{"id":2745,"date":"2017-05-30T16:34:35","date_gmt":"2017-05-30T15:34:35","guid":{"rendered":"http:\/\/www.mediaarthistory.org\/?page_id=2745"},"modified":"2017-11-13T08:33:32","modified_gmt":"2017-11-13T07:33:32","slug":"program","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=2745","title":{"rendered":"Re:Trace 2017 Program Overview"},"content":{"rendered":"<ul class='gdl-accordion'>\n<li class='gdl-divider'>\n<h2 class='accordion-head title-color gdl-title'><span class='accordion-head-image'><\/span>DAY 1 &#8211; Danube University Krems<\/h2>\n<div class='accordion-content'>\n<p>Locations at Danube University Campus: Audimax, Cinema Kesselhaus, Room 2.2 (Main Building)<\/p>\n<p>Poster Session at Audimax Foyer<\/p>\n<div class=\"supsystic-table-loader spinner\" ><\/div><div id=\"supsystic-table-2_25758\" class=\"supsystic-tables-wrap \" style=\" width: 100%; visibility: hidden; \" data-table-width-fixed=\"100%\" ><table id=\"supsystic-table-2\" class=\"supsystic-table paragraphMode border lightboxImg cell-border \" data-id=\"2\" data-view-id=\"2_25758\" data-title=\"Day 1\" data-currency-format=\"$1,000.00\" data-percent-format=\"10.00%\" data-date-format=\"DD.MM.YYYY\" data-time-format=\"HH:mm\" data-features=\"[&quot;after_table_loaded_script&quot;]\" data-search-value=\"\" data-lightbox-img=\"\" data-head-rows-count=\"1\" data-pagination-length=\"50,100,All\" data-auto-index=\"off\" data-searching-settings=\"{&quot;minChars&quot;:&quot;0&quot;}\" data-lang=\"default\" data-override=\"{&quot;emptyTable&quot;:&quot;&quot;,&quot;info&quot;:&quot;&quot;,&quot;infoEmpty&quot;:&quot;&quot;,&quot;infoFiltered&quot;:&quot;&quot;,&quot;lengthMenu&quot;:&quot;&quot;,&quot;search&quot;:&quot;&quot;,&quot;zeroRecords&quot;:&quot;&quot;,&quot;file&quot;:&quot;default&quot;}\" data-merged=\"[]\" data-responsive-mode=\"0\" data-from-history=\"0\" ><thead><tr><th class=\"\" style=\"padding: 0 !important;\"><\/th><th class=\"\" style=\"padding: 0 !important;\"><\/th><\/tr><\/thead><tbody><tr style=\"height: px\" ><td data-cell-id=\"A1\" data-x=\"0\" data-y=\"1\" data-db-index=\"1\" class=\"htCenter htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"08:30\" data-order=\"08:30\" style=\"min-width: 7.7938%; \" > 08:30 <\/td><td data-cell-id=\"B1\" data-x=\"1\" data-y=\"1\" data-db-index=\"1\" class=\"bg-d4d4d4 color-000000\" data-cell-type=\"text\" data-original-value=\"Registration \/\/ Audimax\" data-order=\"Registration \/\/ Audimax\" style=\"min-width: 92.2062%; \" > Registration \/\/ Audimax <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A2\" data-x=\"0\" data-y=\"2\" data-db-index=\"2\" class=\"color-000000 htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"09:00\" data-order=\"09:00\" > 09:00 <\/td><td data-cell-id=\"B2\" data-x=\"1\" data-y=\"2\" data-db-index=\"2\" class=\"bg-d4d4d4 color-000000\" data-cell-type=\"text\" data-original-value=\"Official Opening: Welcome by Rektor Friedrich Faulhammer and Conference Chairs Oliver Grau (Danube U) and Inge Hinterwaldner (HU Berlin) (Patronage: Landeshauptfrau Johanna Mikl-Leitner) \/\/Audimax\" data-order=\"Official Opening: Welcome by Rektor Friedrich Faulhammer and Conference Chairs Oliver Grau (Danube U) and Inge Hinterwaldner (HU Berlin) (Patronage: Landeshauptfrau Johanna Mikl-Leitner) \/\/Audimax\" > Official Opening: Welcome by Rektor Friedrich Faulhammer and Conference Chairs Oliver Grau (Danube U) and Inge Hinterwaldner (HU Berlin) (Patronage: Landeshauptfrau Johanna Mikl-Leitner) \/\/Audimax <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A3\" data-x=\"0\" data-y=\"3\" data-db-index=\"3\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"09:20\" data-order=\"09:20\" > 09:20 <\/td><td data-cell-id=\"B3\" data-x=\"1\" data-y=\"3\" data-db-index=\"3\" class=\"color-000000 bold bg-f0d9bd\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/909&quot; target=&quot;_blank&quot;&gt;Keynote by Ryszard KLUSZCZY\u0143SKI (University of \u0141odz, PL): Monument as Archive: artistic strategies from anti- to meta-memorial (Introduction by Inge Hinterwaldner)&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/909&quot; target=&quot;_blank&quot;&gt;Keynote by Ryszard KLUSZCZY\u0143SKI (University of \u0141odz, PL): Monument as Archive: artistic strategies from anti- to meta-memorial (Introduction by Inge Hinterwaldner)&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/909\" target=\"_blank\">Keynote by Ryszard KLUSZCZY\u0143SKI (University of \u0141odz, PL): Monument as Archive: artistic strategies from anti- to meta-memorial (Introduction by Inge Hinterwaldner)<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A4\" data-x=\"0\" data-y=\"4\" data-db-index=\"4\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"10:20\" data-order=\"10:20\" > 10:20 <\/td><td data-cell-id=\"B4\" data-x=\"1\" data-y=\"4\" data-db-index=\"4\" class=\"bg-d4d4d4 color-000000\" data-cell-type=\"text\" data-original-value=\"Coffee Break\" data-order=\"Coffee Break\" > Coffee Break <\/td><\/tr><tr style=\"height: 22px\" ><td data-cell-id=\"A5\" data-x=\"0\" data-y=\"5\" data-db-index=\"5\" class=\"htCenter htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B5\" data-x=\"1\" data-y=\"5\" data-db-index=\"5\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A6\" data-x=\"0\" data-y=\"6\" data-db-index=\"6\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B6\" data-x=\"1\" data-y=\"6\" data-db-index=\"6\" class=\"bg-319bf7 bold\" data-cell-type=\"text\" data-original-value=\"Stream Media Art &amp; Politics (Audimax) \" data-order=\"Stream Media Art &amp; Politics (Audimax) \" > Stream Media Art & Politics (Audimax) <\/td><\/tr><tr style=\"height: 53px\" ><td data-cell-id=\"A7\" data-x=\"0\" data-y=\"7\" data-db-index=\"7\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"10:45 - 12:15\" data-order=\"10:45 - 12:15\" > 10:45 - 12:15 <\/td><td data-cell-id=\"B7\" data-x=\"1\" data-y=\"7\" data-db-index=\"7\" class=\"\" data-cell-type=\"text\" data-original-value=\"Cybernetics, computing and the question of representation in art &lt;br \/&gt; Chair: Jacob WAMBERG\" data-order=\"Cybernetics, computing and the question of representation in art &lt;br \/&gt; Chair: Jacob WAMBERG\" > Cybernetics, computing and the question of representation in art <br \/> Chair: Jacob WAMBERG <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A8\" data-x=\"0\" data-y=\"8\" data-db-index=\"8\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B8\" data-x=\"1\" data-y=\"8\" data-db-index=\"8\" class=\"\" data-cell-type=\"text\" data-original-value=\"Steve DIXON (SG): Understanding Media Art as Cybernetic-Existentialism\" data-order=\"Steve DIXON (SG): Understanding Media Art as Cybernetic-Existentialism\" > Steve DIXON (SG): Understanding Media Art as Cybernetic-Existentialism <\/td><\/tr><tr style=\"height: 22px\" ><td data-cell-id=\"A9\" data-x=\"0\" data-y=\"9\" data-db-index=\"9\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B9\" data-x=\"1\" data-y=\"9\" data-db-index=\"9\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/923&quot; target=&quot;_blank&quot;&gt;Gerald NESTLER (AT): Aesthetics of Resolution&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/923&quot; target=&quot;_blank&quot;&gt;Gerald NESTLER (AT): Aesthetics of Resolution&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/923\" target=\"_blank\">Gerald NESTLER (AT): Aesthetics of Resolution<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A10\" data-x=\"0\" data-y=\"10\" data-db-index=\"10\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B10\" data-x=\"1\" data-y=\"10\" data-db-index=\"10\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/799&quot; target=&quot;_blank&quot;&gt;Kevin HAMILTON (US): Beyond Visualization: Genealogies of Unmapped Complexity in Media Art and Technology&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/799&quot; target=&quot;_blank&quot;&gt;Kevin HAMILTON (US): Beyond Visualization: Genealogies of Unmapped Complexity in Media Art and Technology&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/799\" target=\"_blank\">Kevin HAMILTON (US): Beyond Visualization: Genealogies of Unmapped Complexity in Media Art and Technology<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A11\" data-x=\"0\" data-y=\"11\" data-db-index=\"11\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B11\" data-x=\"1\" data-y=\"11\" data-db-index=\"11\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/848&quot; target=&quot;_blank&quot;&gt;Andres BURBANO (CO): The MONIAC and the Arts&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/848&quot; target=&quot;_blank&quot;&gt;Andres BURBANO (CO): The MONIAC and the Arts&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/848\" target=\"_blank\">Andres BURBANO (CO): The MONIAC and the Arts<\/a><\/td><\/tr><tr style=\"height: 23px\" ><td data-cell-id=\"A12\" data-x=\"0\" data-y=\"12\" data-db-index=\"12\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B12\" data-x=\"1\" data-y=\"12\" data-db-index=\"12\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: 22px\" ><td data-cell-id=\"A13\" data-x=\"0\" data-y=\"13\" data-db-index=\"13\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B13\" data-x=\"1\" data-y=\"13\" data-db-index=\"13\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Sound (Cinema Kesselhaus)\" data-order=\"Stream Sound (Cinema Kesselhaus)\" > Stream Sound (Cinema Kesselhaus) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A14\" data-x=\"0\" data-y=\"14\" data-db-index=\"14\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"10:45 - 12:15\" data-order=\"10:45 - 12:15\" > 10:45 - 12:15 <\/td><td data-cell-id=\"B14\" data-x=\"1\" data-y=\"14\" data-db-index=\"14\" class=\"\" data-cell-type=\"text\" data-original-value=\"Early experimental strategies in the image-sound-complex&lt;br \/&gt; Chair: Wendy COONES\" data-order=\"Early experimental strategies in the image-sound-complex&lt;br \/&gt; Chair: Wendy COONES\" > Early experimental strategies in the image-sound-complex<br \/> Chair: Wendy COONES <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A15\" data-x=\"0\" data-y=\"15\" data-db-index=\"15\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B15\" data-x=\"1\" data-y=\"15\" data-db-index=\"15\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/891&quot; target=&quot;_blank&quot;&gt;Stefanie BR\u00c4UER (CH): Electronic Oscillography in Early 1950s Experimental Film&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/891&quot; target=&quot;_blank&quot;&gt;Stefanie BR\u00c4UER (CH): Electronic Oscillography in Early 1950s Experimental Film&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/891\" target=\"_blank\">Stefanie BR\u00c4UER (CH): Electronic Oscillography in Early 1950s Experimental Film<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A16\" data-x=\"0\" data-y=\"16\" data-db-index=\"16\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B16\" data-x=\"1\" data-y=\"16\" data-db-index=\"16\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/866&quot; target=&quot;_blank&quot;&gt;Ashley SCARLETT (CA)\/Martin ZEILINGER (UK): Rethinking Affordance&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/866&quot; target=&quot;_blank&quot;&gt;Ashley SCARLETT (CA)\/Martin ZEILINGER (UK): Rethinking Affordance&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/866\" target=\"_blank\">Ashley SCARLETT (CA)\/Martin ZEILINGER (UK): Rethinking Affordance<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A17\" data-x=\"0\" data-y=\"17\" data-db-index=\"17\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B17\" data-x=\"1\" data-y=\"17\" data-db-index=\"17\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/902&quot; target=&quot;_blank&quot;&gt;Soojung YI (KR): When &#039;new media art&#039; became the solution to endow cultural identity to its community? The history of new media art in South Korea since 1980s&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/902&quot; target=&quot;_blank&quot;&gt;Soojung YI (KR): When &#039;new media art&#039; became the solution to endow cultural identity to its community? The history of new media art in South Korea since 1980s&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/902\" target=\"_blank\">Soojung YI (KR): When 'new media art' became the solution to endow cultural identity to its community? The history of new media art in South Korea since 1980s<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A18\" data-x=\"0\" data-y=\"18\" data-db-index=\"18\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B18\" data-x=\"1\" data-y=\"18\" data-db-index=\"18\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/847&quot; target=&quot;_blank&quot;&gt;Dmitry GALKIN (RU): Art, Science and Technology in Russia: current affairs and ambitions for the future (from institutional and artistic perspectives)&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/847&quot; target=&quot;_blank&quot;&gt;Dmitry GALKIN (RU): Art, Science and Technology in Russia: current affairs and ambitions for the future (from institutional and artistic perspectives)&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/847\" target=\"_blank\">Dmitry GALKIN (RU): Art, Science and Technology in Russia: current affairs and ambitions for the future (from institutional and artistic perspectives)<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A19\" data-x=\"0\" data-y=\"19\" data-db-index=\"19\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B19\" data-x=\"1\" data-y=\"19\" data-db-index=\"19\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A20\" data-x=\"0\" data-y=\"20\" data-db-index=\"20\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B20\" data-x=\"1\" data-y=\"20\" data-db-index=\"20\" class=\"bg-60cfd1 bold\" data-cell-type=\"text\" data-original-value=\"Stream Early New Media (Room 2.2) \" data-order=\"Stream Early New Media (Room 2.2) \" > Stream Early New Media (Room 2.2) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A21\" data-x=\"0\" data-y=\"21\" data-db-index=\"21\" class=\"htCenter\" data-cell-type=\"text\" data-original-value=\"10:45 - 12:15\" data-order=\"10:45 - 12:15\" > 10:45 - 12:15 <\/td><td data-cell-id=\"B21\" data-x=\"1\" data-y=\"21\" data-db-index=\"21\" class=\"\" data-cell-type=\"text\" data-original-value=\"Generative Art &lt;br \/&gt; Chair: Ksenia FEDOROVA\" data-order=\"Generative Art &lt;br \/&gt; Chair: Ksenia FEDOROVA\" > Generative Art <br \/> Chair: Ksenia FEDOROVA <\/td><\/tr><tr style=\"height: 22px\" ><td data-cell-id=\"A22\" data-x=\"0\" data-y=\"22\" data-db-index=\"22\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B22\" data-x=\"1\" data-y=\"22\" data-db-index=\"22\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/843&quot; target=&quot;_blank&quot;&gt;Frieder NAKE (DE): Georg Nees &amp; Harold Cohen. Retracing Origins&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/843&quot; target=&quot;_blank&quot;&gt;Frieder NAKE (DE): Georg Nees &amp; Harold Cohen. Retracing Origins&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/843\" target=\"_blank\">Frieder NAKE (DE): Georg Nees & Harold Cohen. Retracing Origins<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A23\" data-x=\"0\" data-y=\"23\" data-db-index=\"23\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B23\" data-x=\"1\" data-y=\"23\" data-db-index=\"23\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/888&quot; target=&quot;_blank&quot;&gt;Caroline MENEZES (UK): From Painting to Coding: The Art of Harold Cohen&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/888&quot; target=&quot;_blank&quot;&gt;Caroline MENEZES (UK): From Painting to Coding: The Art of Harold Cohen&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/888\" target=\"_blank\">Caroline MENEZES (UK): From Painting to Coding: The Art of Harold Cohen<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A24\" data-x=\"0\" data-y=\"24\" data-db-index=\"24\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B24\" data-x=\"1\" data-y=\"24\" data-db-index=\"24\" class=\"\" data-cell-type=\"text\" data-original-value=\"Sjoukje van der MEULEN (NL): Rethinking Painting: Nechvatal&#039;s Computer Virus Project\" data-order=\"Sjoukje van der MEULEN (NL): Rethinking Painting: Nechvatal&#039;s Computer Virus Project\" > Sjoukje van der MEULEN (NL): Rethinking Painting: Nechvatal's Computer Virus Project <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A25\" data-x=\"0\" data-y=\"25\" data-db-index=\"25\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B25\" data-x=\"1\" data-y=\"25\" data-db-index=\"25\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/818&quot; target=&quot;_blank&quot;&gt;Robin OPPENHEIMER (US): You have been processed! Exploring Early Artists&#039; &amp; Engineers&#039; Collaborations with Video Processing Machines&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/818&quot; target=&quot;_blank&quot;&gt;Robin OPPENHEIMER (US): You have been processed! Exploring Early Artists&#039; &amp; Engineers&#039; Collaborations with Video Processing Machines&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/818\" target=\"_blank\">Robin OPPENHEIMER (US): You have been processed! Exploring Early Artists' & Engineers' Collaborations with Video Processing Machines<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A26\" data-x=\"0\" data-y=\"26\" data-db-index=\"26\" class=\"htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B26\" data-x=\"1\" data-y=\"26\" data-db-index=\"26\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A27\" data-x=\"0\" data-y=\"27\" data-db-index=\"27\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"12:15\" data-order=\"12:15\" > 12:15 <\/td><td data-cell-id=\"B27\" data-x=\"1\" data-y=\"27\" data-db-index=\"27\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Lunch Break &amp; Poster Session of Media Art &amp; Digital Humanities projects and research tools in the hall \" data-order=\"Lunch Break &amp; Poster Session of Media Art &amp; Digital Humanities projects and research tools in the hall \" > Lunch Break & Poster Session of Media Art & Digital Humanities projects and research tools in the hall <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A28\" data-x=\"0\" data-y=\"28\" data-db-index=\"28\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B28\" data-x=\"1\" data-y=\"28\" data-db-index=\"28\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A29\" data-x=\"0\" data-y=\"29\" data-db-index=\"29\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B29\" data-x=\"1\" data-y=\"29\" data-db-index=\"29\" class=\"bold bg-319bf7\" data-cell-type=\"text\" data-original-value=\"Stream Media Art &amp; Politics (Audimax)\" data-order=\"Stream Media Art &amp; Politics (Audimax)\" > Stream Media Art & Politics (Audimax) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A30\" data-x=\"0\" data-y=\"30\" data-db-index=\"30\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"13:45 - 15:15\" data-order=\"13:45 - 15:15\" > 13:45 - 15:15 <\/td><td data-cell-id=\"B30\" data-x=\"1\" data-y=\"30\" data-db-index=\"30\" class=\"\" data-cell-type=\"text\" data-original-value=\"Internet infrastructure under scrutiny&lt;br \/&gt; Chair: Katharina GS\u00d6LLPOINTNER\" data-order=\"Internet infrastructure under scrutiny&lt;br \/&gt; Chair: Katharina GS\u00d6LLPOINTNER\" > Internet infrastructure under scrutiny<br \/> Chair: Katharina GS\u00d6LLPOINTNER <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A31\" data-x=\"0\" data-y=\"31\" data-db-index=\"31\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B31\" data-x=\"1\" data-y=\"31\" data-db-index=\"31\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/897&quot; target=&quot;_blank&quot;&gt;David GAUTHIER (NL)\/Michael DIETER (UK)\/Marc TUTERS (NL): Mailing lists are dead, long live mailing lists! \u2013 periodising discourses and infrastructures of nettime, -empyre-, Spectre, and CRUMB&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/897&quot; target=&quot;_blank&quot;&gt;David GAUTHIER (NL)\/Michael DIETER (UK)\/Marc TUTERS (NL): Mailing lists are dead, long live mailing lists! \u2013 periodising discourses and infrastructures of nettime, -empyre-, Spectre, and CRUMB&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/897\" target=\"_blank\">David GAUTHIER (NL)\/Michael DIETER (UK)\/Marc TUTERS (NL): Mailing lists are dead, long live mailing lists! \u2013 periodising discourses and infrastructures of nettime, -empyre-, Spectre, and CRUMB<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A32\" data-x=\"0\" data-y=\"32\" data-db-index=\"32\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B32\" data-x=\"1\" data-y=\"32\" data-db-index=\"32\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/860&quot; target=&quot;_blank&quot;&gt;Natalia FEDOROVA (RU): Internet of Names. Poetics of Infrastructure&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/860&quot; target=&quot;_blank&quot;&gt;Natalia FEDOROVA (RU): Internet of Names. Poetics of Infrastructure&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/860\" target=\"_blank\">Natalia FEDOROVA (RU): Internet of Names. Poetics of Infrastructure<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A33\" data-x=\"0\" data-y=\"33\" data-db-index=\"33\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B33\" data-x=\"1\" data-y=\"33\" data-db-index=\"33\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/814&quot; target=&quot;_blank&quot;&gt;Mart\u00edn NADAL (ES)\/C\u00e9sar ESCUDERO ANDALUZ (ES): Critical mining, Blockchain and Bitcoin in contemporary art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/814&quot; target=&quot;_blank&quot;&gt;Mart\u00edn NADAL (ES)\/C\u00e9sar ESCUDERO ANDALUZ (ES): Critical mining, Blockchain and Bitcoin in contemporary art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/814\" target=\"_blank\">Mart\u00edn NADAL (ES)\/C\u00e9sar ESCUDERO ANDALUZ (ES): Critical mining, Blockchain and Bitcoin in contemporary art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A34\" data-x=\"0\" data-y=\"34\" data-db-index=\"34\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B34\" data-x=\"1\" data-y=\"34\" data-db-index=\"34\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/842&quot; target=&quot;_blank&quot;&gt;Andre MINTZ (BR): After Internet? F.A.T. Lab&#039;s farewell and reconsiderations of the post-internet trope in art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/842&quot; target=&quot;_blank&quot;&gt;Andre MINTZ (BR): After Internet? F.A.T. Lab&#039;s farewell and reconsiderations of the post-internet trope in art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/842\" target=\"_blank\">Andre MINTZ (BR): After Internet? F.A.T. Lab's farewell and reconsiderations of the post-internet trope in art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A35\" data-x=\"0\" data-y=\"35\" data-db-index=\"35\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B35\" data-x=\"1\" data-y=\"35\" data-db-index=\"35\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A36\" data-x=\"0\" data-y=\"36\" data-db-index=\"36\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B36\" data-x=\"1\" data-y=\"36\" data-db-index=\"36\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Sound (Cinema Kesselhaus)\" data-order=\"Stream Sound (Cinema Kesselhaus)\" > Stream Sound (Cinema Kesselhaus) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A37\" data-x=\"0\" data-y=\"37\" data-db-index=\"37\" class=\"htCenter htCenter bold\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B37\" data-x=\"1\" data-y=\"37\" data-db-index=\"37\" class=\"\" data-cell-type=\"text\" data-original-value=\"Session: Sound Art&lt;br \/&gt; Chair: Ana PERAICA\" data-order=\"Session: Sound Art&lt;br \/&gt; Chair: Ana PERAICA\" > Session: Sound Art<br \/> Chair: Ana PERAICA <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A38\" data-x=\"0\" data-y=\"38\" data-db-index=\"38\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B38\" data-x=\"1\" data-y=\"38\" data-db-index=\"38\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/885&quot; target=&quot;_blank&quot;&gt;&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/885&quot; target=&quot;_self&quot;&gt;Biljana LEKOVI\u0106 (RS): History\/Practices of Sound Art in Serbia&lt;\/a&gt;&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/885&quot; target=&quot;_blank&quot;&gt;&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/885&quot; target=&quot;_self&quot;&gt;Biljana LEKOVI\u0106 (RS): History\/Practices of Sound Art in Serbia&lt;\/a&gt;&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/885\" target=\"_blank\"><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/885\" target=\"_self\">Biljana LEKOVI\u0106 (RS): History\/Practices of Sound Art in Serbia<\/a><\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A39\" data-x=\"0\" data-y=\"39\" data-db-index=\"39\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B39\" data-x=\"1\" data-y=\"39\" data-db-index=\"39\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/834&quot; target=&quot;_blank&quot;&gt;Joo Yun LEE (US): Speculative-sensible Experience in Ryoji Ikeda\u2019s Audiovisual Installation and Performance Inside and Outside of the White Cube&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/834&quot; target=&quot;_blank&quot;&gt;Joo Yun LEE (US): Speculative-sensible Experience in Ryoji Ikeda\u2019s Audiovisual Installation and Performance Inside and Outside of the White Cube&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/834\" target=\"_blank\">Joo Yun LEE (US): Speculative-sensible Experience in Ryoji Ikeda\u2019s Audiovisual Installation and Performance Inside and Outside of the White Cube<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A40\" data-x=\"0\" data-y=\"40\" data-db-index=\"40\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B40\" data-x=\"1\" data-y=\"40\" data-db-index=\"40\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/857&quot; target=&quot;_blank&quot;&gt;Gabriela Aceves SEP\u00daLVEDA (CA): Towards an alternative history of Electronic Music: Latin American Women Composers, 1888-1980&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/857&quot; target=&quot;_blank&quot;&gt;Gabriela Aceves SEP\u00daLVEDA (CA): Towards an alternative history of Electronic Music: Latin American Women Composers, 1888-1980&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/857\" target=\"_blank\">Gabriela Aceves SEP\u00daLVEDA (CA): Towards an alternative history of Electronic Music: Latin American Women Composers, 1888-1980<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A41\" data-x=\"0\" data-y=\"41\" data-db-index=\"41\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B41\" data-x=\"1\" data-y=\"41\" data-db-index=\"41\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A42\" data-x=\"0\" data-y=\"42\" data-db-index=\"42\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B42\" data-x=\"1\" data-y=\"42\" data-db-index=\"42\" class=\"bg-60cfd1 bold\" data-cell-type=\"text\" data-original-value=\"Stream Early New Media (Room 2.2)\" data-order=\"Stream Early New Media (Room 2.2)\" > Stream Early New Media (Room 2.2) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A43\" data-x=\"0\" data-y=\"43\" data-db-index=\"43\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"13:45 - 15:15\" data-order=\"13:45 - 15:15\" > 13:45 - 15:15 <\/td><td data-cell-id=\"B43\" data-x=\"1\" data-y=\"43\" data-db-index=\"43\" class=\"\" data-cell-type=\"text\" data-original-value=\"From Trans-Local to Telematic&lt;br \/&gt; Chair: Jon CATES\" data-order=\"From Trans-Local to Telematic&lt;br \/&gt; Chair: Jon CATES\" > From Trans-Local to Telematic<br \/> Chair: Jon CATES <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A44\" data-x=\"0\" data-y=\"44\" data-db-index=\"44\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B44\" data-x=\"1\" data-y=\"44\" data-db-index=\"44\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/821&quot; target=&quot;_blank&quot;&gt;Rod BANTJES (CA): Governing Publics: the Politics of Optical media in 18th-century England and America&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/821&quot; target=&quot;_blank&quot;&gt;Rod BANTJES (CA): Governing Publics: the Politics of Optical media in 18th-century England and America&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/821\" target=\"_blank\">Rod BANTJES (CA): Governing Publics: the Politics of Optical media in 18th-century England and America<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A45\" data-x=\"0\" data-y=\"45\" data-db-index=\"45\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B45\" data-x=\"1\" data-y=\"45\" data-db-index=\"45\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/797&quot; target=&quot;_blank&quot;&gt;Patrick LICHTY (AE): the world, Another 24 Hours: Practice-Based Research and the works of Robert Adrian X &amp; Bill Bartlett&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/797&quot; target=&quot;_blank&quot;&gt;Patrick LICHTY (AE): the world, Another 24 Hours: Practice-Based Research and the works of Robert Adrian X &amp; Bill Bartlett&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/797\" target=\"_blank\">Patrick LICHTY (AE): the world, Another 24 Hours: Practice-Based Research and the works of Robert Adrian X & Bill Bartlett<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A46\" data-x=\"0\" data-y=\"46\" data-db-index=\"46\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B46\" data-x=\"1\" data-y=\"46\" data-db-index=\"46\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/809&quot; target=&quot;_blank&quot;&gt;Paul SERMON\/Claire MCANDREW (UK): 3x4: a telematics\/architectural hypersurface&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/809&quot; target=&quot;_blank&quot;&gt;Paul SERMON\/Claire MCANDREW (UK): 3x4: a telematics\/architectural hypersurface&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/809\" target=\"_blank\">Paul SERMON\/Claire MCANDREW (UK): 3x4: a telematics\/architectural hypersurface<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A47\" data-x=\"0\" data-y=\"47\" data-db-index=\"47\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B47\" data-x=\"1\" data-y=\"47\" data-db-index=\"47\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/900&quot; target=&quot;_blank&quot;&gt;Joanna GRIFFIN (IN): Creative Encounters and Subaltern Aesthetic in the Early Years of the Indian Space Program&lt;\/a&gt;&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/900&quot; target=&quot;_blank&quot;&gt;Joanna GRIFFIN (IN): Creative Encounters and Subaltern Aesthetic in the Early Years of the Indian Space Program&lt;\/a&gt;&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/900\" target=\"_blank\">Joanna GRIFFIN (IN): Creative Encounters and Subaltern Aesthetic in the Early Years of the Indian Space Program<\/a><\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A48\" data-x=\"0\" data-y=\"48\" data-db-index=\"48\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B48\" data-x=\"1\" data-y=\"48\" data-db-index=\"48\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A49\" data-x=\"0\" data-y=\"49\" data-db-index=\"49\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"15:15\" data-order=\"15:15\" > 15:15 <\/td><td data-cell-id=\"B49\" data-x=\"1\" data-y=\"49\" data-db-index=\"49\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Coffee Break\" data-order=\"Coffee Break\" > Coffee Break <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A50\" data-x=\"0\" data-y=\"50\" data-db-index=\"50\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B50\" data-x=\"1\" data-y=\"50\" data-db-index=\"50\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A51\" data-x=\"0\" data-y=\"51\" data-db-index=\"51\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B51\" data-x=\"1\" data-y=\"51\" data-db-index=\"51\" class=\"bold bg-319bf7\" data-cell-type=\"text\" data-original-value=\"Stream Media Art &amp; Politics (Audimax)\" data-order=\"Stream Media Art &amp; Politics (Audimax)\" > Stream Media Art & Politics (Audimax) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A52\" data-x=\"0\" data-y=\"52\" data-db-index=\"52\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"15:45 - 17:15\" data-order=\"15:45 - 17:15\" > 15:45 - 17:15 <\/td><td data-cell-id=\"B52\" data-x=\"1\" data-y=\"52\" data-db-index=\"52\" class=\"\" data-cell-type=\"text\" data-original-value=\"Politics - Ecology, politics, and aesthetics I&lt;br \/&gt; Chair: Andres BURBANO\" data-order=\"Politics - Ecology, politics, and aesthetics I&lt;br \/&gt; Chair: Andres BURBANO\" > Politics - Ecology, politics, and aesthetics I<br \/> Chair: Andres BURBANO <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A53\" data-x=\"0\" data-y=\"53\" data-db-index=\"53\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B53\" data-x=\"1\" data-y=\"53\" data-db-index=\"53\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/886&quot; target=&quot;_blank&quot;&gt;Aaron BURTON (AU): Ecological intimacy and unmanned photography: drones, GoPros, and satellites&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/886&quot; target=&quot;_blank&quot;&gt;Aaron BURTON (AU): Ecological intimacy and unmanned photography: drones, GoPros, and satellites&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/886\" target=\"_blank\">Aaron BURTON (AU): Ecological intimacy and unmanned photography: drones, GoPros, and satellites<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A54\" data-x=\"0\" data-y=\"54\" data-db-index=\"54\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B54\" data-x=\"1\" data-y=\"54\" data-db-index=\"54\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/817&quot; target=&quot;_blank&quot;&gt;Jens HAUSER (DK): Toward Greenness Studies: Materials \u2013 Metaphors \u2013 Media \u2013 Misunderstandings&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/817&quot; target=&quot;_blank&quot;&gt;Jens HAUSER (DK): Toward Greenness Studies: Materials \u2013 Metaphors \u2013 Media \u2013 Misunderstandings&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/817\" target=\"_blank\">Jens HAUSER (DK): Toward Greenness Studies: Materials \u2013 Metaphors \u2013 Media \u2013 Misunderstandings<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A55\" data-x=\"0\" data-y=\"55\" data-db-index=\"55\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B55\" data-x=\"1\" data-y=\"55\" data-db-index=\"55\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/887&quot; target=&quot;_blank&quot;&gt;Yvonne VOLKART (CH): Re-Tracing Aesthetic Strategies in Times of Electronic Waste&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/887&quot; target=&quot;_blank&quot;&gt;Yvonne VOLKART (CH): Re-Tracing Aesthetic Strategies in Times of Electronic Waste&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/887\" target=\"_blank\">Yvonne VOLKART (CH): Re-Tracing Aesthetic Strategies in Times of Electronic Waste<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A56\" data-x=\"0\" data-y=\"56\" data-db-index=\"56\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B56\" data-x=\"1\" data-y=\"56\" data-db-index=\"56\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/807&quot; target=&quot;_blank&quot;&gt;Viola R\u00dcHSE (AT): Facebook&#039;s symbolic Headquarters MPK20 by Frank Gehry&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/807&quot; target=&quot;_blank&quot;&gt;Viola R\u00dcHSE (AT): Facebook&#039;s symbolic Headquarters MPK20 by Frank Gehry&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/807\" target=\"_blank\">Viola R\u00dcHSE (AT): Facebook's symbolic Headquarters MPK20 by Frank Gehry<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A57\" data-x=\"0\" data-y=\"57\" data-db-index=\"57\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B57\" data-x=\"1\" data-y=\"57\" data-db-index=\"57\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A58\" data-x=\"0\" data-y=\"58\" data-db-index=\"58\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B58\" data-x=\"1\" data-y=\"58\" data-db-index=\"58\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Sound (Cinema Kesselhaus)\" data-order=\"Stream Sound (Cinema Kesselhaus)\" > Stream Sound (Cinema Kesselhaus) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A59\" data-x=\"0\" data-y=\"59\" data-db-index=\"59\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"15:45 - 17:15\" data-order=\"15:45 - 17:15\" > 15:45 - 17:15 <\/td><td data-cell-id=\"B59\" data-x=\"1\" data-y=\"59\" data-db-index=\"59\" class=\"\" data-cell-type=\"text\" data-original-value=\"Modulating sensory perception with media cross-over&lt;br \/&gt; Chair: Sjoukje van der MEULEN\" data-order=\"Modulating sensory perception with media cross-over&lt;br \/&gt; Chair: Sjoukje van der MEULEN\" > Modulating sensory perception with media cross-over<br \/> Chair: Sjoukje van der MEULEN <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A60\" data-x=\"0\" data-y=\"60\" data-db-index=\"60\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B60\" data-x=\"1\" data-y=\"60\" data-db-index=\"60\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/851&quot; target=&quot;_blank&quot;&gt;Katharina GS\u00d6LLPOINTNER (AT): Digital Kinesthesia. Kinesthetic modes of media aesthetics in digital art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/851&quot; target=&quot;_blank&quot;&gt;Katharina GS\u00d6LLPOINTNER (AT): Digital Kinesthesia. Kinesthetic modes of media aesthetics in digital art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/851\" target=\"_blank\">Katharina GS\u00d6LLPOINTNER (AT): Digital Kinesthesia. Kinesthetic modes of media aesthetics in digital art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A61\" data-x=\"0\" data-y=\"61\" data-db-index=\"61\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B61\" data-x=\"1\" data-y=\"61\" data-db-index=\"61\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/896&quot; target=&quot;_blank&quot;&gt;Nina SOSNA (PT)\/Ksenia FEDOROVA (RU): Connective tissues in media interferences&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/896&quot; target=&quot;_blank&quot;&gt;Nina SOSNA (PT)\/Ksenia FEDOROVA (RU): Connective tissues in media interferences&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/896\" target=\"_blank\">Nina SOSNA (PT)\/Ksenia FEDOROVA (RU): Connective tissues in media interferences<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A62\" data-x=\"0\" data-y=\"62\" data-db-index=\"62\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B62\" data-x=\"1\" data-y=\"62\" data-db-index=\"62\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/826&quot; target=&quot;_blank&quot;&gt;Aura BALANESCU (RO): Media Art: Trans-Perception, Trans-Repr\u00e4sentation, Trans-Consciousness&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/826&quot; target=&quot;_blank&quot;&gt;Aura BALANESCU (RO): Media Art: Trans-Perception, Trans-Repr\u00e4sentation, Trans-Consciousness&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/826\" target=\"_blank\">Aura BALANESCU (RO): Media Art: Trans-Perception, Trans-Repr\u00e4sentation, Trans-Consciousness<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A63\" data-x=\"0\" data-y=\"63\" data-db-index=\"63\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B63\" data-x=\"1\" data-y=\"63\" data-db-index=\"63\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A64\" data-x=\"0\" data-y=\"64\" data-db-index=\"64\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B64\" data-x=\"1\" data-y=\"64\" data-db-index=\"64\" class=\"bold bg-60cfd1\" data-cell-type=\"text\" data-original-value=\"Stream Early New Media (Room 2.2)\" data-order=\"Stream Early New Media (Room 2.2)\" > Stream Early New Media (Room 2.2) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A65\" data-x=\"0\" data-y=\"65\" data-db-index=\"65\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"15:45 - 17:15\" data-order=\"15:45 - 17:15\" > 15:45 - 17:15 <\/td><td data-cell-id=\"B65\" data-x=\"1\" data-y=\"65\" data-db-index=\"65\" class=\"\" data-cell-type=\"text\" data-original-value=\"Soft and Fluid Media&lt;br \/&gt; Chair: Katja KWASTEK\" data-order=\"Soft and Fluid Media&lt;br \/&gt; Chair: Katja KWASTEK\" > Soft and Fluid Media<br \/> Chair: Katja KWASTEK <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A66\" data-x=\"0\" data-y=\"66\" data-db-index=\"66\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B66\" data-x=\"1\" data-y=\"66\" data-db-index=\"66\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/877&quot; target=&quot;_blank&quot;&gt;Jonas J\u00d8RGENSEN (DK): From Soft Sculpture to Soft Robotics: Retracing a Physical Aesthetics of Bio-Morphic Softness&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/877&quot; target=&quot;_blank&quot;&gt;Jonas J\u00d8RGENSEN (DK): From Soft Sculpture to Soft Robotics: Retracing a Physical Aesthetics of Bio-Morphic Softness&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/877\" target=\"_blank\">Jonas J\u00d8RGENSEN (DK): From Soft Sculpture to Soft Robotics: Retracing a Physical Aesthetics of Bio-Morphic Softness<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A67\" data-x=\"0\" data-y=\"67\" data-db-index=\"67\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B67\" data-x=\"1\" data-y=\"67\" data-db-index=\"67\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/862&quot; target=&quot;_blank&quot;&gt;Hava ALDOUBY (IL): Shifting Sands: Sand as Medium in Israeli New Media Art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/862&quot; target=&quot;_blank&quot;&gt;Hava ALDOUBY (IL): Shifting Sands: Sand as Medium in Israeli New Media Art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/862\" target=\"_blank\">Hava ALDOUBY (IL): Shifting Sands: Sand as Medium in Israeli New Media Art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A68\" data-x=\"0\" data-y=\"68\" data-db-index=\"68\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B68\" data-x=\"1\" data-y=\"68\" data-db-index=\"68\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/912&quot; target=&quot;_blank&quot;&gt;Laura BELOFF (DK): Techno-Organic Practices in the Nordic Art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/912&quot; target=&quot;_blank&quot;&gt;Laura BELOFF (DK): Techno-Organic Practices in the Nordic Art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/912\" target=\"_blank\">Laura BELOFF (DK): Techno-Organic Practices in the Nordic Art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A69\" data-x=\"0\" data-y=\"69\" data-db-index=\"69\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B69\" data-x=\"1\" data-y=\"69\" data-db-index=\"69\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/874&quot; target=&quot;_blank&quot;&gt;Falk HEINRICH (DK): Researchers within Arts\u2013Based Academia: Episteme and Techne Fluidity&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/874&quot; target=&quot;_blank&quot;&gt;Falk HEINRICH (DK): Researchers within Arts\u2013Based Academia: Episteme and Techne Fluidity&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/874\" target=\"_blank\">Falk HEINRICH (DK): Researchers within Arts\u2013Based Academia: Episteme and Techne Fluidity<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A70\" data-x=\"0\" data-y=\"70\" data-db-index=\"70\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B70\" data-x=\"1\" data-y=\"70\" data-db-index=\"70\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A71\" data-x=\"0\" data-y=\"71\" data-db-index=\"71\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"17:30\" data-order=\"17:30\" > 17:30 <\/td><td data-cell-id=\"B71\" data-x=\"1\" data-y=\"71\" data-db-index=\"71\" class=\"bold bg-f0d9bd\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/907&quot; target=&quot;_blank&quot;&gt;Keynote Morten S\u00d8NDERGAARD (Aalborg University, DK): Archive Agencies. Tracing the Implied Producers of Media Art Collections (Introduction Jacob Wamberg)&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/907&quot; target=&quot;_blank&quot;&gt;Keynote Morten S\u00d8NDERGAARD (Aalborg University, DK): Archive Agencies. Tracing the Implied Producers of Media Art Collections (Introduction Jacob Wamberg)&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/907\" target=\"_blank\">Keynote Morten S\u00d8NDERGAARD (Aalborg University, DK): Archive Agencies. Tracing the Implied Producers of Media Art Collections (Introduction Jacob Wamberg)<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A72\" data-x=\"0\" data-y=\"72\" data-db-index=\"72\" class=\"htCenter htCenter\" data-cell-type=\"text\" data-original-value=\"18:45\" data-order=\"18:45\" > 18:45 <\/td><td data-cell-id=\"B72\" data-x=\"1\" data-y=\"72\" data-db-index=\"72\" class=\"bg-f0d9bd\" data-cell-type=\"text\" data-original-value=\"Opening Drinks and exhibition tour at Kunsthalle Krems (Welcome by Director Florian Steininger)&lt;br \/&gt; Ceremony: MediaArtHistories International Award to Werner Nekes (posthumous), Laudatio by Member of Award Committee Oliver Grau\" data-order=\"Opening Drinks and exhibition tour at Kunsthalle Krems (Welcome by Director Florian Steininger)&lt;br \/&gt; Ceremony: MediaArtHistories International Award to Werner Nekes (posthumous), Laudatio by Member of Award Committee Oliver Grau\" > Opening Drinks and exhibition tour at Kunsthalle Krems (Welcome by Director Florian Steininger)<br \/> Ceremony: MediaArtHistories International Award to Werner Nekes (posthumous), Laudatio by Member of Award Committee Oliver Grau <\/td><\/tr><\/tbody><\/table><!-- \/#supsystic-table-2.supsystic-table --><\/div><!-- \/.supsystic-tables-wrap --><!-- Tables Generator by Supsystic --><!-- Version: 1.10.41 --><!-- http:\/\/supsystic.com\/ --><a title=\"WP Data Tables\" style=\"display:none;\" href=\"https:\/\/supsystic.com\/plugins\/wordpress-data-table-plugin\/?utm_medium=love_link\" target=\"_blank\">WP Data Tables<\/a>\n<\/div>\n<\/li>\n<li class='gdl-divider'>\n<h2 class='accordion-head title-color gdl-title'><span class='accordion-head-image'><\/span>DAY 2 &#8211; G\u00f6ttweig Abbey<\/h2>\n<div class='accordion-content'>\n<p>Locations at G\u00f6ttweig Abbey, Main Building, 1. Floor: Brunnensaal, Sommerrefektorium, Room &#8220;Kremstal&#8221;<\/p>\n<div class=\"supsystic-table-loader spinner\" ><\/div><div id=\"supsystic-table-11_89320\" class=\"supsystic-tables-wrap \" style=\" width: 100%; visibility: hidden; \" data-table-width-fixed=\"100%\" ><table id=\"supsystic-table-11\" class=\"supsystic-table paragraphMode border lightboxImg cell-border \" data-id=\"11\" data-view-id=\"11_89320\" data-title=\"Day 2\" data-currency-format=\"$1,000.00\" data-percent-format=\"10.00%\" data-date-format=\"DD.MM.YYYY\" data-time-format=\"HH:mm\" data-features=\"[&quot;after_table_loaded_script&quot;]\" data-search-value=\"\" data-lightbox-img=\"\" data-head-rows-count=\"1\" data-pagination-length=\"50,100,All\" data-auto-index=\"off\" data-searching-settings=\"{&quot;minChars&quot;:&quot;0&quot;}\" data-lang=\"default\" data-override=\"{&quot;emptyTable&quot;:&quot;&quot;,&quot;info&quot;:&quot;&quot;,&quot;infoEmpty&quot;:&quot;&quot;,&quot;infoFiltered&quot;:&quot;&quot;,&quot;lengthMenu&quot;:&quot;&quot;,&quot;search&quot;:&quot;&quot;,&quot;zeroRecords&quot;:&quot;&quot;,&quot;file&quot;:&quot;default&quot;}\" data-merged=\"[]\" data-responsive-mode=\"0\" data-from-history=\"0\" ><thead><tr><th class=\"\" style=\"padding: 0 !important;\"><\/th><th class=\"\" style=\"padding: 0 !important;\"><\/th><\/tr><\/thead><tbody><tr style=\"height: px\" ><td data-cell-id=\"A1\" data-x=\"0\" data-y=\"1\" data-db-index=\"1\" class=\"\" data-cell-type=\"text\" data-original-value=\"08:45 - 09:20\" data-order=\"08:45 - 09:20\" style=\"min-width: 10.4294%; \" > 08:45 - 09:20 <\/td><td data-cell-id=\"B1\" data-x=\"1\" data-y=\"1\" data-db-index=\"1\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Transfer from Danube University to G\u00f6ttweig Abbey\" data-order=\"Transfer from Danube University to G\u00f6ttweig Abbey\" style=\"min-width: 89.5706%; \" > Transfer from Danube University to G\u00f6ttweig Abbey <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A2\" data-x=\"0\" data-y=\"2\" data-db-index=\"2\" class=\"\" data-cell-type=\"text\" data-original-value=\"09:30\" data-order=\"09:30\" > 09:30 <\/td><td data-cell-id=\"B2\" data-x=\"1\" data-y=\"2\" data-db-index=\"2\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Welcome to G\u00f6ttweig Abbey\" data-order=\"Welcome to G\u00f6ttweig Abbey\" > Welcome to G\u00f6ttweig Abbey <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A3\" data-x=\"0\" data-y=\"3\" data-db-index=\"3\" class=\"\" data-cell-type=\"text\" data-original-value=\"09:45\" data-order=\"09:45\" > 09:45 <\/td><td data-cell-id=\"B3\" data-x=\"1\" data-y=\"3\" data-db-index=\"3\" class=\"bold bg-f0d9bd\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/788&quot; target=&quot;_blank&quot;&gt;Keynote Wendy Hui Kyong CHUN (Brown University, US): Approximate Repetitions: Latent Big Data&lt;br \/&gt; (Introduction by Inge Hinterwaldner)&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/788&quot; target=&quot;_blank&quot;&gt;Keynote Wendy Hui Kyong CHUN (Brown University, US): Approximate Repetitions: Latent Big Data&lt;br \/&gt; (Introduction by Inge Hinterwaldner)&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/788\" target=\"_blank\">Keynote Wendy Hui Kyong CHUN (Brown University, US): Approximate Repetitions: Latent Big Data<br \/> (Introduction by Inge Hinterwaldner)<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A4\" data-x=\"0\" data-y=\"4\" data-db-index=\"4\" class=\"\" data-cell-type=\"text\" data-original-value=\"10:45\" data-order=\"10:45\" > 10:45 <\/td><td data-cell-id=\"B4\" data-x=\"1\" data-y=\"4\" data-db-index=\"4\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Coffee Break\" data-order=\"Coffee Break\" > Coffee Break <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A5\" data-x=\"0\" data-y=\"5\" data-db-index=\"5\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B5\" data-x=\"1\" data-y=\"5\" data-db-index=\"5\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A6\" data-x=\"0\" data-y=\"6\" data-db-index=\"6\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B6\" data-x=\"1\" data-y=\"6\" data-db-index=\"6\" class=\"bold bg-319bf7\" data-cell-type=\"text\" data-original-value=\"Stream Politics (Brunnensaal)\" data-order=\"Stream Politics (Brunnensaal)\" > Stream Politics (Brunnensaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A7\" data-x=\"0\" data-y=\"7\" data-db-index=\"7\" class=\"\" data-cell-type=\"text\" data-original-value=\"11:15 - 12:45\" data-order=\"11:15 - 12:45\" > 11:15 - 12:45 <\/td><td data-cell-id=\"B7\" data-x=\"1\" data-y=\"7\" data-db-index=\"7\" class=\"\" data-cell-type=\"text\" data-original-value=\"Politics: Political and aesthetic impacts of automated classifications&lt;br \/&gt; Chair: Morten S\u00d8NDERGAARD\" data-order=\"Politics: Political and aesthetic impacts of automated classifications&lt;br \/&gt; Chair: Morten S\u00d8NDERGAARD\" > Politics: Political and aesthetic impacts of automated classifications<br \/> Chair: Morten S\u00d8NDERGAARD <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A8\" data-x=\"0\" data-y=\"8\" data-db-index=\"8\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B8\" data-x=\"1\" data-y=\"8\" data-db-index=\"8\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/846&quot; target=&quot;_blank&quot;&gt;Maciej O\u017b\u00d3G (PL): Tearing down the biometric cage: deconstructing biometric surveillance through art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/846&quot; target=&quot;_blank&quot;&gt;Maciej O\u017b\u00d3G (PL): Tearing down the biometric cage: deconstructing biometric surveillance through art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/846\" target=\"_blank\">Maciej O\u017b\u00d3G (PL): Tearing down the biometric cage: deconstructing biometric surveillance through art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A9\" data-x=\"0\" data-y=\"9\" data-db-index=\"9\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B9\" data-x=\"1\" data-y=\"9\" data-db-index=\"9\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/796&quot; target=&quot;_blank&quot;&gt;Jennifer GRADECKI (US)\/Derek CURRY (US): Crowd-Sourced Intelligence Agency: Prototyping Counterveillance&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/796&quot; target=&quot;_blank&quot;&gt;Jennifer GRADECKI (US)\/Derek CURRY (US): Crowd-Sourced Intelligence Agency: Prototyping Counterveillance&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/796\" target=\"_blank\">Jennifer GRADECKI (US)\/Derek CURRY (US): Crowd-Sourced Intelligence Agency: Prototyping Counterveillance<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A10\" data-x=\"0\" data-y=\"10\" data-db-index=\"10\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B10\" data-x=\"1\" data-y=\"10\" data-db-index=\"10\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/883&quot; target=&quot;_blank&quot;&gt;Devon SCHILLER (AT): The physiognomic (un)genre: Challenges of Automated Facial Expression Analysis-Based Media Art to both the Art and Science of Face&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/883&quot; target=&quot;_blank&quot;&gt;Devon SCHILLER (AT): The physiognomic (un)genre: Challenges of Automated Facial Expression Analysis-Based Media Art to both the Art and Science of Face&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/883\" target=\"_blank\">Devon SCHILLER (AT): The physiognomic (un)genre: Challenges of Automated Facial Expression Analysis-Based Media Art to both the Art and Science of Face<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A11\" data-x=\"0\" data-y=\"11\" data-db-index=\"11\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B11\" data-x=\"1\" data-y=\"11\" data-db-index=\"11\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/904&quot; target=&quot;_blank&quot;&gt;Mehul BHATT (DE): THE SHAPE OF THE MOVING IMAGE: Perspectives from Spatial Cognition and Artificial Intelligence&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/904&quot; target=&quot;_blank&quot;&gt;Mehul BHATT (DE): THE SHAPE OF THE MOVING IMAGE: Perspectives from Spatial Cognition and Artificial Intelligence&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/904\" target=\"_blank\">Mehul BHATT (DE): THE SHAPE OF THE MOVING IMAGE: Perspectives from Spatial Cognition and Artificial Intelligence<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A12\" data-x=\"0\" data-y=\"12\" data-db-index=\"12\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B12\" data-x=\"1\" data-y=\"12\" data-db-index=\"12\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A13\" data-x=\"0\" data-y=\"13\" data-db-index=\"13\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B13\" data-x=\"1\" data-y=\"13\" data-db-index=\"13\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Media Art Futures\/Histories (Sommerrefektorium)\" data-order=\"Stream Media Art Futures\/Histories (Sommerrefektorium)\" > Stream Media Art Futures\/Histories (Sommerrefektorium) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A14\" data-x=\"0\" data-y=\"14\" data-db-index=\"14\" class=\"\" data-cell-type=\"text\" data-original-value=\"11:15 - 12:45\" data-order=\"11:15 - 12:45\" > 11:15 - 12:45 <\/td><td data-cell-id=\"B14\" data-x=\"1\" data-y=\"14\" data-db-index=\"14\" class=\"\" data-cell-type=\"text\" data-original-value=\"Artistic and curatorial narratives of memory&lt;br \/&gt; Chair: Frieder Nake\" data-order=\"Artistic and curatorial narratives of memory&lt;br \/&gt; Chair: Frieder Nake\" > Artistic and curatorial narratives of memory<br \/> Chair: Frieder Nake <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A15\" data-x=\"0\" data-y=\"15\" data-db-index=\"15\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B15\" data-x=\"1\" data-y=\"15\" data-db-index=\"15\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/816&quot; target=&quot;_blank&quot;&gt;Darko FRITZ (HR): Interdisciplinary Multimedia at the 3rd International Artists Meetings in Vela Luka 1972&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/816&quot; target=&quot;_blank&quot;&gt;Darko FRITZ (HR): Interdisciplinary Multimedia at the 3rd International Artists Meetings in Vela Luka 1972&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/816\" target=\"_blank\">Darko FRITZ (HR): Interdisciplinary Multimedia at the 3rd International Artists Meetings in Vela Luka 1972<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A16\" data-x=\"0\" data-y=\"16\" data-db-index=\"16\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B16\" data-x=\"1\" data-y=\"16\" data-db-index=\"16\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/803&quot; target=&quot;_blank&quot;&gt;Jos\u00e9 R. ALCAL\u00c1 (ES)\/Beatriz ESCRIBANO BELMAR (ES): Interactive multimedia creations at the International Museum of Electrographic Artworks in Cuenca (Spain), 1994-2006. Pioneer productions for the construction of hypermedia narratives&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/803&quot; target=&quot;_blank&quot;&gt;Jos\u00e9 R. ALCAL\u00c1 (ES)\/Beatriz ESCRIBANO BELMAR (ES): Interactive multimedia creations at the International Museum of Electrographic Artworks in Cuenca (Spain), 1994-2006. Pioneer productions for the construction of hypermedia narratives&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/803\" target=\"_blank\">Jos\u00e9 R. ALCAL\u00c1 (ES)\/Beatriz ESCRIBANO BELMAR (ES): Interactive multimedia creations at the International Museum of Electrographic Artworks in Cuenca (Spain), 1994-2006. Pioneer productions for the construction of hypermedia narratives<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A17\" data-x=\"0\" data-y=\"17\" data-db-index=\"17\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B17\" data-x=\"1\" data-y=\"17\" data-db-index=\"17\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/893&quot; target=&quot;_blank&quot;&gt;Margr\u00e9t El\u00edsabet OLAFSD\u00d3TTIR (IS): The Vasulka Chamber and Media Art in Iceland&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/893&quot; target=&quot;_blank&quot;&gt;Margr\u00e9t El\u00edsabet OLAFSD\u00d3TTIR (IS): The Vasulka Chamber and Media Art in Iceland&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/893\" target=\"_blank\">Margr\u00e9t El\u00edsabet OLAFSD\u00d3TTIR (IS): The Vasulka Chamber and Media Art in Iceland<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A18\" data-x=\"0\" data-y=\"18\" data-db-index=\"18\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B18\" data-x=\"1\" data-y=\"18\" data-db-index=\"18\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/861&quot; target=&quot;_blank&quot;&gt;Leonardo IMPETT (CH): Robot Aesthetics and Cultural Imperialism: the Double Hermeneutic of Computational Photography&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/861&quot; target=&quot;_blank&quot;&gt;Leonardo IMPETT (CH): Robot Aesthetics and Cultural Imperialism: the Double Hermeneutic of Computational Photography&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/861\" target=\"_blank\">Leonardo IMPETT (CH): Robot Aesthetics and Cultural Imperialism: the Double Hermeneutic of Computational Photography<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A19\" data-x=\"0\" data-y=\"19\" data-db-index=\"19\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B19\" data-x=\"1\" data-y=\"19\" data-db-index=\"19\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A20\" data-x=\"0\" data-y=\"20\" data-db-index=\"20\" class=\"\" data-cell-type=\"text\" data-original-value=\"12:45\" data-order=\"12:45\" > 12:45 <\/td><td data-cell-id=\"B20\" data-x=\"1\" data-y=\"20\" data-db-index=\"20\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Lunch Break, optionally a guided tour through the Abbey \" data-order=\"Lunch Break, optionally a guided tour through the Abbey \" > Lunch Break, optionally a guided tour through the Abbey <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A21\" data-x=\"0\" data-y=\"21\" data-db-index=\"21\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B21\" data-x=\"1\" data-y=\"21\" data-db-index=\"21\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A22\" data-x=\"0\" data-y=\"22\" data-db-index=\"22\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B22\" data-x=\"1\" data-y=\"22\" data-db-index=\"22\" class=\"bold bg-319bf7\" data-cell-type=\"text\" data-original-value=\"Stream Politics (Brunnensaal)\" data-order=\"Stream Politics (Brunnensaal)\" > Stream Politics (Brunnensaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A23\" data-x=\"0\" data-y=\"23\" data-db-index=\"23\" class=\"\" data-cell-type=\"text\" data-original-value=\"14:15 - 15:45\" data-order=\"14:15 - 15:45\" > 14:15 - 15:45 <\/td><td data-cell-id=\"B23\" data-x=\"1\" data-y=\"23\" data-db-index=\"23\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"Session: net.art revisited&lt;br \/&gt; Chair: Janina HOTH\" data-order=\"Session: net.art revisited&lt;br \/&gt; Chair: Janina HOTH\" > Session: net.art revisited<br \/> Chair: Janina HOTH <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A24\" data-x=\"0\" data-y=\"24\" data-db-index=\"24\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B24\" data-x=\"1\" data-y=\"24\" data-db-index=\"24\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/832&quot; target=&quot;_blank&quot;&gt;Raivo KELOMEES (EE): From Net Art to Post-Internet Art: The Cyclical Nature of Art Movements&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/832&quot; target=&quot;_blank&quot;&gt;Raivo KELOMEES (EE): From Net Art to Post-Internet Art: The Cyclical Nature of Art Movements&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/832\" target=\"_blank\">Raivo KELOMEES (EE): From Net Art to Post-Internet Art: The Cyclical Nature of Art Movements<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A25\" data-x=\"0\" data-y=\"25\" data-db-index=\"25\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B25\" data-x=\"1\" data-y=\"25\" data-db-index=\"25\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/808&quot; target=&quot;_blank&quot;&gt;Rasa SMITE (LV) \/Raitis SMITS (LV): Fields \u2013 Manifesting the Transformative Potential of Arts in the Age of Post-Media&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/808&quot; target=&quot;_blank&quot;&gt;Rasa SMITE (LV) \/Raitis SMITS (LV): Fields \u2013 Manifesting the Transformative Potential of Arts in the Age of Post-Media&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/808\" target=\"_blank\">Rasa SMITE (LV) \/Raitis SMITS (LV): Fields \u2013 Manifesting the Transformative Potential of Arts in the Age of Post-Media<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A26\" data-x=\"0\" data-y=\"26\" data-db-index=\"26\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B26\" data-x=\"1\" data-y=\"26\" data-db-index=\"26\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/873&quot; target=&quot;_blank&quot;&gt;Filipe PAIS (FR): From bits to paper: A short history of the aesthetics of rematerialization&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/873&quot; target=&quot;_blank&quot;&gt;Filipe PAIS (FR): From bits to paper: A short history of the aesthetics of rematerialization&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/873\" target=\"_blank\">Filipe PAIS (FR): From bits to paper: A short history of the aesthetics of rematerialization<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A27\" data-x=\"0\" data-y=\"27\" data-db-index=\"27\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B27\" data-x=\"1\" data-y=\"27\" data-db-index=\"27\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"Jon CATES (US): whois LaTurbo Avedon, Netochka Nezvanova and\/or Rrose S\u00e9lavy?\" data-order=\"Jon CATES (US): whois LaTurbo Avedon, Netochka Nezvanova and\/or Rrose S\u00e9lavy?\" > Jon CATES (US): whois LaTurbo Avedon, Netochka Nezvanova and\/or Rrose S\u00e9lavy? <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A28\" data-x=\"0\" data-y=\"28\" data-db-index=\"28\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B28\" data-x=\"1\" data-y=\"28\" data-db-index=\"28\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A29\" data-x=\"0\" data-y=\"29\" data-db-index=\"29\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B29\" data-x=\"1\" data-y=\"29\" data-db-index=\"29\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Media Art Futures\/Histories (Sommerrefektorium)\" data-order=\"Stream Media Art Futures\/Histories (Sommerrefektorium)\" > Stream Media Art Futures\/Histories (Sommerrefektorium) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A30\" data-x=\"0\" data-y=\"30\" data-db-index=\"30\" class=\"\" data-cell-type=\"text\" data-original-value=\"14:15 - 15:45\" data-order=\"14:15 - 15:45\" > 14:15 - 15:45 <\/td><td data-cell-id=\"B30\" data-x=\"1\" data-y=\"30\" data-db-index=\"30\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"Histories of media technology&lt;br \/&gt; Chair: Jos\u00e9 R. ALCAL\u00c1\" data-order=\"Histories of media technology&lt;br \/&gt; Chair: Jos\u00e9 R. ALCAL\u00c1\" > Histories of media technology<br \/> Chair: Jos\u00e9 R. ALCAL\u00c1 <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A31\" data-x=\"0\" data-y=\"31\" data-db-index=\"31\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B31\" data-x=\"1\" data-y=\"31\" data-db-index=\"31\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/937&quot; target=&quot;_self&quot;&gt;Katja KWASTEK (NL): Fictitious Future Pasts? Artists reflecting the transhistorical entanglements of telecommunication infrastructures, (post-)colonial trading, and geopolitics&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/937&quot; target=&quot;_self&quot;&gt;Katja KWASTEK (NL): Fictitious Future Pasts? Artists reflecting the transhistorical entanglements of telecommunication infrastructures, (post-)colonial trading, and geopolitics&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/937\" target=\"_self\">Katja KWASTEK (NL): Fictitious Future Pasts? Artists reflecting the transhistorical entanglements of telecommunication infrastructures, (post-)colonial trading, and geopolitics<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A32\" data-x=\"0\" data-y=\"32\" data-db-index=\"32\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B32\" data-x=\"1\" data-y=\"32\" data-db-index=\"32\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/806&quot; target=&quot;_blank&quot;&gt;Grant BOLLMER (US): Gaming Formalisms and the Aesthetics of Empathy&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/806&quot; target=&quot;_blank&quot;&gt;Grant BOLLMER (US): Gaming Formalisms and the Aesthetics of Empathy&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/806\" target=\"_blank\">Grant BOLLMER (US): Gaming Formalisms and the Aesthetics of Empathy<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A33\" data-x=\"0\" data-y=\"33\" data-db-index=\"33\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B33\" data-x=\"1\" data-y=\"33\" data-db-index=\"33\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/903&quot; target=&quot;_blank&quot;&gt;Ozgun Eylul ISCEN (US): Alternative Histories of New Media: Telecommunication Technologies and Media Arts in the Middle East&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/903&quot; target=&quot;_blank&quot;&gt;Ozgun Eylul ISCEN (US): Alternative Histories of New Media: Telecommunication Technologies and Media Arts in the Middle East&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/903\" target=\"_blank\">Ozgun Eylul ISCEN (US): Alternative Histories of New Media: Telecommunication Technologies and Media Arts in the Middle East<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A34\" data-x=\"0\" data-y=\"34\" data-db-index=\"34\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B34\" data-x=\"1\" data-y=\"34\" data-db-index=\"34\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/823&quot; target=&quot;_blank&quot;&gt;Randall PACKER (SG): Social Broadcasting: An Unfinished Communication Revolution&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/823&quot; target=&quot;_blank&quot;&gt;Randall PACKER (SG): Social Broadcasting: An Unfinished Communication Revolution&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/823\" target=\"_blank\">Randall PACKER (SG): Social Broadcasting: An Unfinished Communication Revolution<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A35\" data-x=\"0\" data-y=\"35\" data-db-index=\"35\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B35\" data-x=\"1\" data-y=\"35\" data-db-index=\"35\" class=\"bg-fafafa\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A36\" data-x=\"0\" data-y=\"36\" data-db-index=\"36\" class=\"\" data-cell-type=\"text\" data-original-value=\"15:45\" data-order=\"15:45\" > 15:45 <\/td><td data-cell-id=\"B36\" data-x=\"1\" data-y=\"36\" data-db-index=\"36\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Coffee Break\" data-order=\"Coffee Break\" > Coffee Break <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A37\" data-x=\"0\" data-y=\"37\" data-db-index=\"37\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B37\" data-x=\"1\" data-y=\"37\" data-db-index=\"37\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A38\" data-x=\"0\" data-y=\"38\" data-db-index=\"38\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B38\" data-x=\"1\" data-y=\"38\" data-db-index=\"38\" class=\"bold bg-319bf7\" data-cell-type=\"text\" data-original-value=\"Stream Politics (Brunnensaal)\" data-order=\"Stream Politics (Brunnensaal)\" > Stream Politics (Brunnensaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A39\" data-x=\"0\" data-y=\"39\" data-db-index=\"39\" class=\"\" data-cell-type=\"text\" data-original-value=\"16:15 - 17:45\" data-order=\"16:15 - 17:45\" > 16:15 - 17:45 <\/td><td data-cell-id=\"B39\" data-x=\"1\" data-y=\"39\" data-db-index=\"39\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"Retracing media art and its precursors in Latin America&lt;br \/&gt; Chair: Devon SCHILLER\" data-order=\"Retracing media art and its precursors in Latin America&lt;br \/&gt; Chair: Devon SCHILLER\" > Retracing media art and its precursors in Latin America<br \/> Chair: Devon SCHILLER <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A40\" data-x=\"0\" data-y=\"40\" data-db-index=\"40\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B40\" data-x=\"1\" data-y=\"40\" data-db-index=\"40\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/856&quot; target=&quot;_blank&quot;&gt;Jos\u00e9-Carlos MAR\u00cdATEGUI (PE)\/ Elisa ARCA (PE): Teresa Burga: a pioneer multimedia and information artist&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/856&quot; target=&quot;_blank&quot;&gt;Jos\u00e9-Carlos MAR\u00cdATEGUI (PE)\/ Elisa ARCA (PE): Teresa Burga: a pioneer multimedia and information artist&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/856\" target=\"_blank\">Jos\u00e9-Carlos MAR\u00cdATEGUI (PE)\/ Elisa ARCA (PE): Teresa Burga: a pioneer multimedia and information artist<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A41\" data-x=\"0\" data-y=\"41\" data-db-index=\"41\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B41\" data-x=\"1\" data-y=\"41\" data-db-index=\"41\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/835&quot; target=&quot;_blank&quot;&gt;Reynaldo THOMPSON (MX): Digital art in Latin America&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/835&quot; target=&quot;_blank&quot;&gt;Reynaldo THOMPSON (MX): Digital art in Latin America&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/835\" target=\"_blank\">Reynaldo THOMPSON (MX): Digital art in Latin America<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A42\" data-x=\"0\" data-y=\"42\" data-db-index=\"42\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B42\" data-x=\"1\" data-y=\"42\" data-db-index=\"42\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/800&quot; target=&quot;_blank&quot;&gt;Erandy VERGARA-VARGAS (CA): Re-Tracing Methods: Rethinking Media Art Histories and Relations between the North and the Global South&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/800&quot; target=&quot;_blank&quot;&gt;Erandy VERGARA-VARGAS (CA): Re-Tracing Methods: Rethinking Media Art Histories and Relations between the North and the Global South&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/800\" target=\"_blank\">Erandy VERGARA-VARGAS (CA): Re-Tracing Methods: Rethinking Media Art Histories and Relations between the North and the Global South<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A43\" data-x=\"0\" data-y=\"43\" data-db-index=\"43\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B43\" data-x=\"1\" data-y=\"43\" data-db-index=\"43\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/852&quot; target=&quot;_blank&quot;&gt;Carmen Gil VROLIJK (CO): A genealogy of art and technology in Colombia: 1976-2016&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/852&quot; target=&quot;_blank&quot;&gt;Carmen Gil VROLIJK (CO): A genealogy of art and technology in Colombia: 1976-2016&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/852\" target=\"_blank\">Carmen Gil VROLIJK (CO): A genealogy of art and technology in Colombia: 1976-2016<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A44\" data-x=\"0\" data-y=\"44\" data-db-index=\"44\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B44\" data-x=\"1\" data-y=\"44\" data-db-index=\"44\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A45\" data-x=\"0\" data-y=\"45\" data-db-index=\"45\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B45\" data-x=\"1\" data-y=\"45\" data-db-index=\"45\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Media Art Futures\/Histories (Sommerrefektorium)\" data-order=\"Stream Media Art Futures\/Histories (Sommerrefektorium)\" > Stream Media Art Futures\/Histories (Sommerrefektorium) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A46\" data-x=\"0\" data-y=\"46\" data-db-index=\"46\" class=\"\" data-cell-type=\"text\" data-original-value=\"16:15 - 17:45\" data-order=\"16:15 - 17:45\" > 16:15 - 17:45 <\/td><td data-cell-id=\"B46\" data-x=\"1\" data-y=\"46\" data-db-index=\"46\" class=\"\" data-cell-type=\"text\" data-original-value=\"Curation and art production in crowdsourced and networked situations&lt;br \/&gt; Chair: Ryszard KLUSZCZY\u0143SKI\" data-order=\"Curation and art production in crowdsourced and networked situations&lt;br \/&gt; Chair: Ryszard KLUSZCZY\u0143SKI\" > Curation and art production in crowdsourced and networked situations<br \/> Chair: Ryszard KLUSZCZY\u0143SKI <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A47\" data-x=\"0\" data-y=\"47\" data-db-index=\"47\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B47\" data-x=\"1\" data-y=\"47\" data-db-index=\"47\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/798&quot; target=&quot;_blank&quot;&gt;Zizi LI (US): theorizing Instagram: Ontology, Epistemology, and Aesthetics&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/798&quot; target=&quot;_blank&quot;&gt;Zizi LI (US): theorizing Instagram: Ontology, Epistemology, and Aesthetics&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/798\" target=\"_blank\">Zizi LI (US): theorizing Instagram: Ontology, Epistemology, and Aesthetics<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A48\" data-x=\"0\" data-y=\"48\" data-db-index=\"48\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B48\" data-x=\"1\" data-y=\"48\" data-db-index=\"48\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/867&quot; target=&quot;_blank&quot;&gt;Mark NUNES (US): Frames and Mosaics: Appalachian Photography and the Crowdsourced Archive Frame&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/867&quot; target=&quot;_blank&quot;&gt;Mark NUNES (US): Frames and Mosaics: Appalachian Photography and the Crowdsourced Archive Frame&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/867\" target=\"_blank\">Mark NUNES (US): Frames and Mosaics: Appalachian Photography and the Crowdsourced Archive Frame<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A49\" data-x=\"0\" data-y=\"49\" data-db-index=\"49\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B49\" data-x=\"1\" data-y=\"49\" data-db-index=\"49\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/901&quot; target=&quot;_blank&quot;&gt;Kanokwan TRAKULYINGCHAROEN (AT): Mediascapes in &#039;Cities on the Move in Bangkok&#039; (1999)&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/901&quot; target=&quot;_blank&quot;&gt;Kanokwan TRAKULYINGCHAROEN (AT): Mediascapes in &#039;Cities on the Move in Bangkok&#039; (1999)&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/901\" target=\"_blank\">Kanokwan TRAKULYINGCHAROEN (AT): Mediascapes in 'Cities on the Move in Bangkok' (1999)<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A50\" data-x=\"0\" data-y=\"50\" data-db-index=\"50\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B50\" data-x=\"1\" data-y=\"50\" data-db-index=\"50\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/931&quot; target=&quot;_blank&quot;&gt;Manuela NAVEAU (AT): Crowd and Art. Art and Participation on the Internet&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/931&quot; target=&quot;_blank&quot;&gt;Manuela NAVEAU (AT): Crowd and Art. Art and Participation on the Internet&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/931\" target=\"_blank\">Manuela NAVEAU (AT): Crowd and Art. Art and Participation on the Internet<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A51\" data-x=\"0\" data-y=\"51\" data-db-index=\"51\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B51\" data-x=\"1\" data-y=\"51\" data-db-index=\"51\" class=\"bg-fcfcfc\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A52\" data-x=\"0\" data-y=\"52\" data-db-index=\"52\" class=\"\" data-cell-type=\"text\" data-original-value=\"18:00\" data-order=\"18:00\" > 18:00 <\/td><td data-cell-id=\"B52\" data-x=\"1\" data-y=\"52\" data-db-index=\"52\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Transfer to Krems \" data-order=\"Transfer to Krems \" > Transfer to Krems <\/td><\/tr><\/tbody><\/table><!-- \/#supsystic-table-11.supsystic-table --><\/div><!-- \/.supsystic-tables-wrap --><!-- Tables Generator by Supsystic --><!-- Version: 1.10.41 --><!-- http:\/\/supsystic.com\/ --><a title=\"WP Data Tables\" style=\"display:none;\" href=\"https:\/\/supsystic.com\/plugins\/wordpress-data-table-plugin\/?utm_medium=love_link\" target=\"_blank\">WP Data Tables<\/a>\n<\/div>\n<\/li>\n<li class='gdl-divider'>\n<h2 class='accordion-head title-color gdl-title'><span class='accordion-head-image'><\/span>DAY 3 &#8211; Academy of Sciences Vienna<\/h2>\n<div class='accordion-content'>\n<p>Locations at the Academy of Sciences Vienna: Festsaal, Sitzungssaal, Johannessaal<\/p>\n<p>Poster Session at &#8220;Aula&#8221;<\/p>\n<div class=\"supsystic-table-loader spinner\" ><\/div><div id=\"supsystic-table-12_40190\" class=\"supsystic-tables-wrap \" style=\" width: 100%; visibility: hidden; \" data-table-width-fixed=\"100%\" ><table id=\"supsystic-table-12\" class=\"supsystic-table paragraphMode border lightboxImg cell-border \" data-id=\"12\" data-view-id=\"12_40190\" data-title=\"Day 3\" data-currency-format=\"$1,000.00\" data-percent-format=\"10.00%\" data-date-format=\"DD.MM.YYYY\" data-time-format=\"HH:mm\" data-features=\"[&quot;after_table_loaded_script&quot;]\" data-search-value=\"\" data-lightbox-img=\"\" data-head-rows-count=\"1\" data-pagination-length=\"50,100,All\" data-auto-index=\"off\" data-searching-settings=\"{&quot;minChars&quot;:&quot;0&quot;}\" data-lang=\"default\" data-override=\"{&quot;emptyTable&quot;:&quot;&quot;,&quot;info&quot;:&quot;&quot;,&quot;infoEmpty&quot;:&quot;&quot;,&quot;infoFiltered&quot;:&quot;&quot;,&quot;lengthMenu&quot;:&quot;&quot;,&quot;search&quot;:&quot;&quot;,&quot;zeroRecords&quot;:&quot;&quot;,&quot;file&quot;:&quot;default&quot;}\" data-merged=\"[]\" data-responsive-mode=\"0\" data-from-history=\"0\" ><thead><tr><th class=\"\" style=\"padding: 0 !important;\"><\/th><th class=\"\" style=\"padding: 0 !important;\"><\/th><\/tr><\/thead><tbody><tr style=\"height: px\" ><td data-cell-id=\"A1\" data-x=\"0\" data-y=\"1\" data-db-index=\"1\" class=\"\" data-cell-type=\"text\" data-original-value=\"08:00 - 09:30\" data-order=\"08:00 - 09:30\" style=\"min-width: 6.9585%; \" > 08:00 - 09:30 <\/td><td data-cell-id=\"B1\" data-x=\"1\" data-y=\"1\" data-db-index=\"1\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Transfer from Danube University to the Austrian Academy of Sciences Vienna (\u00d6AW)\" data-order=\"Transfer from Danube University to the Austrian Academy of Sciences Vienna (\u00d6AW)\" style=\"min-width: 93.0415%; \" > Transfer from Danube University to the Austrian Academy of Sciences Vienna (\u00d6AW) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A2\" data-x=\"0\" data-y=\"2\" data-db-index=\"2\" class=\"\" data-cell-type=\"text\" data-original-value=\"09:45\" data-order=\"09:45\" > 09:45 <\/td><td data-cell-id=\"B2\" data-x=\"1\" data-y=\"2\" data-db-index=\"2\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Welcome \u00d6AW by Eveline Wandl-Vogt and Oliver Grau\" data-order=\"Welcome \u00d6AW by Eveline Wandl-Vogt and Oliver Grau\" > Welcome \u00d6AW by Eveline Wandl-Vogt and Oliver Grau <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A3\" data-x=\"0\" data-y=\"3\" data-db-index=\"3\" class=\"\" data-cell-type=\"text\" data-original-value=\"10:00\" data-order=\"10:00\" > 10:00 <\/td><td data-cell-id=\"B3\" data-x=\"1\" data-y=\"3\" data-db-index=\"3\" class=\"bg-f0d9bd\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/906&quot; target=&quot;_blank&quot;&gt;\u201cDARIAH\u201d Keynote Sarah KENDERDINE (EPFL, CH): Postdigital Pasts (Introduction Eveline Wandl-Vogt)&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/906&quot; target=&quot;_blank&quot;&gt;\u201cDARIAH\u201d Keynote Sarah KENDERDINE (EPFL, CH): Postdigital Pasts (Introduction Eveline Wandl-Vogt)&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/906\" target=\"_blank\">\u201cDARIAH\u201d Keynote Sarah KENDERDINE (EPFL, CH): Postdigital Pasts (Introduction Eveline Wandl-Vogt)<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A4\" data-x=\"0\" data-y=\"4\" data-db-index=\"4\" class=\"\" data-cell-type=\"text\" data-original-value=\"11:00\" data-order=\"11:00\" > 11:00 <\/td><td data-cell-id=\"B4\" data-x=\"1\" data-y=\"4\" data-db-index=\"4\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Coffee Break\" data-order=\"Coffee Break\" > Coffee Break <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A5\" data-x=\"0\" data-y=\"5\" data-db-index=\"5\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B5\" data-x=\"1\" data-y=\"5\" data-db-index=\"5\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A6\" data-x=\"0\" data-y=\"6\" data-db-index=\"6\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B6\" data-x=\"1\" data-y=\"6\" data-db-index=\"6\" class=\"bold bg-319bf7\" data-cell-type=\"text\" data-original-value=\"Stream Digital Arts, Archives and Museums (Festsaal)\" data-order=\"Stream Digital Arts, Archives and Museums (Festsaal)\" > Stream Digital Arts, Archives and Museums (Festsaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A7\" data-x=\"0\" data-y=\"7\" data-db-index=\"7\" class=\"\" data-cell-type=\"text\" data-original-value=\"11:30 - 13:00\" data-order=\"11:30 - 13:00\" > 11:30 - 13:00 <\/td><td data-cell-id=\"B7\" data-x=\"1\" data-y=\"7\" data-db-index=\"7\" class=\"\" data-cell-type=\"text\" data-original-value=\"Dariah Connectivity Part I: Collection - Archiving - Preservation&lt;br \/&gt; Chair: Eveline WANDL-VOGT\" data-order=\"Dariah Connectivity Part I: Collection - Archiving - Preservation&lt;br \/&gt; Chair: Eveline WANDL-VOGT\" > Dariah Connectivity Part I: Collection - Archiving - Preservation<br \/> Chair: Eveline WANDL-VOGT <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A8\" data-x=\"0\" data-y=\"8\" data-db-index=\"8\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B8\" data-x=\"1\" data-y=\"8\" data-db-index=\"8\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/839&quot; target=&quot;_blank&quot;&gt;Francesca FRANCO (IT): Algorithmic Signs, Venice 2017: Challenges in the Curation and Documentation of Early Computational and Media Art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/839&quot; target=&quot;_blank&quot;&gt;Francesca FRANCO (IT): Algorithmic Signs, Venice 2017: Challenges in the Curation and Documentation of Early Computational and Media Art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/839\" target=\"_blank\">Francesca FRANCO (IT): Algorithmic Signs, Venice 2017: Challenges in the Curation and Documentation of Early Computational and Media Art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A9\" data-x=\"0\" data-y=\"9\" data-db-index=\"9\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B9\" data-x=\"1\" data-y=\"9\" data-db-index=\"9\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/859&quot; target=&quot;_blank&quot;&gt;Giselle BEIGUELMAN (BR): Museums of the Unfinished to Ephemeral Memories: notes on net art conservation&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/859&quot; target=&quot;_blank&quot;&gt;Giselle BEIGUELMAN (BR): Museums of the Unfinished to Ephemeral Memories: notes on net art conservation&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/859\" target=\"_blank\">Giselle BEIGUELMAN (BR): Museums of the Unfinished to Ephemeral Memories: notes on net art conservation<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A10\" data-x=\"0\" data-y=\"10\" data-db-index=\"10\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B10\" data-x=\"1\" data-y=\"10\" data-db-index=\"10\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/895&quot; target=&quot;_blank&quot;&gt;Janina HOTH (AT): Scholar&#039;s crux: Methods of documentation through the lens of archive theory&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/895&quot; target=&quot;_blank&quot;&gt;Janina HOTH (AT): Scholar&#039;s crux: Methods of documentation through the lens of archive theory&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/895\" target=\"_blank\">Janina HOTH (AT): Scholar's crux: Methods of documentation through the lens of archive theory<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A11\" data-x=\"0\" data-y=\"11\" data-db-index=\"11\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B11\" data-x=\"1\" data-y=\"11\" data-db-index=\"11\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/804&quot; target=&quot;_blank&quot;&gt;Annet DEKKER (NL): Between light and dark archiving&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/804&quot; target=&quot;_blank&quot;&gt;Annet DEKKER (NL): Between light and dark archiving&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/804\" target=\"_blank\">Annet DEKKER (NL): Between light and dark archiving<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A12\" data-x=\"0\" data-y=\"12\" data-db-index=\"12\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B12\" data-x=\"1\" data-y=\"12\" data-db-index=\"12\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A13\" data-x=\"0\" data-y=\"13\" data-db-index=\"13\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B13\" data-x=\"1\" data-y=\"13\" data-db-index=\"13\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Image (Sitzungsaal)\" data-order=\"Stream Image (Sitzungsaal)\" > Stream Image (Sitzungsaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A14\" data-x=\"0\" data-y=\"14\" data-db-index=\"14\" class=\"\" data-cell-type=\"text\" data-original-value=\"11:30 - 13:00\" data-order=\"11:30 - 13:00\" > 11:30 - 13:00 <\/td><td data-cell-id=\"B14\" data-x=\"1\" data-y=\"14\" data-db-index=\"14\" class=\"\" data-cell-type=\"text\" data-original-value=\"Aesthetics I - Theories of the post-digital image&lt;br \/&gt; Chair: Inge HINTERWALDNER\" data-order=\"Aesthetics I - Theories of the post-digital image&lt;br \/&gt; Chair: Inge HINTERWALDNER\" > Aesthetics I - Theories of the post-digital image<br \/> Chair: Inge HINTERWALDNER <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A15\" data-x=\"0\" data-y=\"15\" data-db-index=\"15\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B15\" data-x=\"1\" data-y=\"15\" data-db-index=\"15\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/878&quot; target=&quot;_blank&quot;&gt;Ingrid HOELZL (HK): Postimage: On the Future Evolution of the image and its Theory&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/878&quot; target=&quot;_blank&quot;&gt;Ingrid HOELZL (HK): Postimage: On the Future Evolution of the image and its Theory&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/878\" target=\"_blank\">Ingrid HOELZL (HK): Postimage: On the Future Evolution of the image and its Theory<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A16\" data-x=\"0\" data-y=\"16\" data-db-index=\"16\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B16\" data-x=\"1\" data-y=\"16\" data-db-index=\"16\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/829&quot; target=&quot;_blank&quot;&gt;Ana NACHER (PL): The post-digital imagery as relational object&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/829&quot; target=&quot;_blank&quot;&gt;Ana NACHER (PL): The post-digital imagery as relational object&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/829\" target=\"_blank\">Ana NACHER (PL): The post-digital imagery as relational object<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A17\" data-x=\"0\" data-y=\"17\" data-db-index=\"17\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B17\" data-x=\"1\" data-y=\"17\" data-db-index=\"17\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/853&quot; target=&quot;_blank&quot;&gt;Yael Eylat VAN-ESSEN (IL): From the Digital to the Post-Digital \u2013 the Photographic Image&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/853&quot; target=&quot;_blank&quot;&gt;Yael Eylat VAN-ESSEN (IL): From the Digital to the Post-Digital \u2013 the Photographic Image&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/853\" target=\"_blank\">Yael Eylat VAN-ESSEN (IL): From the Digital to the Post-Digital \u2013 the Photographic Image<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A18\" data-x=\"0\" data-y=\"18\" data-db-index=\"18\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B18\" data-x=\"1\" data-y=\"18\" data-db-index=\"18\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A19\" data-x=\"0\" data-y=\"19\" data-db-index=\"19\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B19\" data-x=\"1\" data-y=\"19\" data-db-index=\"19\" class=\"bg-60cfd1 bold\" data-cell-type=\"text\" data-original-value=\"Johannessaal\" data-order=\"Johannessaal\" > Johannessaal <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A20\" data-x=\"0\" data-y=\"20\" data-db-index=\"20\" class=\"\" data-cell-type=\"text\" data-original-value=\"11:30 - 13:00\" data-order=\"11:30 - 13:00\" > 11:30 - 13:00 <\/td><td data-cell-id=\"B20\" data-x=\"1\" data-y=\"20\" data-db-index=\"20\" class=\"\" data-cell-type=\"text\" data-original-value=\"Cultural roots of media art practices&lt;br \/&gt; Chair: Caroline MENEZES\" data-order=\"Cultural roots of media art practices&lt;br \/&gt; Chair: Caroline MENEZES\" > Cultural roots of media art practices<br \/> Chair: Caroline MENEZES <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A21\" data-x=\"0\" data-y=\"21\" data-db-index=\"21\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B21\" data-x=\"1\" data-y=\"21\" data-db-index=\"21\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/810&quot; target=&quot;_blank&quot;&gt;Ana PERAICA (HR): Post-digital paradigm shift: from Narcissus to Perseus&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/810&quot; target=&quot;_blank&quot;&gt;Ana PERAICA (HR): Post-digital paradigm shift: from Narcissus to Perseus&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/810\" target=\"_blank\">Ana PERAICA (HR): Post-digital paradigm shift: from Narcissus to Perseus<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A22\" data-x=\"0\" data-y=\"22\" data-db-index=\"22\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B22\" data-x=\"1\" data-y=\"22\" data-db-index=\"22\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/831&quot; target=&quot;_blank&quot;&gt;Bahar AKG\u00dcN (TK)\/Mine \u00d6ZKAR (TR): Gaze and Geometry: comparing two languages of vision from Medieval Eastern and Modern Western visual compositions&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/831&quot; target=&quot;_blank&quot;&gt;Bahar AKG\u00dcN (TK)\/Mine \u00d6ZKAR (TR): Gaze and Geometry: comparing two languages of vision from Medieval Eastern and Modern Western visual compositions&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/831\" target=\"_blank\">Bahar AKG\u00dcN (TK)\/Mine \u00d6ZKAR (TR): Gaze and Geometry: comparing two languages of vision from Medieval Eastern and Modern Western visual compositions<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A23\" data-x=\"0\" data-y=\"23\" data-db-index=\"23\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B23\" data-x=\"1\" data-y=\"23\" data-db-index=\"23\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/880&quot; target=&quot;_blank&quot;&gt;Alberto SEMELER (BR): Cybercontemporary art: mutations and digital contagion&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/880&quot; target=&quot;_blank&quot;&gt;Alberto SEMELER (BR): Cybercontemporary art: mutations and digital contagion&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/880\" target=\"_blank\">Alberto SEMELER (BR): Cybercontemporary art: mutations and digital contagion<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A24\" data-x=\"0\" data-y=\"24\" data-db-index=\"24\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B24\" data-x=\"1\" data-y=\"24\" data-db-index=\"24\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/864&quot; target=&quot;_blank&quot;&gt;Manuelle FREIRE (CA): Training in the complex adaptive systems of media art: A critique of the mythologies of art and interdisciplinary learning in higher education&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/864&quot; target=&quot;_blank&quot;&gt;Manuelle FREIRE (CA): Training in the complex adaptive systems of media art: A critique of the mythologies of art and interdisciplinary learning in higher education&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/864\" target=\"_blank\">Manuelle FREIRE (CA): Training in the complex adaptive systems of media art: A critique of the mythologies of art and interdisciplinary learning in higher education<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A25\" data-x=\"0\" data-y=\"25\" data-db-index=\"25\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B25\" data-x=\"1\" data-y=\"25\" data-db-index=\"25\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A26\" data-x=\"0\" data-y=\"26\" data-db-index=\"26\" class=\"\" data-cell-type=\"text\" data-original-value=\"13:00\" data-order=\"13:00\" > 13:00 <\/td><td data-cell-id=\"B26\" data-x=\"1\" data-y=\"26\" data-db-index=\"26\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Lunch Break &amp; Poster Session of Digital Humanities projects and research tools in the hall \" data-order=\"Lunch Break &amp; Poster Session of Digital Humanities projects and research tools in the hall \" > Lunch Break & Poster Session of Digital Humanities projects and research tools in the hall <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A27\" data-x=\"0\" data-y=\"27\" data-db-index=\"27\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B27\" data-x=\"1\" data-y=\"27\" data-db-index=\"27\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A28\" data-x=\"0\" data-y=\"28\" data-db-index=\"28\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B28\" data-x=\"1\" data-y=\"28\" data-db-index=\"28\" class=\"bold bg-319bf7\" data-cell-type=\"text\" data-original-value=\"Stream Digital Arts, Archives and Museums (Festsaal)\" data-order=\"Stream Digital Arts, Archives and Museums (Festsaal)\" > Stream Digital Arts, Archives and Museums (Festsaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A29\" data-x=\"0\" data-y=\"29\" data-db-index=\"29\" class=\"\" data-cell-type=\"text\" data-original-value=\"14:30 - 16:00\" data-order=\"14:30 - 16:00\" > 14:30 - 16:00 <\/td><td data-cell-id=\"B29\" data-x=\"1\" data-y=\"29\" data-db-index=\"29\" class=\"\" data-cell-type=\"text\" data-original-value=\"Dariah Connectivity Part II: Preservation strategies II: Dynamic archiving&lt;br \/&gt; Chair: Frieder Nake\" data-order=\"Dariah Connectivity Part II: Preservation strategies II: Dynamic archiving&lt;br \/&gt; Chair: Frieder Nake\" > Dariah Connectivity Part II: Preservation strategies II: Dynamic archiving<br \/> Chair: Frieder Nake <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A30\" data-x=\"0\" data-y=\"30\" data-db-index=\"30\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B30\" data-x=\"1\" data-y=\"30\" data-db-index=\"30\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/920&quot; target=&quot;_self&quot;&gt;Ann-Marie DUGUET (FR): The anarchive series as a challenge between art and information. Another approach of media art history today&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/920&quot; target=&quot;_self&quot;&gt;Ann-Marie DUGUET (FR): The anarchive series as a challenge between art and information. Another approach of media art history today&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/920\" target=\"_self\">Ann-Marie DUGUET (FR): The anarchive series as a challenge between art and information. Another approach of media art history today<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A31\" data-x=\"0\" data-y=\"31\" data-db-index=\"31\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B31\" data-x=\"1\" data-y=\"31\" data-db-index=\"31\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/819&quot; target=&quot;_blank&quot;&gt;Richard RINEHART (US): Code-Switching: Queering Media Art Histories&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/819&quot; target=&quot;_blank&quot;&gt;Richard RINEHART (US): Code-Switching: Queering Media Art Histories&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/819\" target=\"_blank\">Richard RINEHART (US): Code-Switching: Queering Media Art Histories<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A32\" data-x=\"0\" data-y=\"32\" data-db-index=\"32\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B32\" data-x=\"1\" data-y=\"32\" data-db-index=\"32\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/942&quot; target=&quot;_blank&quot;&gt;George LEGRADY (US): Projects in Visualizing Data 1992-2017&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/942&quot; target=&quot;_blank&quot;&gt;George LEGRADY (US): Projects in Visualizing Data 1992-2017&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/942\" target=\"_blank\">George LEGRADY (US): Projects in Visualizing Data 1992-2017<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A33\" data-x=\"0\" data-y=\"33\" data-db-index=\"33\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B33\" data-x=\"1\" data-y=\"33\" data-db-index=\"33\" class=\"\" data-cell-type=\"text\" data-original-value=\"Patricia FALCAO: tba\" data-order=\"Patricia FALCAO: tba\" > Patricia FALCAO: tba <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A34\" data-x=\"0\" data-y=\"34\" data-db-index=\"34\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B34\" data-x=\"1\" data-y=\"34\" data-db-index=\"34\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A35\" data-x=\"0\" data-y=\"35\" data-db-index=\"35\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B35\" data-x=\"1\" data-y=\"35\" data-db-index=\"35\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Image (Sitzungssaal)\" data-order=\"Stream Image (Sitzungssaal)\" > Stream Image (Sitzungssaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A36\" data-x=\"0\" data-y=\"36\" data-db-index=\"36\" class=\"\" data-cell-type=\"text\" data-original-value=\"14:30 - 16:00\" data-order=\"14:30 - 16:00\" > 14:30 - 16:00 <\/td><td data-cell-id=\"B36\" data-x=\"1\" data-y=\"36\" data-db-index=\"36\" class=\"\" data-cell-type=\"text\" data-original-value=\"Aesthetics II - New media art theory mashup&lt;br \/&gt; Chair: Inge Hinterwaldner\" data-order=\"Aesthetics II - New media art theory mashup&lt;br \/&gt; Chair: Inge Hinterwaldner\" > Aesthetics II - New media art theory mashup<br \/> Chair: Inge Hinterwaldner <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A37\" data-x=\"0\" data-y=\"37\" data-db-index=\"37\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B37\" data-x=\"1\" data-y=\"37\" data-db-index=\"37\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/884&quot; target=&quot;_blank&quot;&gt;Jacob WAMBERG (DK): Return of operativity: Prolegomena to a grand narrative of media in deep time&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/884&quot; target=&quot;_blank&quot;&gt;Jacob WAMBERG (DK): Return of operativity: Prolegomena to a grand narrative of media in deep time&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/884\" target=\"_blank\">Jacob WAMBERG (DK): Return of operativity: Prolegomena to a grand narrative of media in deep time<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A38\" data-x=\"0\" data-y=\"38\" data-db-index=\"38\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B38\" data-x=\"1\" data-y=\"38\" data-db-index=\"38\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/890&quot; target=&quot;_blank&quot;&gt;Denisa KERA (US)\/Cynthia Selin (US): Parlor of Futures: Tarot cards, Futures Techniques and Octave Obdurant&#039;s &#039;Cosmographic Comparator&#039;&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/890&quot; target=&quot;_blank&quot;&gt;Denisa KERA (US)\/Cynthia Selin (US): Parlor of Futures: Tarot cards, Futures Techniques and Octave Obdurant&#039;s &#039;Cosmographic Comparator&#039;&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/890\" target=\"_blank\">Denisa KERA (US)\/Cynthia Selin (US): Parlor of Futures: Tarot cards, Futures Techniques and Octave Obdurant's 'Cosmographic Comparator'<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A39\" data-x=\"0\" data-y=\"39\" data-db-index=\"39\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B39\" data-x=\"1\" data-y=\"39\" data-db-index=\"39\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/827&quot; target=&quot;_blank&quot;&gt;Valentino CATRICAL\u00c0 (IT): The social impact of Media Art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/827&quot; target=&quot;_blank&quot;&gt;Valentino CATRICAL\u00c0 (IT): The social impact of Media Art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/827\" target=\"_blank\">Valentino CATRICAL\u00c0 (IT): The social impact of Media Art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A40\" data-x=\"0\" data-y=\"40\" data-db-index=\"40\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B40\" data-x=\"1\" data-y=\"40\" data-db-index=\"40\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/858&quot; target=&quot;_blank&quot;&gt;Pau ALSINA (ES): Ethico-onto-epistemologies of Media Art: A case study of the &#039;Protocol for Interdisciplinary Research&#039; project&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/858&quot; target=&quot;_blank&quot;&gt;Pau ALSINA (ES): Ethico-onto-epistemologies of Media Art: A case study of the &#039;Protocol for Interdisciplinary Research&#039; project&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/858\" target=\"_blank\">Pau ALSINA (ES): Ethico-onto-epistemologies of Media Art: A case study of the 'Protocol for Interdisciplinary Research' project<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A41\" data-x=\"0\" data-y=\"41\" data-db-index=\"41\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B41\" data-x=\"1\" data-y=\"41\" data-db-index=\"41\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A42\" data-x=\"0\" data-y=\"42\" data-db-index=\"42\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B42\" data-x=\"1\" data-y=\"42\" data-db-index=\"42\" class=\"bg-60cfd1 bold\" data-cell-type=\"text\" data-original-value=\"Johannessaal\" data-order=\"Johannessaal\" > Johannessaal <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A43\" data-x=\"0\" data-y=\"43\" data-db-index=\"43\" class=\"\" data-cell-type=\"text\" data-original-value=\"14:30 - 16:00\" data-order=\"14:30 - 16:00\" > 14:30 - 16:00 <\/td><td data-cell-id=\"B43\" data-x=\"1\" data-y=\"43\" data-db-index=\"43\" class=\"\" data-cell-type=\"text\" data-original-value=\"Re-tracing practice-based methodologies in Media Art Histories&lt;br \/&gt; Chair: Jon CATES\" data-order=\"Re-tracing practice-based methodologies in Media Art Histories&lt;br \/&gt; Chair: Jon CATES\" > Re-tracing practice-based methodologies in Media Art Histories<br \/> Chair: Jon CATES <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A44\" data-x=\"0\" data-y=\"44\" data-db-index=\"44\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B44\" data-x=\"1\" data-y=\"44\" data-db-index=\"44\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/813&quot; target=&quot;_blank&quot;&gt;Laura LEUZZI (UK): Re-enacting early video art as a research tool for media art histories&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/813&quot; target=&quot;_blank&quot;&gt;Laura LEUZZI (UK): Re-enacting early video art as a research tool for media art histories&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/813\" target=\"_blank\">Laura LEUZZI (UK): Re-enacting early video art as a research tool for media art histories<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A45\" data-x=\"0\" data-y=\"45\" data-db-index=\"45\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B45\" data-x=\"1\" data-y=\"45\" data-db-index=\"45\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/869&quot; target=&quot;_blank&quot;&gt;Goki MIYAKITA (JP)\/Keiko OKAWA (JP): Design of Narrative Book Collection: Redesigning Pre-Modern Japanese Books in the Digital Age&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/869&quot; target=&quot;_blank&quot;&gt;Goki MIYAKITA (JP)\/Keiko OKAWA (JP): Design of Narrative Book Collection: Redesigning Pre-Modern Japanese Books in the Digital Age&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/869\" target=\"_blank\">Goki MIYAKITA (JP)\/Keiko OKAWA (JP): Design of Narrative Book Collection: Redesigning Pre-Modern Japanese Books in the Digital Age<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A46\" data-x=\"0\" data-y=\"46\" data-db-index=\"46\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B46\" data-x=\"1\" data-y=\"46\" data-db-index=\"46\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/805&quot; target=&quot;_blank&quot;&gt;Beatriz ESCRIBANO BELMAR (ES)\/Jos\u00e9 R. ALCAL\u00c1 (ES): The artistic contribution of the electrographic practices in the archeology of electronic art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/805&quot; target=&quot;_blank&quot;&gt;Beatriz ESCRIBANO BELMAR (ES)\/Jos\u00e9 R. ALCAL\u00c1 (ES): The artistic contribution of the electrographic practices in the archeology of electronic art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/805\" target=\"_blank\">Beatriz ESCRIBANO BELMAR (ES)\/Jos\u00e9 R. ALCAL\u00c1 (ES): The artistic contribution of the electrographic practices in the archeology of electronic art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A47\" data-x=\"0\" data-y=\"47\" data-db-index=\"47\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B47\" data-x=\"1\" data-y=\"47\" data-db-index=\"47\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A48\" data-x=\"0\" data-y=\"48\" data-db-index=\"48\" class=\"\" data-cell-type=\"text\" data-original-value=\"16:00\" data-order=\"16:00\" > 16:00 <\/td><td data-cell-id=\"B48\" data-x=\"1\" data-y=\"48\" data-db-index=\"48\" class=\"bg-d4d4d4\" data-cell-type=\"text\" data-original-value=\"Coffee Break\" data-order=\"Coffee Break\" > Coffee Break <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A49\" data-x=\"0\" data-y=\"49\" data-db-index=\"49\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B49\" data-x=\"1\" data-y=\"49\" data-db-index=\"49\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A50\" data-x=\"0\" data-y=\"50\" data-db-index=\"50\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B50\" data-x=\"1\" data-y=\"50\" data-db-index=\"50\" class=\"bold bg-319bf7\" data-cell-type=\"text\" data-original-value=\"Stream Digital Arts, Archives and Museums (Festsaal)\" data-order=\"Stream Digital Arts, Archives and Museums (Festsaal)\" > Stream Digital Arts, Archives and Museums (Festsaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A51\" data-x=\"0\" data-y=\"51\" data-db-index=\"51\" class=\"\" data-cell-type=\"text\" data-original-value=\"16:30 - 18:00\" data-order=\"16:30 - 18:00\" > 16:30 - 18:00 <\/td><td data-cell-id=\"B51\" data-x=\"1\" data-y=\"51\" data-db-index=\"51\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/www.mediaarthistory.org\/?p=3360&quot; target=&quot;_self&quot;&gt;Dariah Connectivity Roundtable: Six decades of Digital Arts &amp; museums - a new infrastructure&lt;br \/&gt; Chair: Wendy Coones&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/www.mediaarthistory.org\/?p=3360&quot; target=&quot;_self&quot;&gt;Dariah Connectivity Roundtable: Six decades of Digital Arts &amp; museums - a new infrastructure&lt;br \/&gt; Chair: Wendy Coones&lt;\/a&gt;\" ><a href=\"http:\/\/www.mediaarthistory.org\/?p=3360\" target=\"_self\">Dariah Connectivity Roundtable: Six decades of Digital Arts & museums - a new infrastructure<br \/> Chair: Wendy Coones<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A52\" data-x=\"0\" data-y=\"52\" data-db-index=\"52\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B52\" data-x=\"1\" data-y=\"52\" data-db-index=\"52\" class=\"\" data-cell-type=\"text\" data-original-value=\"Discussants:\" data-order=\"Discussants:\" > Discussants: <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A53\" data-x=\"0\" data-y=\"53\" data-db-index=\"53\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B53\" data-x=\"1\" data-y=\"53\" data-db-index=\"53\" class=\"\" data-cell-type=\"text\" data-original-value=\"Giselle BEIGUELMAN (BR)\" data-order=\"Giselle BEIGUELMAN (BR)\" > Giselle BEIGUELMAN (BR) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A54\" data-x=\"0\" data-y=\"54\" data-db-index=\"54\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B54\" data-x=\"1\" data-y=\"54\" data-db-index=\"54\" class=\"\" data-cell-type=\"text\" data-original-value=\"Howard BESSER (US)\" data-order=\"Howard BESSER (US)\" > Howard BESSER (US) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A55\" data-x=\"0\" data-y=\"55\" data-db-index=\"55\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B55\" data-x=\"1\" data-y=\"55\" data-db-index=\"55\" class=\"\" data-cell-type=\"text\" data-original-value=\"Patricia FAL\u00c7AO (UK)\" data-order=\"Patricia FAL\u00c7AO (UK)\" > Patricia FAL\u00c7AO (UK) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A56\" data-x=\"0\" data-y=\"56\" data-db-index=\"56\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B56\" data-x=\"1\" data-y=\"56\" data-db-index=\"56\" class=\"\" data-cell-type=\"text\" data-original-value=\"Oliver GRAU (AT)\" data-order=\"Oliver GRAU (AT)\" > Oliver GRAU (AT) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A57\" data-x=\"0\" data-y=\"57\" data-db-index=\"57\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B57\" data-x=\"1\" data-y=\"57\" data-db-index=\"57\" class=\"\" data-cell-type=\"text\" data-original-value=\"Sarah KENDERDINE (CH)\" data-order=\"Sarah KENDERDINE (CH)\" > Sarah KENDERDINE (CH) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A58\" data-x=\"0\" data-y=\"58\" data-db-index=\"58\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B58\" data-x=\"1\" data-y=\"58\" data-db-index=\"58\" class=\"\" data-cell-type=\"text\" data-original-value=\"Marianne PING HUANG (DK)\" data-order=\"Marianne PING HUANG (DK)\" > Marianne PING HUANG (DK) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A59\" data-x=\"0\" data-y=\"59\" data-db-index=\"59\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B59\" data-x=\"1\" data-y=\"59\" data-db-index=\"59\" class=\"\" data-cell-type=\"text\" data-original-value=\"Christoph THUN-HOHENSTEIN (AT)\" data-order=\"Christoph THUN-HOHENSTEIN (AT)\" > Christoph THUN-HOHENSTEIN (AT) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A60\" data-x=\"0\" data-y=\"60\" data-db-index=\"60\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B60\" data-x=\"1\" data-y=\"60\" data-db-index=\"60\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A61\" data-x=\"0\" data-y=\"61\" data-db-index=\"61\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B61\" data-x=\"1\" data-y=\"61\" data-db-index=\"61\" class=\"bg-d482a0 bold\" data-cell-type=\"text\" data-original-value=\"Stream Image (Sitzungssaal)\" data-order=\"Stream Image (Sitzungssaal)\" > Stream Image (Sitzungssaal) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A62\" data-x=\"0\" data-y=\"62\" data-db-index=\"62\" class=\"\" data-cell-type=\"text\" data-original-value=\"16:30 - 18:00\" data-order=\"16:30 - 18:00\" > 16:30 - 18:00 <\/td><td data-cell-id=\"B62\" data-x=\"1\" data-y=\"62\" data-db-index=\"62\" class=\"\" data-cell-type=\"text\" data-original-value=\"Reframing social artistic initiatives since the 1960s&lt;br \/&gt; Chair: Valentino CATRICAL\u00c1\" data-order=\"Reframing social artistic initiatives since the 1960s&lt;br \/&gt; Chair: Valentino CATRICAL\u00c1\" > Reframing social artistic initiatives since the 1960s<br \/> Chair: Valentino CATRICAL\u00c1 <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A63\" data-x=\"0\" data-y=\"63\" data-db-index=\"63\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B63\" data-x=\"1\" data-y=\"63\" data-db-index=\"63\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/824&quot; target=&quot;_blank&quot;&gt;Stephen JONES (AU): Community Activist Video and the origins of Video Art&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/824&quot; target=&quot;_blank&quot;&gt;Stephen JONES (AU): Community Activist Video and the origins of Video Art&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/824\" target=\"_blank\">Stephen JONES (AU): Community Activist Video and the origins of Video Art<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A64\" data-x=\"0\" data-y=\"64\" data-db-index=\"64\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B64\" data-x=\"1\" data-y=\"64\" data-db-index=\"64\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/876&quot; target=&quot;_blank&quot;&gt;Catherine BERNARD (US): Electronic Disturbance Theater, Floating Point Unit, Fakeshop&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/876&quot; target=&quot;_blank&quot;&gt;Catherine BERNARD (US): Electronic Disturbance Theater, Floating Point Unit, Fakeshop&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/876\" target=\"_blank\">Catherine BERNARD (US): Electronic Disturbance Theater, Floating Point Unit, Fakeshop<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A65\" data-x=\"0\" data-y=\"65\" data-db-index=\"65\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B65\" data-x=\"1\" data-y=\"65\" data-db-index=\"65\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/836&quot; target=&quot;_blank&quot;&gt;Adam LAUDER (CA): Science\/Fiction: Canadian Information Art in the 1970s&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/836&quot; target=&quot;_blank&quot;&gt;Adam LAUDER (CA): Science\/Fiction: Canadian Information Art in the 1970s&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/836\" target=\"_blank\">Adam LAUDER (CA): Science\/Fiction: Canadian Information Art in the 1970s<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A66\" data-x=\"0\" data-y=\"66\" data-db-index=\"66\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B66\" data-x=\"1\" data-y=\"66\" data-db-index=\"66\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/898&quot; target=&quot;_blank&quot;&gt;Rania GAFAAR (DE): Crisis as Critical Practice in the MENA&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/898&quot; target=&quot;_blank&quot;&gt;Rania GAFAAR (DE): Crisis as Critical Practice in the MENA&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/898\" target=\"_blank\">Rania GAFAAR (DE): Crisis as Critical Practice in the MENA<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A67\" data-x=\"0\" data-y=\"67\" data-db-index=\"67\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B67\" data-x=\"1\" data-y=\"67\" data-db-index=\"67\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A68\" data-x=\"0\" data-y=\"68\" data-db-index=\"68\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B68\" data-x=\"1\" data-y=\"68\" data-db-index=\"68\" class=\"bg-60cfd1 bold\" data-cell-type=\"text\" data-original-value=\"Johannessaal\" data-order=\"Johannessaal\" > Johannessaal <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A69\" data-x=\"0\" data-y=\"69\" data-db-index=\"69\" class=\"\" data-cell-type=\"text\" data-original-value=\"16:30 - 18:00\" data-order=\"16:30 - 18:00\" > 16:30 - 18:00 <\/td><td data-cell-id=\"B69\" data-x=\"1\" data-y=\"69\" data-db-index=\"69\" class=\"\" data-cell-type=\"text\" data-original-value=\"Ecology, Politics, Aesthetics II&lt;br \/&gt; Chair: Pau ALSINA\" data-order=\"Ecology, Politics, Aesthetics II&lt;br \/&gt; Chair: Pau ALSINA\" > Ecology, Politics, Aesthetics II<br \/> Chair: Pau ALSINA <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A70\" data-x=\"0\" data-y=\"70\" data-db-index=\"70\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B70\" data-x=\"1\" data-y=\"70\" data-db-index=\"70\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/811&quot; target=&quot;_blank&quot;&gt;Clara Boj TOVAR (ES)\/Diego Jos\u00e9 D\u00edaz GARC\u00cdA (ES): Hybrid ecologies on the anthropocene: Mar Menor Research&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/811&quot; target=&quot;_blank&quot;&gt;Clara Boj TOVAR (ES)\/Diego Jos\u00e9 D\u00edaz GARC\u00cdA (ES): Hybrid ecologies on the anthropocene: Mar Menor Research&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/811\" target=\"_blank\">Clara Boj TOVAR (ES)\/Diego Jos\u00e9 D\u00edaz GARC\u00cdA (ES): Hybrid ecologies on the anthropocene: Mar Menor Research<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A71\" data-x=\"0\" data-y=\"71\" data-db-index=\"71\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B71\" data-x=\"1\" data-y=\"71\" data-db-index=\"71\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/882&quot; target=&quot;_blank&quot;&gt;Sara GARZON (US): Amaru Cholango in How to Poeticize Technology&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/882&quot; target=&quot;_blank&quot;&gt;Sara GARZON (US): Amaru Cholango in How to Poeticize Technology&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/882\" target=\"_blank\">Sara GARZON (US): Amaru Cholango in How to Poeticize Technology<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A72\" data-x=\"0\" data-y=\"72\" data-db-index=\"72\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B72\" data-x=\"1\" data-y=\"72\" data-db-index=\"72\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/841&quot; target=&quot;_blank&quot;&gt;Nathalia LAVIGNE (BR): Art on Instagram: Imaginary museums, counter-collections and moving images&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/841&quot; target=&quot;_blank&quot;&gt;Nathalia LAVIGNE (BR): Art on Instagram: Imaginary museums, counter-collections and moving images&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/841\" target=\"_blank\">Nathalia LAVIGNE (BR): Art on Instagram: Imaginary museums, counter-collections and moving images<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A73\" data-x=\"0\" data-y=\"73\" data-db-index=\"73\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B73\" data-x=\"1\" data-y=\"73\" data-db-index=\"73\" class=\"\" data-cell-type=\"text\" data-original-value=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/837&quot; target=&quot;_blank&quot;&gt;Polonia TRATNIK (SI): Media art and Politics: The Question of Tomorrow&lt;\/a&gt;\" data-order=\"&lt;a href=&quot;http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/837&quot; target=&quot;_blank&quot;&gt;Polonia TRATNIK (SI): Media art and Politics: The Question of Tomorrow&lt;\/a&gt;\" ><a href=\"http:\/\/pl02.donau-uni.ac.at\/jspui\/handle\/10002\/837\" target=\"_blank\">Polonia TRATNIK (SI): Media art and Politics: The Question of Tomorrow<\/a><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A74\" data-x=\"0\" data-y=\"74\" data-db-index=\"74\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B74\" data-x=\"1\" data-y=\"74\" data-db-index=\"74\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A75\" data-x=\"0\" data-y=\"75\" data-db-index=\"75\" class=\"\" data-cell-type=\"text\" data-original-value=\"18:00\" data-order=\"18:00\" > 18:00 <\/td><td data-cell-id=\"B75\" data-x=\"1\" data-y=\"75\" data-db-index=\"75\" class=\"bg-f0d9bd\" data-cell-type=\"text\" data-original-value=\"Closing Remarks &amp; Announcement of the next venue (2019)\" data-order=\"Closing Remarks &amp; Announcement of the next venue (2019)\" > Closing Remarks & Announcement of the next venue (2019) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A76\" data-x=\"0\" data-y=\"76\" data-db-index=\"76\" class=\"\" data-cell-type=\"text\" data-original-value=\"18:30\" data-order=\"18:30\" > 18:30 <\/td><td data-cell-id=\"B76\" data-x=\"1\" data-y=\"76\" data-db-index=\"76\" class=\"bold bg-ff411f\" data-cell-type=\"text\" data-original-value=\"Public Keynote Martin KEMP (Oxford University, UK): Computerising Leonardo: a visual dialogue from 1988 to now(Introduction by Oliver Grau)\" data-order=\"Public Keynote Martin KEMP (Oxford University, UK): Computerising Leonardo: a visual dialogue from 1988 to now(Introduction by Oliver Grau)\" > Public Keynote Martin KEMP (Oxford University, UK): Computerising Leonardo: a visual dialogue from 1988 to now(Introduction by Oliver Grau) <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A77\" data-x=\"0\" data-y=\"77\" data-db-index=\"77\" class=\"\" data-cell-type=\"text\" data-original-value=\"19:30\" data-order=\"19:30\" > 19:30 <\/td><td data-cell-id=\"B77\" data-x=\"1\" data-y=\"77\" data-db-index=\"77\" class=\"bg-f0d9bd\" data-cell-type=\"text\" data-original-value=\"Conference Finissage\" data-order=\"Conference Finissage\" > Conference Finissage <\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A78\" data-x=\"0\" data-y=\"78\" data-db-index=\"78\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B78\" data-x=\"1\" data-y=\"78\" data-db-index=\"78\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A79\" data-x=\"0\" data-y=\"79\" data-db-index=\"79\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B79\" data-x=\"1\" data-y=\"79\" data-db-index=\"79\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A80\" data-x=\"0\" data-y=\"80\" data-db-index=\"80\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B80\" data-x=\"1\" data-y=\"80\" data-db-index=\"80\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A81\" data-x=\"0\" data-y=\"81\" data-db-index=\"81\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B81\" data-x=\"1\" data-y=\"81\" data-db-index=\"81\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><tr style=\"height: px\" ><td data-cell-id=\"A82\" data-x=\"0\" data-y=\"82\" data-db-index=\"82\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><td data-cell-id=\"B82\" data-x=\"1\" data-y=\"82\" data-db-index=\"82\" class=\"\" data-cell-type=\"text\" data-original-value=\"\" data-order=\"\" ><\/td><\/tr><\/tbody><\/table><!-- \/#supsystic-table-12.supsystic-table --><\/div><!-- \/.supsystic-tables-wrap --><!-- Tables Generator by Supsystic --><!-- Version: 1.10.41 --><!-- http:\/\/supsystic.com\/ --><a title=\"WP Data Tables\" style=\"display:none;\" href=\"https:\/\/supsystic.com\/plugins\/wordpress-data-table-plugin\/?utm_medium=love_link\" target=\"_blank\">WP Data Tables<\/a>\n<\/div>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":3096,"parent":2711,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/2745"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2745"}],"version-history":[{"count":62,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/2745\/revisions"}],"predecessor-version":[{"id":3240,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/2745\/revisions\/3240"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/2711"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/media\/3096"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}