{"id":303,"date":"2011-12-20T15:07:33","date_gmt":"2011-12-20T14:07:33","guid":{"rendered":"http:\/\/www.mediaarthistory.org\/?page_id=303"},"modified":"2016-12-20T01:09:32","modified_gmt":"2016-12-20T00:09:32","slug":"rewire-day-2-sept-28-2011","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=303","title":{"rendered":"Rewire – day 2 – Sept 29, 2011"},"content":{"rendered":"

THURSDAY 29TH<\/sup> SEPTEMBER 2011<\/strong><\/p>\n

9.30 \u2013 11.30: SESSION 5<\/strong><\/p>\n

Panel A: <\/em>Institutions, cultural memory and canons<\/em><\/p>\n

CHAIR: Sarah Cook<\/p>\n

Robin Oppenheimer, 9 Evenings: Theater & Engineering: Recovering Digital Culture\u2019s Collaborative Roots<\/em><\/p>\n

Christophe Leclercq and Paul Girard, The Experiments in Art and Technology Digital Archive<\/em><\/p>\n

Sara Diamond, Euphoria and Dystopia: The Banff New Media Institute Dialogues, 1995-2005 <\/em><\/p>\n

Ben Halsall,\u00a0 The digital grandmother: shifting patterns in the fomation of global and local creative communities.<\/em><\/p>\n

Sarah Todd, Anatomy of an Artist-Run Media Arts Archive : 1969 – Present<\/em><\/p>\n

***<\/p>\n

Panel B: History, memory, documentation<\/em><\/p>\n

CHAIR: Mike Stubbs<\/p>\n

Monika G\u00f3rska-Olesi\u0144ska, Playable texts as tools for critical analysis of experimental strategies in a field of language art<\/em><\/p>\n

Axel Roch, Marcel Duchamp VS Claude Shannon: Chess, Cycles, and Juggling in Art and Media.<\/em><\/p>\n

Victoria Bradbury, The Colonial Vegetables Sewn Sampler and Blue Boar: Remapping Histories through New Media<\/em><\/p>\n

Leonie Cooper, Memories of a virtual world: Thinking through those things that remain<\/em><\/p>\n

Gabriela Galati, Non-Linear Models: Camilo’s Theater of Memory & Warburg’s Mnemosyne Atlas as Archive Models for Thinking and Writing on New Media Art History<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> Local histories
\n<\/em><\/p>\n

CHAIR: Laura Sillars<\/p>\n

Janice Robertson, Aztec Picture-Writing Meets Hypermedia and a “New World” of Writing Opens Up<\/em><\/p>\n

Margr\u00e9t \u00d3lafsd\u00f3ttir, Media Art in Iceland : a case study <\/em><\/p>\n

Darko Fritz, Beginning of computer-generated art in the Netherlands<\/em><\/p>\n

David Teh, New\/media\/art in Thailand: expanded history for an expanded field <\/em><\/p>\n

Jung-Yeon Ma, A Very ‘Superficial’ History of Media Art in Japan<\/em><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

11.30 \u2013 11.45: Tea\/coffee<\/strong><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

11.45 \u2013 13.10: SESSION 6<\/strong><\/p>\n

Panel A: Precursors (digital effects)<\/em><\/p>\n

CHAIR: Steve Partridge<\/p>\n

Maria Lakka, Synaesthesia in the American avant-garde film: two approaches<\/em><\/p>\n

Katie Day Good, Early Convergence: Audio Slideshows and \u201cNew Media\u201d Storytelling at American Newspapers, 1923-1931<\/em><\/p>\n

Birk Weiberg, Classical Hollywood Cinema as an Epistemological Network<\/em><\/p>\n

***<\/p>\n

Panel B:<\/em> Art now 2
\n<\/em><\/p>\n

CHAIR: Sarah Cook<\/p>\n

Tomohiro Ueshiba, Early video installations of Dumb Type<\/em><\/p>\n

Susan Elizabeth Ryan, Dress Acts: Wearable Technology and Virtuosity<\/em><\/p>\n

Jackie Calderwood, Navigating Metaphor: Locative media and symbolic landscape<\/em><\/p>\n

Chris Meigh-Andrews, The Monument Project<\/em><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

13.00 \u2013 14.00: Lunch<\/strong><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

14.00 \u2013 15.40: SESSION 7<\/strong><\/p>\n

Panel A: Science and Technology studies<\/em><\/p>\n

CHAIR: Charlie Gere<\/p>\n

Karen Cham, The Convergence of Complex Systems Science and Art Practice in the Computational Arts<\/em><\/p>\n

Gabriel Menotti, The interpenetrating boundaries between coding and computation during livecoding performance<\/em><\/p>\n

Rebecca Uchill, Technologies of the Social: The Contemporary Art Exhibition in Formation of its Publics<\/em><\/p>\n

Pau Alsina, Pau Waelder and Natalia Cant\u00f3, Towards a material-semiotic network approach in the History of Media Art: BioArt as a case study.<\/em><\/p>\n

***<\/p>\n

Panel B: The spaces of art (internet)<\/em><\/p>\n

CHAIR: Christiane Paul<\/p>\n

Jeremy Pilcher, Internet Art as a Critique of the Legal Regulation of Digital Society<\/em><\/p>\n

Meredith Godley, Performance Art and YouTube Vlogging<\/em><\/p>\n

Camille Paloque Berges, The art of documenting online experience : Internet art and culture in relation to concepts in information sience<\/em><\/p>\n

Jenny Steele, \u2018Redirection and Network Timeout\u2019\u2013 Occupation of internet architecture and physical architecture in Chinese municipality of Chongqing\u2019<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> Case studies (identity and exhibition making)<\/em><\/p>\n

CHAIR: Laura Sillars<\/p>\n

Robin Peckham and Venus Lau, Curatorial discourse and new media in contemporary China<\/em><\/p>\n

Alice Ming Wai Jim, How Do Non-Western Histories of Media Art and Global Art History Interact?<\/em><\/p>\n

Dot Tuer,\u00a0 Divergent Circuitries: Staking a claim for Tucum\u00e1n Arde in New Media History<\/em><\/p>\n

Josei Nagayassu and Ana Gabriela Godinho Lima, The new paradigm represented by the digital sketches in architecture<\/em><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

14.00 – 16.30: Workshop<\/strong><\/p>\n

Media Art Histories Archive Roundtable<\/a>, convened by Ross Harley \u00a0and \u00a0Paul Thomas<\/p>\n

<\/strong><\/p>\n

 <\/p>\n

15.40 \u2013 16.00: Tea\/coffee<\/strong><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

16.00 \u2013 17.40: SESSION 8<\/strong><\/p>\n

Panel A: <\/span>Blindspots (pioneers)<\/em><\/p>\n

CHAIR: Paul Brown<\/p>\n

Elaine O’Hanrahan, Desmond Paul Henry: Computer Art’s ‘missing link’<\/em><\/p>\n

Caroline Langill, Another Dimension & Another Dimension II: A missed opportunity<\/em><\/p>\n

Silvana Vassallo, Italian interactive installation art: an assessment of the pioneering works of Studio Azzurro, Giacomo Verde, Mario Canali e Piero Gilardi.<\/em><\/p>\n

Annet Dekker, Enjoying the gap. Strategies for documenting net art<\/em><\/p>\n

***<\/p>\n

Panel B: The craft of art (gaming)
\n<\/em><\/p>\n

CHAIR: Sara Diamond<\/p>\n

William Lockett, Tonalities of Protention: Temporal Horizons and Game-Space <\/em><\/p>\n

Katja Kwastek, “Myron did it first” – Does Nintendo do it better?<\/em><\/p>\n

Felicity Colman, Notes on post-industrial gaming : the new machinic aesthetic <\/em><\/p>\n

Jonathan Lessard, Game genres adapting to technology: understanding the success and decline of adventure games<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> The spaces of art (labs)
\n<\/em><\/p>\n

CHAIR: Charlie Gere \/ Sarah Cook<\/p>\n

Rosana Horio Monteiro, Artists-in-labs: a Portuguese experience<\/em><\/p>\n

Nicholas Lambert, Rebels in research labs? The role of artists in the early development of American computer graphics, 1965-1980<\/em><\/p>\n

Peter Richardson, Herding Cats to Infinity <\/em><\/p>\n

Charlotte Frost, Furtherfield, Seeing and Doing<\/em><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

18.00 \u2013 20.00: Performance<\/strong><\/p>\n

AND Festival Opening, FACT and Black-E <\/strong><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

20.00: Close<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

THURSDAY 29TH SEPTEMBER 2011 9.30 \u2013 11.30: SESSION 5 Panel A: Institutions, cultural memory and canons CHAIR: Sarah Cook Robin Oppenheimer, 9 Evenings: Theater & Engineering: Recovering Digital Culture\u2019s Collaborative Roots Christophe Leclercq and Paul Girard, The Experiments in Art and Technology Digital Archive Sara Diamond, Euphoria and Dystopia: The Banff New Media Institute Dialogues, 1995-2005 Ben Halsall,\u00a0 The digital grandmother: shifting patterns in the fomation of global and local creative communities. Sarah Todd, Anatomy of an Artist-Run Media Arts Archive : 1969 – Present *** Panel B: History, memory, documentation CHAIR: Mike Stubbs Monika G\u00f3rska-Olesi\u0144ska, Playable texts as tools for critical analysis of experimental strategies in a field of language art Axel Roch, Marcel Duchamp VS Claude Shannon: Chess, Cycles, and Juggling in Art and Media. Victoria Bradbury, The Colonial Vegetables Sewn Sampler and Blue Boar: Remapping Histories through New Media Leonie Cooper, Memories of a virtual world: Thinking through those things that remain Gabriela Galati, Non-Linear Models: Camilo’s Theater of Memory & Warburg’s Mnemosyne Atlas as Archive Models for Thinking and Writing on New Media Art History *** Panel C: Local histories CHAIR: Laura Sillars Janice Robertson, Aztec Picture-Writing Meets Hypermedia and a “New World” of Writing Opens Up Margr\u00e9t \u00d3lafsd\u00f3ttir, Media Art in Iceland : a case study Darko Fritz, Beginning of computer-generated art in the Netherlands David Teh, New\/media\/art in Thailand: expanded history for an expanded field Jung-Yeon Ma, A Very ‘Superficial’ History of Media Art in Japan   11.30 \u2013 11.45: Tea\/coffee   11.45 \u2013 13.10: SESSION 6 Panel A: Precursors (digital effects) CHAIR: Steve Partridge Maria Lakka, Synaesthesia in the American avant-garde film: two approaches Katie Day Good, Early Convergence: Audio Slideshows and \u201cNew Media\u201d Storytelling at American Newspapers, 1923-1931 Birk Weiberg, Classical Hollywood Cinema as an Epistemological Network *** Panel B: Art now 2 CHAIR: Sarah Cook Tomohiro Ueshiba, Early video installations of Dumb Type Susan Elizabeth Ryan, Dress Acts: Wearable Technology and Virtuosity Jackie Calderwood, Navigating Metaphor: Locative media and symbolic landscape Chris Meigh-Andrews, The Monument Project   13.00 \u2013 14.00: Lunch   14.00 \u2013 15.40: SESSION 7 Panel A: Science and Technology studies CHAIR: Charlie Gere Karen Cham, The Convergence of Complex Systems Science and Art Practice in the Computational Arts Gabriel Menotti, The interpenetrating boundaries between coding and computation during livecoding performance Rebecca Uchill, Technologies of the Social: The Contemporary Art Exhibition in Formation of its Publics Pau Alsina, Pau Waelder and Natalia Cant\u00f3, Towards a material-semiotic network approach in the History of Media Art: BioArt as a case study. *** Panel B: The spaces of art (internet) CHAIR: Christiane Paul Jeremy Pilcher, Internet Art as a Critique of the Legal Regulation of Digital Society Meredith Godley, Performance Art and YouTube Vlogging Camille Paloque Berges, The art of documenting online experience : Internet art and culture in relation to concepts in information sience Jenny Steele, \u2018Redirection and Network Timeout\u2019\u2013 Occupation of internet architecture and physical architecture in Chinese municipality of Chongqing\u2019 *** Panel C: Case studies (identity and exhibition making) CHAIR: Laura Sillars Robin Peckham and Venus Lau, Curatorial discourse and new media in contemporary China Alice Ming Wai Jim, How Do Non-Western Histories of Media Art and Global Art History Interact? Dot Tuer,\u00a0 Divergent Circuitries: Staking a claim for Tucum\u00e1n Arde in New Media History Josei Nagayassu and Ana Gabriela Godinho Lima, The new paradigm represented by the digital sketches in architecture   14.00 – 16.30: Workshop Media Art Histories Archive Roundtable, convened by Ross Harley \u00a0and \u00a0Paul Thomas   15.40 \u2013 16.00: Tea\/coffee   16.00 \u2013 17.40: SESSION 8 Panel A: Blindspots (pioneers) CHAIR: Paul Brown Elaine O’Hanrahan, Desmond Paul Henry: Computer Art’s ‘missing link’ Caroline Langill, Another Dimension & Another Dimension II: A missed opportunity Silvana Vassallo, Italian interactive installation art: an assessment of the pioneering works of Studio Azzurro, Giacomo Verde, Mario Canali e Piero Gilardi. Annet Dekker, Enjoying the gap. Strategies for documenting net art *** Panel B: The craft of art (gaming) CHAIR: Sara Diamond William Lockett, Tonalities of Protention: Temporal Horizons and Game-Space Katja Kwastek, “Myron did it first” – Does Nintendo do it better? Felicity Colman, Notes on post-industrial gaming : the new machinic aesthetic Jonathan Lessard, Game genres adapting to technology: understanding the success and decline of adventure games *** Panel C: The spaces of art (labs) CHAIR: Charlie Gere \/ Sarah Cook Rosana Horio Monteiro, Artists-in-labs: a Portuguese experience Nicholas Lambert, Rebels in research labs? The role of artists in the early development of American computer graphics, 1965-1980 Peter Richardson, Herding Cats to Infinity Charlotte Frost, Furtherfield, Seeing and Doing   18.00 \u2013 20.00: Performance AND Festival Opening, FACT and Black-E   20.00: Close<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":230,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/303"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=303"}],"version-history":[{"count":15,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/303\/revisions"}],"predecessor-version":[{"id":2421,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/303\/revisions\/2421"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/230"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}