print / downloadTHURSDAY, OCTOBER 10, 2013 – DAY TWO
Venue: Stockholm School of Economics, Strelnieku Str. 4a, Riga
9.30 – 11.00
::ARCHIVING – PLENARY SESSION::
Room: Soros Auditorium
Chair: Christiane PAUL
Speakers:
Leila TOPIC: From New Tendencies to new tendencies: Media art Collection of Zagreb Museum of Contemporary Art
Oliver GRAU: Contemporary (Media) Arts & the Humanities in our Democracies
Hannah Barbara HOLLING: Versions, variations, and variability. Possibilities and potentialities in the preservation of computer based art
Magdalena NOWAK: KwieKulik Archive: Documenting and Preserving Art in Communist Poland
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11.15-13.00
::ARCHIVING – PANEL A::
Room: Soros Auditorium
Chair: Frieder NAKE
Speakers:
Morten SONDERGAARD: The Media Artist as Functionary: Show-Bix, Århus 1968-71
Grahame WEINBREN: Showing Artist’s Cinema in the 22nd Century
Nina WENHART: speculative archiving. on piratical ethics and shelf corpses
Francesca FRANCO: Re:shaping new challenges – the origins and future of a series of interactive generative artworks by British artist Ernest Edmonds, 1980s-2000s
Lauren HINKSON: Douglas Wheeler’s Infinity Rooms: Unrealized Media Art History – tbc
Tjarda de HAAN: Project: re:DDS, a case study of webarchaeology
::PARADIGM SHIFT – PANEL B::
Room: 311
Chair: Armin MEDOSCH
Speakers:
Damien CHARRIERAS: The gamification of New Media Arts? The effictivities of video game engines in new media arts worlds
Emit SNAKE-BEINGS: DiY participatory culture: Allowing space for inefficiency, error and noise
Laurent FENTON: A Garden of Machines: human/technological entanglement and the emergence of robotic art
Gabriela GALATI, Amos BIANCHI: The Threshold
Stacey SEWELL: Bodily Fragments
Irene MACHADO: Cinematic montage and the emergency of media iconic languages
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13.45 – 15.15
::ARCHIVING – PANEL B::
Room: Soros Audtiorium
Chair: Hanna HOLLING
Speakers:
Francesca Franco: Re:shaping new challenges – the origins and future of a series of interactive generative artworks by British artist Ernest Edmonds, 1980s-2000s
Andrey SMIRNOV: Music out of Noise, Light and Paper
Christina VATSELLA: Conserving the new media installation: the challenges of the monitor
Frieder NAKE: Recording and Recoding
Aurelie HERBET: Immaterial art stock project: conservation challenges and issues of digital art works carried out in online immersive platforms
Ricardo DAL FARRA: e-arts conservation: between ethical concerns and practical strategies
Esteban GARCIA: Photo and Palette: Early Pixel-Based Computer Art
::EE-HISTORIES – PANEL A::
Room: 311
Chair: Darko FRITZ
Speakers:
Dusan BAROK: The Aesthetics of Early East-West Online Communication
Aneta PANEK: Paris – Berlin – Warsaw. Experimental Film in France, in Germany and in Poland in the 1970s and the 1980s. Experiment, Autonomy and Subverstion
Silva KALCIC: Architecture and New Media Art / Media facades, video and light-installations in the context of Croatian Contemporary Arts
Olga KISSELEVA: Media art as a tool to build a post-industrial society: and example rom the Ural Biennale
Vytautas MICHELKEVICIUS: Mapping and Archiving Lithuanian Media Art: Regional Failures and Achievements since 2000s
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15.20-16.50
::ARCHIVING – PANEL C – Through the Conservator’s Eye: Collecting, Preserving and Displaying Media Art
Room: Soros Auditorium
Chair: Christiane PAUL
Speakers:
Joanna PHILLIPS: Sustaining Media Art Collections: A New Focus in Conservation
Patricia FALCAO: Managing Inherent Change
Martina PFENNINGER: Extending Contemporary Art Conservation
Agathe JARCZYK: Building the Foundations for a New Conservation Specialty
::EE-HISTORIES – PANEL B::
Room: 311
Chair: Inke ARNS
Speakers:
Andrew PATERSON: Contextual Media Experiments: Locative axis between Finland and Latvia
Raivo KELOMEES: Constructing Narrative in Interactive Documentaries
Slavo KREKOVIC: Tracting Discontinuities: Writing Histories of Experimental Sound-based Media in Slovakia and Central/Eastern Europe
Aleksandra KAMINSKA: Hypermediation in the Ruins of Socialism, Or, Concrete Legacies in an Age of Fiction
Barbora SEDIVA, Katarina GATIALOVA: Remake: REthinking Media Arts in C(K)ollaborative Environments
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17.00-18.00
::ARCHIVING – I – PRESENTATION SESSION::
Room: Soros Auditorium
Chair: Frieder NAKE
Speakers:
Laura LEUZZI: Italian video art centres and archives: a treasure yet to discover
Canan HASTIK, Arnd STEINMETZ, Bernhard THULL: Using CIDOC for Real-Time Audiovisual Art
Ianina PRUDENKO: Ukrainian media art. Experience of archiving
Jana WEDEKIND: ON:meedi:a – Online Multimedia Archiving for New Media Art
Valentino CATRICALA, Elio UGENTI: Recreating Imaginary. Strategies of Preservation, Archivation and Reuse of Media Art Histories
Aurelie HERBERT: Immaterial art stock project: conservation challenges and issues of digital art works carried out in online immersive platforms
Ricardo Dal FARRA: e-arts conservation: between ethical concerns and practical strategies
::ARCHVING II – PRESENTATION SESSION::
Room: 311
Chair: Hanna HOLLING
Speakers:
Nils JEAN: A Typology of New Media Art Renewals
Georgina RUFF: The Consequences of the Apparatus: Otto Piene’s Lichtballett
Tomohiro UESHIBA: A visual projection system of Dumb Type’s performance “S/N”
Clarisse BARDIOT: A video-annotation software to document digital performances
Chiara PASSA: The widget art gallery
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18.00-20.00
::TECHNO-ECOLOGIES: PLAYING FIELDS (PARTICIPATORY AND DISCUSSION SESSION::
Room: 4th floor
Chair: Armin MEDOSCH
::PARADIGM SHIFTS IN MEDIA ART / SCIENCE EDUCATION (PARTICIPATORY AND DISCUSSION SESSION)
Room: 303
Chair: Nina CZEGLEDY