WEDNESDAY, OCTOBER 9, 2013: DAY 1
Rachel O’DWYER: Spectres of the common: a historical overview of radio space
Mikhel PROLUX: Ambiguous Images in Disambiguous Networks
Chair: Dieter DANIELS
Darko FRITZ: Agents of social and political change in the early digital arts from the Netherlands
Nanette HOOGSLAG: The material image
Ksenia FEDOROVA: Transmediality, Transduction and Aesthetics of the Technological Sublime
Katja KWASTEK, Kevin HAMILTON: Slow Media Art
Brogan BUNT: Walking as Mediation: Experiments in Non-Technological Media Art
11.15 – 13.00 : MEDIA ARCHAEOLOGY – PANEL A
Venue:Stockholm School of Economics
Chair:Erkki HUHTAMO
Chris HALES: Cinelabyrinth and the Later Work of Radúz Činčera
Rudi KNOOPS: Cylindrical anamorphosis: thaumaturgical origins and contemporary workings
Patrick ELLIS: A Birds-eye View of “Urban Renewal”: Media Archeology of the Panstereorama
Artemis WILLIS: Unfreezing Movement: Whaler out of New Bedford, the Purrington-Russell Panorama and the Media-Archaeological Imagination
13.45-15.15 : NETWORKED ART – PANEL B
Venue: Stockholm School of Economics, Soros Audium
Chair:Tatiana BAZZICHELLI
Yara GUASQUE: Perforum Desterro and Perforum São Paulo: reconsidering the collaboration between the periphery and the center /
Margret Elisabet OLAFSDOTTIR: The Roth-Fillou-Palsson connection as networking art
Timo KAHLEN: Signal-To-Noise, 2011
Annick BUREAUD: Pre Internet Art: Art and Minitel in France in the 80’s. A Fragmented History
13.45-15.15 : MEDIA ARCHAEOLOGY – PANEL B
Chair:Hanna Barbara HÖLLING
Vanina HOFMAN: Machines Agency in the Construction of Media Arts Memory
Perttu RASTAS: Erkki Kurenniemi – Finnish hybrid of Stockhausen, Buckmister Fuller and Steve Jobs
Paul LANDON: The vidéothéâtre of Montréal’s Vidéographe: The forgotten screening room
José R. ALCALA, Beatriz ESCRIBANO: Critical review of the movements that come from the use of electrographic processes of generation, reproduction and printing of images during the second half of the XX Century
Venue:Stockholm School of Economics
15.30-16.45 : NETWORKED ART – PANEL: NEW MEDIA MEMORY: Digital London 1994-2014
Chair:
Speakers:Ilze BLACK
Wessel VAN RENSBURG
Eva PASCOE
Sophia DRAKOPOLUOU
15.30-16.45: PARADIGM SHIFT: PANEL A
Chair:vArmin MEDOSCH
Brian REFFIN SMITH: The Anti-Kuhn: Post-Media Art, a Zombie-Pataphysical Approach
Jay HETRICK: Félix Guattari and the Post-Media Era
Dietmar UNTERKOFLER: Layers, Cold Systems and Diagrams – Conceptual Art in Yugoslavia as Media Art?
Saskia KORSTEN: Reversed Remediation in a Revealed Simulation
17.00-18.00: NETWORKED ART – PANEL C
Chair:Tatiana BAZZICHELLI
Victor MAZON, MarioDE VEGA: Snuff_Wireless_Data_Sonification
Georgina RUFF: The Consequences of the Apparatus: Otto Piene’s Lichtballett
Oliver GINGRICH: Holographic Projection Art – 1863 – 2013
Aymeric MANSOUX: Tales of Copyleft
Rajashree BISWAL: Politics and dynamics of web art in India in the post 90s
Jamie ALLEN, Ryan JORDAN: Signal Aesthetics
Snežana ŠTABI: MARŠ into new media?
José OLIVEIRA: The Art of Systems and the Systems of Art: Theories and Practices
Alex BARCHIES: caotica_lex: a hybrid emergent system for DISTRactive experiences
VenueStockholm School of Economics, Soros Audium
17.00-18.00 : MEDIA ARCHAEOLOGY + PARADIGM SHIFT PANAL C
Chair:
Marko RAKIC: Art and history in the age of Digital amnesia
Gabriel VANEGAS: Back to the Future in a Place Called America
Andrew PRIOR: Slow moment(um): Using media archaeological models in tracing glitch
Nils JEAN: A Typology of New Media Art Renewals
Joana BICARCO: Gestures of wonder: touching and waving before machines
Maria MIRE: Re:shaping new challenges – the origins and future of a series of interactive generative artworks by British artist Ernest Edmonds, 1980s-2000s
Joanna WALEWSKA: Phonograph as a Double Agent: Bronislaw Pilsudski’s research on the native people of Siberia
Julia MORITZ: The Occurrence of Rolling the Television Program the tenth of January 1976. Institutional Critique and Modernist (Mass) Media
Magnus ERIKKSON: The “Hot Line Riots” as Media Archaeological Artefact
Stacey SEWELL Bodily Fragments
Steven MATIJCIO Nothing Left to See: The Denial of the Image in Media Art
Gabriela GALATI, Amos BIANCHI The Threshold
Maryam BOLOURI Rethinking Post Media Aesthetics: Tracing the Visual Evolution and changes in Media Arts
Matthew EPLER ReCode Project
Chiara PASSA The widget art gallery
Venue: Stockholm School of Economics
9.30-18.00 : NETWORKED ART – POSTER SESSION
Atif AKIN Man-Machine Aesthetics with Derrida’s Parergon
Firoza ELAVIA Presentism: the new imaginary in digital images
Richard MISEK The Death of Remix Cinema
Gabriella ARRIGONI The Pneumatic Museum: Architecture, Metaphors and Audience Experience
Nina KURTELA Transformance
Reba WESDORP Digital Performance Art. An on and offline game
Ian GWILT making data – data making
Ana PERAICACamera information as the model of quantitative description of historical artworks