{"id":270,"date":"2011-12-20T12:41:35","date_gmt":"2011-12-20T11:41:35","guid":{"rendered":"http:\/\/www.mediaarthistory.org\/?page_id=270"},"modified":"2016-12-20T01:09:02","modified_gmt":"2016-12-20T00:09:02","slug":"rewire-day-1","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=270","title":{"rendered":"Rewire – day 1 – Sept 28, 2011"},"content":{"rendered":"

WEDNESDAY 28TH<\/sup> SEPTEMBER 2011<\/strong><\/p>\n

9.00 \u2013 9.20: Opening address<\/strong><\/p>\n

Mike Stubbs, Rewire chair and Director of FACT<\/p>\n

 <\/p>\n

9.30 \u2013 11.30: SESSION 1<\/strong><\/p>\n

Panel A: <\/em>Accidents, experiments and prototypes<\/em><\/p>\n

CHAIR: Mike Stubbs<\/p>\n

Gabriel Menotti, Gambiarra and the Prototyping Perspective<\/em><\/p>\n

Caroline Langill, The Telidon Trials (1978-1985): Creative applications and disappointing outcomes<\/em><\/p>\n

Valentina Montero and Christian Oyarzun, Art, Desire and Technology<\/em><\/p>\n

Penelope Boyer, Homer\u2019s Penelope as an Early Tale of Technology: \u201cHold on, just let me finish textiling ; ) \u201d <\/em><\/p>\n

Markus Hafner, mitumBACK<\/em><\/p>\n

***<\/p>\n

Panel B: Computing<\/em><\/p>\n

CHAIR:Charlie Gere<\/p>\n

Daniel Temkin, Esolexicons<\/em><\/p>\n

John Tonkin, Cybernetics within us; notes towards a dysfunctional robotics<\/em><\/p>\n

Robert Jackson, Speculative Media – The Beholding of Objects: Object Oriented Ontology, Algorithmic Artworks and the Beholding of Media.<\/em><\/p>\n

Rebecca Rouse, Panoramic Forms: From Social Spectacle to Handheld Illusion<\/em><\/p>\n

Vito Campanelli The Optical\/Haptic Antinomy on the Web<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> The spaces of art (urban)
\n<\/em><\/p>\n

CHAIR: Juan Cruz<\/p>\n

Patrick Allen, Framing Locality and Place: some creative uses of augmented public space<\/em><\/p>\n

Karen O’Rourke, Walking the Map<\/em><\/p>\n

Janine Marchessault and Michael Darroch, “Living Architecture” (1951-1972) as Urban Media<\/em><\/p>\n

Kathy Cleland, The history and aesthetics of surveillance art<\/em><\/p>\n

Eva Kekou & Eleni Han, Contemporary Tales of the City in a digital art mode<\/em><\/p>\n

 <\/p>\n

11.30 \u2013 11.45: Tea\/coffee<\/strong><\/p>\n

 <\/p>\n

11.45 \u2013 13.10: SESSION 2<\/strong><\/p>\n

Panel A: Art and science<\/em><\/p>\n

CHAIR: Oliver Grau<\/p>\n

Florian Wiencek and Timothy Senior, Where Art meets Science: An Ontology<\/em><\/p>\n

<\/em>Morten S\u00f8ndergaard, Bio Media Art – Aesthetic Paradigms in the Wet Zone<\/em><\/p>\n

<\/em>Lioudmila Voropai, The Discourse of \u201cArt-Science Interaction\u201d: Historical Perspective<\/em><\/p>\n

***<\/span><\/em><\/p>\n

Panel B: Pioneers profiles<\/em><\/p>\n

CHAIR: Paul Brown<\/p>\n

Simone Gristwood, Re-wiring the past \u2013 Pioneering Computer Art in Japan<\/em><\/p>\n

Rie Saito, Reconstructing Alternative Media Art History in Japan. Focusing on the experimental moving images by Toshio Matsumoto.<\/em><\/p>\n

Aleksandra Kaminska, From technological utopia to mediated dystopia: The work of Piotr Wyrzykowski <\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> Art now 1
\n<\/em><\/p>\n

CHAIR: Mike Stubbs<\/p>\n

Kasia Molga and Sander Veenhof, Investigating the Notion of the Art 2.0<\/em><\/p>\n

Alessandro Ludovico and Paolo Cirio, Face<\/em>\u2010<\/em>to<\/em>\u2010<\/em>Facebook, smiling in the eternal party<\/em><\/p>\n

Heidi Tikka, Disintegration, Translation, Temporality<\/em><\/p>\n

Perry Bard, Wrestling With The Canon:From Film To Database<\/em><\/p>\n

 <\/p>\n

13.00 \u2013 14.00: Lunch<\/strong><\/p>\n

 <\/p>\n

14.00 \u2013 15.40: SESSION 3<\/strong><\/p>\n

Panel A: Philosophies<\/em><\/p>\n

CHAIR: Charlie Gere<\/p>\n

Emile Devereaux, Accessing the Otherworld Through Pervasive Media<\/em><\/p>\n

Saskia Korsten, Reversed Remediation; How Art Can Make One critically Aware of the Workings of Media <\/em><\/p>\n

Hamda Darwish and Ben Roberts, Bare Media and the Sovereign<\/em><\/p>\n

Christoph Brunner, The Production of Subjectivity in Interactive Media Environments<\/em><\/p>\n

***<\/p>\n

Panel B: Bodies and code (artificial, hybrid, electric)
\n<\/em><\/p>\n

CHAIR: Andy Miah<\/p>\n

Inge Hinterwaldner, Sources of Movement in Artistic Artificial Life Simulations<\/em><\/p>\n

Lissa Holloway-Attaway, Everyday Aesthetics and Affective Display: self-rendering in\/as social media(tions)<\/em><\/p>\n

Nina Wenhart, (he)art breaking to the core – zombie data and the arts of re\/de\/transcoding<\/em><\/p>\n

Diana Domingues, Cristiano Miosso, Abraham Paredes and Adson da Rocha, Art and Electricity: Bioengineering and electromyographic potentials for synaesthetic data visualization and body identity<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> The craft of art (data vs. objects)<\/em><\/p>\n

CHAIR: Paul Brown<\/p>\n

Morgan Quaintance, Distortion As Authenticity <\/em><\/p>\n

Gail Kenning, Polar roses, code and crochet lace: Media non-specificity in craft-based textile forms<\/em><\/p>\n

Nina Czegledy, The Art and Politics of Data Visualization<\/em><\/p>\n

Sarah Thompson, Data Object Relations and the Interaction of New Media Art Within a Broader Art Historical Context<\/em><\/p>\n

 <\/p>\n

15.40 \u2013 16.00: Tea\/coffee<\/strong><\/p>\n

 <\/p>\n

16.00 \u2013 17.40: SESSION 4<\/strong><\/p>\n

Panel A: Blindspots (1968)<\/em><\/p>\n

CHAIR: Mike Stubbs<\/p>\n

Francesca Franco, Venice, Art & Technology. Shifts in the Biennale\u2019s curatorial model, 1968<\/em><\/p>\n

Jacob Lillemose, Voodoo Child! Setting the Guitar on Fire and Distorting the Sound of the Cybernetic Logic<\/em><\/p>\n

Michael Goddard, Towards an Anarcheology of 1970s Media Art: Media Archaeology, Anarcheology and Anarchic Media Art<\/em><\/p>\n

Michael Dieter, Reticular Aesthetics: From Tactical Media to Network Emergencies<\/em><\/p>\n

***<\/p>\n

Panel B: Bodies and movement
\n<\/em><\/p>\n

CHAIR: Andy Miah<\/p>\n

Elena Marcevska, Screen as site of division<\/em><\/p>\n

Patricia Bueno-Delgado,\u00a0 Mapping Unusual Territories<\/em><\/p>\n

Andy Best, T\/Act \u2013 social empowerment through physical interaction with media art works<\/em><\/p>\n

Clarisse Bardiot, \u201cEclats\u201d : a video-annotation software to document digital performances<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> The spaces of art (recent examples)
\n<\/em><\/p>\n

CHAIR: Juan Cruz<\/p>\n

Mike Leggett, Physical Cinema: recent practice and history<\/em><\/p>\n

Denise Doyle, The History of Spaces (and Technologies) of the Imagination<\/em><\/p>\n

Ewa W\u00f3jtowicz,\u00a0 In Translation. Time and Space in Art Re- Practices<\/em><\/p>\n

Josephine Starrs and Leon Cmielewski, Incompatible Elements<\/em><\/p>\n

 <\/p>\n

17.45 \u2013 18.45: Keynote<\/strong><\/p>\n

Tanya Harrod, chaired by Charlie Gere<\/p>\n

 <\/p>\n

18.45 \u2013 19.30: Receptions<\/strong><\/p>\n

Q.E.D EXHIBITION OPENING (curated by Sarah Cook, with Jean Gagnon)<\/p>\n

***<\/p>\n

Book launches (TBA)<\/p>\n

***<\/p>\n

MA-Net <\/strong><\/p>\n

 <\/p>\n

19.30: Close<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

WEDNESDAY 28TH SEPTEMBER 2011 9.00 \u2013 9.20: Opening address Mike Stubbs, Rewire chair and Director of FACT   9.30 \u2013 11.30: SESSION 1 Panel A: Accidents, experiments and prototypes CHAIR: Mike Stubbs Gabriel Menotti, Gambiarra and the Prototyping Perspective Caroline Langill, The Telidon Trials (1978-1985): Creative applications and disappointing outcomes Valentina Montero and Christian Oyarzun, Art, Desire and Technology Penelope Boyer, Homer\u2019s Penelope as an Early Tale of Technology: \u201cHold on, just let me finish textiling ; ) \u201d Markus Hafner, mitumBACK *** Panel B: Computing CHAIR:Charlie Gere Daniel Temkin, Esolexicons John Tonkin, Cybernetics within us; notes towards a dysfunctional robotics Robert Jackson, Speculative Media – The Beholding of Objects: Object Oriented Ontology, Algorithmic Artworks and the Beholding of Media. Rebecca Rouse, Panoramic Forms: From Social Spectacle to Handheld Illusion Vito Campanelli The Optical\/Haptic Antinomy on the Web *** Panel C: The spaces of art (urban) CHAIR: Juan Cruz Patrick Allen, Framing Locality and Place: some creative uses of augmented public space Karen O’Rourke, Walking the Map Janine Marchessault and Michael Darroch, “Living Architecture” (1951-1972) as Urban Media Kathy Cleland, The history and aesthetics of surveillance art Eva Kekou & Eleni Han, Contemporary Tales of the City in a digital art mode   11.30 \u2013 11.45: Tea\/coffee   11.45 \u2013 13.10: SESSION 2 Panel A: Art and science CHAIR: Oliver Grau Florian Wiencek and Timothy Senior, Where Art meets Science: An Ontology Morten S\u00f8ndergaard, Bio Media Art – Aesthetic Paradigms in the Wet Zone Lioudmila Voropai, The Discourse of \u201cArt-Science Interaction\u201d: Historical Perspective *** Panel B: Pioneers profiles CHAIR: Paul Brown Simone Gristwood, Re-wiring the past \u2013 Pioneering Computer Art in Japan Rie Saito, Reconstructing Alternative Media Art History in Japan. Focusing on the experimental moving images by Toshio Matsumoto. Aleksandra Kaminska, From technological utopia to mediated dystopia: The work of Piotr Wyrzykowski *** Panel C: Art now 1 CHAIR: Mike Stubbs Kasia Molga and Sander Veenhof, Investigating the Notion of the Art 2.0 Alessandro Ludovico and Paolo Cirio, Face\u2010to\u2010Facebook, smiling in the eternal party Heidi Tikka, Disintegration, Translation, Temporality Perry Bard, Wrestling With The Canon:From Film To Database   13.00 \u2013 14.00: Lunch   14.00 \u2013 15.40: SESSION 3 Panel A: Philosophies CHAIR: Charlie Gere Emile Devereaux, Accessing the Otherworld Through Pervasive Media Saskia Korsten, Reversed Remediation; How Art Can Make One critically Aware of the Workings of Media Hamda Darwish and Ben Roberts, Bare Media and the Sovereign Christoph Brunner, The Production of Subjectivity in Interactive Media Environments *** Panel B: Bodies and code (artificial, hybrid, electric) CHAIR: Andy Miah Inge Hinterwaldner, Sources of Movement in Artistic Artificial Life Simulations Lissa Holloway-Attaway, Everyday Aesthetics and Affective Display: self-rendering in\/as social media(tions) Nina Wenhart, (he)art breaking to the core – zombie data and the arts of re\/de\/transcoding Diana Domingues, Cristiano Miosso, Abraham Paredes and Adson da Rocha, Art and Electricity: Bioengineering and electromyographic potentials for synaesthetic data visualization and body identity *** Panel C: The craft of art (data vs. objects) CHAIR: Paul Brown Morgan Quaintance, Distortion As Authenticity Gail Kenning, Polar roses, code and crochet lace: Media non-specificity in craft-based textile forms Nina Czegledy, The Art and Politics of Data Visualization Sarah Thompson, Data Object Relations and the Interaction of New Media Art Within a Broader Art Historical Context   15.40 \u2013 16.00: Tea\/coffee   16.00 \u2013 17.40: SESSION 4 Panel A: Blindspots (1968) CHAIR: Mike Stubbs Francesca Franco, Venice, Art & Technology. Shifts in the Biennale\u2019s curatorial model, 1968 Jacob Lillemose, Voodoo Child! Setting the Guitar on Fire and Distorting the Sound of the Cybernetic Logic Michael Goddard, Towards an Anarcheology of 1970s Media Art: Media Archaeology, Anarcheology and Anarchic Media Art Michael Dieter, Reticular Aesthetics: From Tactical Media to Network Emergencies *** Panel B: Bodies and movement CHAIR: Andy Miah Elena Marcevska, Screen as site of division Patricia Bueno-Delgado,\u00a0 Mapping Unusual Territories Andy Best, T\/Act \u2013 social empowerment through physical interaction with media art works Clarisse Bardiot, \u201cEclats\u201d : a video-annotation software to document digital performances *** Panel C: The spaces of art (recent examples) CHAIR: Juan Cruz Mike Leggett, Physical Cinema: recent practice and history Denise Doyle, The History of Spaces (and Technologies) of the Imagination Ewa W\u00f3jtowicz,\u00a0 In Translation. Time and Space in Art Re- Practices Josephine Starrs and Leon Cmielewski, Incompatible Elements   17.45 \u2013 18.45: Keynote Tanya Harrod, chaired by Charlie Gere   18.45 \u2013 19.30: Receptions Q.E.D EXHIBITION OPENING (curated by Sarah Cook, with Jean Gagnon) *** Book launches (TBA) *** MA-Net   19.30: Close<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":230,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/270"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=270"}],"version-history":[{"count":24,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/270\/revisions"}],"predecessor-version":[{"id":2417,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/270\/revisions\/2417"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/230"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}