{"id":306,"date":"2011-12-20T15:08:08","date_gmt":"2011-12-20T14:08:08","guid":{"rendered":"http:\/\/www.mediaarthistory.org\/?page_id=306"},"modified":"2016-12-20T01:09:44","modified_gmt":"2016-12-20T00:09:44","slug":"rewire-day-3-sept-30-2011","status":"publish","type":"page","link":"https:\/\/www.mediaarthistory.org\/?page_id=306","title":{"rendered":"Rewire – day 3 – Sept 30, 2011"},"content":{"rendered":"

FRIDAY 30TH<\/sup> SEPTEMBER 2011<\/strong><\/p>\n

9.30 \u2013 11.30: SESSION 9<\/strong><\/p>\n

Panel A: <\/em>Industry, apparatus, control systems<\/em><\/p>\n

CHAIR: Paul Brown<\/p>\n

Simon Hagemann, Robotic artists in Japan since the 1970s<\/em><\/p>\n

Ian Wojtowicz, The Betweeners<\/em><\/p>\n

Nadav Hochman, The Noise Complex: Reframing Abstract Expressionism in the Postwar Technological Context <\/em><\/p>\n

Orit Halpern, Perceptual Machines: Cybernetics, Bio-Politics, and Design circa 1959<\/em><\/p>\n

Graham Harwood, Contraption, the apparatus of art, sane & mad, secure & risky machines<\/em><\/p>\n

***<\/p>\n

Panel B: Case studies (curatorial and museum work)<\/em><\/p>\n

CHAIR: Beryl Graham<\/p>\n

Beryl Graham, Exhibition histories and new media behaviours<\/em><\/p>\n

Vince Dziekan, Tate In Space (and Time)<\/em><\/p>\n

Margaret Schavemaker, The State of the AR(t) <\/em><\/p>\n

Janis Jefferies, Unleashing Devices: breakdown and the aesthetics of disappointment<\/em><\/p>\n

Magdalena Tyzlik-Carver, Knowledge commons or souls at work? Curatorial systems and questions of contingency.<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> The craft of art (the biological)<\/em><\/p>\n

CHAIR: Andy Miah<\/p>\n

Trish Adams and Andrew Burrell, Hybrid Habitats: the shifting domains of technologically mediated corporeality<\/em><\/p>\n

Jenny Tillotson, Check The Smell Print<\/em><\/p>\n

Natasha Vita-More, Human Enhancement: Nano-Bio\/A[G]I as Media for Prolonging Personhood<\/em><\/p>\n

Adele Senior, Henrietta Haunts: Performance, the Archive and the Biological Arts<\/em><\/p>\n

Kristen Hutchinson, Employing Biomedical Sciences to Envision Illness in House and Christine Borland\u2019s Positive Control<\/em><\/p>\n


\n<\/em><\/p>\n

11.30 \u2013 11.45: Tea\/coffee<\/strong><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

11.45 \u2013 13.10: SESSION 10<\/strong><\/p>\n

Panel A: Media art histories (recent work)<\/em><\/p>\n

CHAIR: TBA<\/p>\n

TBA
\n<\/em><\/p>\n

<\/em>Guilherme Kujawski, On Conversation Considered as One of the Fine Arts<\/em><\/p>\n

Zara Dinnen, Code, Compression, Composition: C-ing the imagetext in Cory Arcangel\u2019s “a couple thousand short films about Glenn Gould”<\/em><\/p>\n

***<\/p>\n

Panel B: Case studies (festivals)
\n<\/em><\/p>\n

CHAIR: Sarah Cook<\/p>\n

Maria X, On Curating Collaboration: Medi@terra 2001<\/em><\/p>\n

Marina Soler Jorge, Cinephilia, Festivals and Media: the S\u00e3o Paulo International Film Festival and its Audience.<\/em><\/p>\n

Morten S\u00f8ndergaard,\u00a0 Flexowriters, Punch Paper Poetry and Visual Music: POEX 65 and the Paradigms of Performative Media Art Practices<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> Methodologies (STS and actor network theory)<\/em><\/p>\n

CHAIR: Charlie Gere<\/p>\n

Chris Salter, Performance, Materiality and Active Agency: STS and Temporal Emergence in New Media Studio-Labs <\/em><\/p>\n

Suzette Worden, Authorship, Interpretation and Consumption in the Digital Arts: the Case for Studying Expertise<\/em><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

13.00 \u2013 14.00: Lunch<\/strong><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

14.00 \u2013 15.40: SESSION 11<\/strong><\/p>\n

Panel A: <\/em>Media art histories (looking back)<\/em><\/p>\n

CHAIR: Sean Cubitt<\/p>\n

Ji-hoon Kim, Machines of the Audiovisual: The Development of \u201cSynthetic Audiovisual Interfaces\u201d in Avant-garde Art Since the 1970s<\/em><\/p>\n

Frieder Nake, Susan Grabowski and J\u00f6rn Ketelsen, The Origins of Digital Media: Algorithmic Art and Computer Graphics <\/em><\/p>\n

Armin Medosch, Automation, Cybernation and the Art of New Tendencies, Phase 1 (1961-1965)<\/em><\/p>\n

Ernest Edmonds, A Cybernetic Story: from interaction to influence<\/em><\/p>\n

***<\/p>\n

Panel B: Media art histories (interactive and responsive art)
\n<\/em><\/p>\n

CHAIR: Beryl Graham<\/p>\n

Stephen Jones, Early Interactive Art in Australia<\/em><\/p>\n

Theresa Schubert Minski, Responsive Art: Exploring Non-intentional Creation and the Influence of Technology in Computer-based Installation Art<\/em><\/p>\n

Nigel Johnson, \u201cAre we there yet?\u201d \u2013 The historical dilemmas of interactive art<\/em><\/p>\n

Erandy Vergara-Vergas, Rethinking Interactivity in relation to the History of a Site<\/p>\n

***<\/p>\n

Panel C:<\/em> Methodologies (education)<\/em><\/p>\n

CHAIR: Wendy Coones<\/p>\n

Jon Cates, Media Art Futures: developing curriculum for teaching Media Art Histories<\/em><\/p>\n

Mark Smith, Artists\u2019 digital moving image: its impact on learning<\/em><\/p>\n

Jo Briggs, Situated Digital Art Practices in Northern Ireland: Cultural implications emerging from the implementation of \u2018Moving Image Arts\u2019.<\/em><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

15.40 \u2013 16.00: Tea\/coffee<\/strong><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

16.00 \u2013 17.40: SESSION 12<\/strong><\/p>\n

Panel A: <\/span>Blindspots (iconoclasts)<\/em><\/p>\n

CHAIR: Charlie Gere<\/p>\n

Harald Klinke, Samuel Morse\u2019 Idea of Progress in both the Arts and Technology<\/em><\/p>\n

Antonio Bonome Garc\u00eda, Burroughs’ Electronic Manifestoes<\/em><\/p>\n

Sharon Irish, The socio-spatial practice of artist Stephen Willats<\/em><\/p>\n

Charlie Gullstrom, A Mediated Window to the Stockholm Art and Industry Fair of 1897<\/em><\/p>\n

***<\/p>\n

Panel B: Media art histories (contemporary art ruptures and reconciliations)<\/em><\/p>\n

CHAIR: Christiane Paul<\/p>\n

Christiane Paul, New Media Art and the Mainstream<\/em><\/p>\n

Eduardo Valle, Is it the history of art repeating itself ? A geopolitical analysis and comparision of contemporary art and media art<\/em><\/p>\n

Rosanne Altstatt, Media Art Institutions Articulate a Hybrid History<\/em><\/p>\n

Dorothy Barenscott, Intersecting Worlds of Commerce and Experimentation: Creating Legitimacy for the \u201cArt\u201d of Media<\/em><\/p>\n

***<\/p>\n

Panel C:<\/em> Methodologies (documentation)<\/em><\/p>\n

CHAIR: Sarah Cook<\/p>\n

Vanina Hofman, Pau Alsina, Nat\u00e0lia Cant\u00f3 Mil\u00e0 and Gl\u00f2ria Munilla Cabrillana, Preserving and Documenting Media Art Heritage in the Latin American Context<\/em><\/p>\n

Stephanie Lauke and Florian Wiencek, Digital Remediation of Visitor\u2019s Experience. A GUI Approach<\/em><\/p>\n

Alessandro Alfieri, Music video and videoart<\/em><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

17.40 \u2013 18.00: Wine reception<\/strong><\/p>\n

<\/strong><\/p>\n

 <\/p>\n

18.00 \u2013 18.15: Presentation<\/strong><\/p>\n

Re: Riga launch<\/p>\n

<\/strong><\/p>\n

 <\/p>\n

18.15 \u2013 19.15: Keynote<\/strong><\/p>\n

Andrew Pickering, chaired by Paul Brown<\/p>\n

**This keynote has been supported by the Computer Arts Society Specialist Group (CAS)**<\/p>\n

<\/strong><\/p>\n

 <\/p>\n

19.15 \u2013 19.30: Closing address<\/strong><\/p>\n

Mike Stubbs, Rewire chair and Director of FACT<\/p>\n

 <\/p>\n

19.30: Close<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

FRIDAY 30TH SEPTEMBER 2011 9.30 \u2013 11.30: SESSION 9 Panel A: Industry, apparatus, control systems CHAIR: Paul Brown Simon Hagemann, Robotic artists in Japan since the 1970s Ian Wojtowicz, The Betweeners Nadav Hochman, The Noise Complex: Reframing Abstract Expressionism in the Postwar Technological Context Orit Halpern, Perceptual Machines: Cybernetics, Bio-Politics, and Design circa 1959 Graham Harwood, Contraption, the apparatus of art, sane & mad, secure & risky machines *** Panel B: Case studies (curatorial and museum work) CHAIR: Beryl Graham Beryl Graham, Exhibition histories and new media behaviours Vince Dziekan, Tate In Space (and Time) Margaret Schavemaker, The State of the AR(t) Janis Jefferies, Unleashing Devices: breakdown and the aesthetics of disappointment Magdalena Tyzlik-Carver, Knowledge commons or souls at work? Curatorial systems and questions of contingency. *** Panel C: The craft of art (the biological) CHAIR: Andy Miah Trish Adams and Andrew Burrell, Hybrid Habitats: the shifting domains of technologically mediated corporeality Jenny Tillotson, Check The Smell Print Natasha Vita-More, Human Enhancement: Nano-Bio\/A[G]I as Media for Prolonging Personhood Adele Senior, Henrietta Haunts: Performance, the Archive and the Biological Arts Kristen Hutchinson, Employing Biomedical Sciences to Envision Illness in House and Christine Borland\u2019s Positive Control 11.30 \u2013 11.45: Tea\/coffee   11.45 \u2013 13.10: SESSION 10 Panel A: Media art histories (recent work) CHAIR: TBA TBA Guilherme Kujawski, On Conversation Considered as One of the Fine Arts Zara Dinnen, Code, Compression, Composition: C-ing the imagetext in Cory Arcangel\u2019s “a couple thousand short films about Glenn Gould” *** Panel B: Case studies (festivals) CHAIR: Sarah Cook Maria X, On Curating Collaboration: Medi@terra 2001 Marina Soler Jorge, Cinephilia, Festivals and Media: the S\u00e3o Paulo International Film Festival and its Audience. Morten S\u00f8ndergaard,\u00a0 Flexowriters, Punch Paper Poetry and Visual Music: POEX 65 and the Paradigms of Performative Media Art Practices *** Panel C: Methodologies (STS and actor network theory) CHAIR: Charlie Gere Chris Salter, Performance, Materiality and Active Agency: STS and Temporal Emergence in New Media Studio-Labs Suzette Worden, Authorship, Interpretation and Consumption in the Digital Arts: the Case for Studying Expertise   13.00 \u2013 14.00: Lunch   14.00 \u2013 15.40: SESSION 11 Panel A: Media art histories (looking back) CHAIR: Sean Cubitt Ji-hoon Kim, Machines of the Audiovisual: The Development of \u201cSynthetic Audiovisual Interfaces\u201d in Avant-garde Art Since the 1970s Frieder Nake, Susan Grabowski and J\u00f6rn Ketelsen, The Origins of Digital Media: Algorithmic Art and Computer Graphics Armin Medosch, Automation, Cybernation and the Art of New Tendencies, Phase 1 (1961-1965) Ernest Edmonds, A Cybernetic Story: from interaction to influence *** Panel B: Media art histories (interactive and responsive art) CHAIR: Beryl Graham Stephen Jones, Early Interactive Art in Australia Theresa Schubert Minski, Responsive Art: Exploring Non-intentional Creation and the Influence of Technology in Computer-based Installation Art Nigel Johnson, \u201cAre we there yet?\u201d \u2013 The historical dilemmas of interactive art Erandy Vergara-Vergas, Rethinking Interactivity in relation to the History of a Site *** Panel C: Methodologies (education) CHAIR: Wendy Coones Jon Cates, Media Art Futures: developing curriculum for teaching Media Art Histories Mark Smith, Artists\u2019 digital moving image: its impact on learning Jo Briggs, Situated Digital Art Practices in Northern Ireland: Cultural implications emerging from the implementation of \u2018Moving Image Arts\u2019.   15.40 \u2013 16.00: Tea\/coffee   16.00 \u2013 17.40: SESSION 12 Panel A: Blindspots (iconoclasts) CHAIR: Charlie Gere Harald Klinke, Samuel Morse\u2019 Idea of Progress in both the Arts and Technology Antonio Bonome Garc\u00eda, Burroughs’ Electronic Manifestoes Sharon Irish, The socio-spatial practice of artist Stephen Willats Charlie Gullstrom, A Mediated Window to the Stockholm Art and Industry Fair of 1897 *** Panel B: Media art histories (contemporary art ruptures and reconciliations) CHAIR: Christiane Paul Christiane Paul, New Media Art and the Mainstream Eduardo Valle, Is it the history of art repeating itself ? A geopolitical analysis and comparision of contemporary art and media art Rosanne Altstatt, Media Art Institutions Articulate a Hybrid History Dorothy Barenscott, Intersecting Worlds of Commerce and Experimentation: Creating Legitimacy for the \u201cArt\u201d of Media *** Panel C: Methodologies (documentation) CHAIR: Sarah Cook Vanina Hofman, Pau Alsina, Nat\u00e0lia Cant\u00f3 Mil\u00e0 and Gl\u00f2ria Munilla Cabrillana, Preserving and Documenting Media Art Heritage in the Latin American Context Stephanie Lauke and Florian Wiencek, Digital Remediation of Visitor\u2019s Experience. A GUI Approach Alessandro Alfieri, Music video and videoart   17.40 \u2013 18.00: Wine reception   18.00 \u2013 18.15: Presentation Re: Riga launch   18.15 \u2013 19.15: Keynote Andrew Pickering, chaired by Paul Brown **This keynote has been supported by the Computer Arts Society Specialist Group (CAS)**   19.15 \u2013 19.30: Closing address Mike Stubbs, Rewire chair and Director of FACT   19.30: Close<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":230,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/306"}],"collection":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=306"}],"version-history":[{"count":19,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/306\/revisions"}],"predecessor-version":[{"id":2423,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/306\/revisions\/2423"}],"up":[{"embeddable":true,"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=\/wp\/v2\/pages\/230"}],"wp:attachment":[{"href":"https:\/\/www.mediaarthistory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}