscience \u00b7<\/em>
\n performance \u00b7<\/em>
\n photography \u00b7<\/em>
\n pop culture \u00b7<\/em>
\n post-colonial \u00b7<\/em>
\n presence research \u00b7<\/em>
\n preservation \u00b7<\/em>
\n psychology \u00b7<\/em>
\n robotics \u00b7<\/em>
\n scenography<\/em>
\n science writing \u00b7<\/em>
\n social media \u00b7<\/em>
\n semiotics \u00b7<\/em>
\n sociology \u00b7<\/em>
\n sound studies \u00b7<\/em>
\n supercomputing \u00b7<\/em>
\n surveillance \u00b7<\/em>
\n teaching\u00b7<\/em>
\n theatre \u00b7<\/em>
\n visual culture<\/em><\/p>\n<\/div>\n

 <\/p>\n

\u201cRecognizing the increasing significance of media art for our culture, this conference series on the<\/em>
\n Histories of Media Art will discuss for the first time the history of media art within the interdisciplinary and<\/em>
\n intercultural contexts of the histories of art. Numerous individuals and institutions collaborate to produce
\nthe<\/em> international art history conference series covering art and new media, art and technology,
\nart-science interaction, <\/em>and the history of media as pertinent to contemporary art.\u201c
\n<\/em><\/p>\n
\n

RE:TRACE 2017: Call for Papers\u00a0 <\/a>[closed]<\/span> <\/strong><\/p>\n

The 7th<\/sup> International Conference on the Histories of Media Art, Science and Technology titled RE:TRACE<\/em><\/strong> focuses on an evaluation of the status of the meta-discipline MediaArtHistories today.<\/p>\n

More than a decade after the first conference founded the field now recognized worldwide as a significant historical inquiry at the intersection of art, science, and technology, Media Art Histories is now firmly established as a dynamic area of study guided by changing media and research priorities, drawing a growing community of scholars, artists and artist-researchers.<\/p>\n

Immersed in both contemporary and historiographical aspects of the digital world, we explore the most immediate socio-cultural questions of our time: from body futures, information society, and media (r)evolutions, to environmental interference, financial virtualization, and surveillance. And we do so through a fractal lens of inter- and trans-disciplinarity, bridging art history, media studies, neuroscience, psychology, sociology, and beyond. MediaArtHistories is a field whose theory, methods, and objects of study interweave with and overlay other disciplines.<\/p>\n

The organizing committee invites researchers of different areas, disciplines and practices to submit individual papers, posters and full panels with new and original research preferably in the following themes:<\/p>\n