Media Art History » Re:live programme

RELIVE PROGRAM

Opening
Thu 26 Nov
4.00 – 6.00 pm	BMW Edge	Registration
6.30 pm			Keynote: Lisa Gitelman	A Short History of _______
8.00 pm		Welcome Drinks

DAY ONE
Fri 27 Nov
8.00 – 9.30 am	Federation Hall	Registration
9.30 – 11.00am	Federation Hall	Welcome	Su Baker	Introduction from VCA
	Chair:	Welcome	Glyn Davis Vice Chancellor	University of Melbourne
	Paul Thomas		Stelarc	Prosthetic Head, Special session
Morning Tea
11.30 – 1.00pm	Federation Hall	realtime	Morten Søndergaard	Beyond the Point One Zero World
	Chair:	particular works, liveness, realtime	Eva Kekou	The City as a projection space
	Ross Harley	particular works	Francesca Franco	The first computer art show at the 1970 Venice Biennale. An experiment or product of the bourgeois culture?

	Seminar Room	performance	Larissa Hjorth	Cartographies of the mobile: the personal as political
	Chair:	performance	Chris Chesher	Converging technologies of spatial navigation in computer games and portable digital devices
	Kim Machan	performance	Sam Hinton	Constructing the First Person Shooter
		performance	Ingrid Richardson	Playing Outside the Magic Circle: the Hybrid Corporealities of Mobile Gaming

	Cinema 2	innovation	Susan Ballard	Erewhon: framing media utopia in the antipodes
	Chair:	particular works, performance, innovation, realtime	Jon Cates	RE:COPYing-IT-RIGHT AGAIN
	Leon Marvell	performance, innovation	Gabriel Menotti Gonring	Executable Cinema: Demos, Screensavers and Videogames as Audiovisual Formats
Lunch
2 – 3.30pm	Federation Hall	particular works	Cat Hope	Earth Pulse: vibrational data as artistic inspiration
	Chair:	particular works, innovation	Joanna Walewska	Relationship of art and technology: Edward Ihnatowicz’s philosophical investigation on the problem of perception.
	Ross Harley	particular works	Monika Gorska-Olesinska	Polish digital poetry – lack of “prehistoric” artifacts or missing narrative?


	Cinema 2	innovation	Andres Burbano	Between punched film and the first computers, the work of Konrad Zuse
	Chair:	innovation and enviroment	Marianne Schmidt	Virtureal
	Melinda Rackham	innovation	Daniela Alina Plewe	Transactional Art as a Form of Interactive Art

3.30 – 5pm	Federation Hall	enviroment	Pia Ednie-Brown	Technologies of Vitality and a Changing Innovation Climate.
	Chair:	innovation	Mark Guglielmetti	A-Life: the creation and development of new modes of realism
	Sean Cubitt	environment	Suzette Worden	Art-Science Connections for the visualisation of minerals: historical precedents for media arts

	Cinema 2 (*-online session)	life sciences	Jens Hauser	Still, Living: Staging the Ephemeral between Nature Morte and Art Involving Biotechnology
	Chair:	life sciences, machines, innovation	Natasha Vita-More	Interconnected Significance: Human Enhancement and Radical Life Extension
	Anna Munster	life sciences	Ionat Zurr*	How does zoë transform bio into media?

	Seminar Room	particular works, innovation, machines	Leon Marvell & Rudy Rucker	Lifebox Immortality & How We Got There
	Chair:	particular works, innovation, machines	Leon Marvell & Rudy Rucker	Lifebox Immortality & How We Got There
	Paul Brown
Dinner

6.30 pm	BMW Edge		Keynote: Douglas Kahn	Far out: Brainwaves in inner space and outer space.
		Drinks/nibbles	Launch Art Monthly

DAY TWO
Sat 28 Nov
9.30 -11.00am	Federation Hall	performance	Paul Sermon*	Telematic Practice and Research Discourses
	Chair:	performance	Katja Kwastek	“Your number is 96 – please be patient” – Modes of Liveness and Presence investigated through the lens of interactive artworks
	Oliver Grau	performance, particular works	Mike Leggett	Early Video Art as Private Performance

	Seminar Room	particular works	Manosh Chowdhury	The Corporate Art?: Exhaustion of Electronic Space for the Promotionals in Bangladesh
	Chair:	innovation	Brogan Bunt	Pre-Socratic Media Theory
	Alessio Cavallaro	particular and innovation	Jung-Yeon Ma	A Short History of Media Art Events in Japan and Korea since late 1990s: Japan Media Arts Festival and Seoul International Media Art Biennale

	Cinema 2	performance	Lizzie Muller	An indeterminate archive for David Rokeby’s “The Giver of Names”
	Chair:	particular works	Thomas Mical	Blurring Media-Architecture in 2009
	Mike Stubbs	particular works	Stefano Raimondi	Nanoart: First Steps Beyond the Columns of Hercules
Morning Tea
11.30 – 1.00pm	Federation Hall	performance	Danielle Wilde	A New Performativity : Wearables and Body-Devices
	Chair:	Performance	Melentie Pandilovski	The media art activities of the Soros Center For Contemporary Arts – Skopje, Macedonia
	Ted Colless	performance, machines	Laura Beloff	The Hybronaut and Other Unexpected Approaches to Wearable Technology

	Seminar Room	environment	Andrea Gleiniger	«Architekturen des Augenblicks» – a phenomenological view on the medialization of urban space
	Chair:	environment	Anne-Marie Duguet	Natural phenomena actualized through technology.
	Melentie Pandilovski	environment, innovation	Denisa Kera	Apocalypse and Media Art

	Cinema 2	machines	Allison de Fren	Disarticulating the Artificial Woman
	Chair:	machines	Audrey Samson	Haunted profiles; social networking sites and the crisis of death.
	Darren Tofts	machines	Margaret Seymour	Cyborgs and robots: imitation or provocation?
Lunch
2 – 3.30pm	Federation Hall	performance	Lucas Ihlein	Re-Enacting Expanded Cinema: Three Case Studies
	Chair:	performance	Ryszard W. Kluszczynski	Viewer as Performer
	Anna Munster	innovation	Marcin Skladanek	Metadesign and Media Art

	Seminar Room	performance	NIgel Llwyd William Helyer	The Sonic Commons; and the privatisation of the aural vis-à-vis
	Chair:	performance	Chris Salter	The Stage as Organism: Liveness, Dynamics and Expression in Early Twentieth Century Scenography
	Daniel Palmer	particular works, performance	Slavko Kacunko	Live Media Art and Japan’s Role: A historical and contemporary sideview

3.30 – 5pm	Federation Hall	particular works, innovation	Darren Tofts	Writing media art into (and out of) history
	Chair:	particular works	Stephen Jones	Bush Video
	Leon Marvell	particular works	Edward Shanken *	Reprogramming Systems Aesthetics: A Strategic Historiography

	Cinema 2	machines	Zita Joyce	Networked communities in New Zealand media arts
	Chair:	machines	Ernest Edmonds	The Art of Conversation
	Paul Brown

6.30 pm	BMW Edge		Keynote: Zhang Ga	From timelapse to timecollapse or from representation to presentation
Dinner

DAY THREE
Sun 29 Nov
9.30 -11.00am	Federation Hall	particular works	Ross Harley (panel)	Australia Video Art Histories: A media arts archeology for the future
	Chair:	particular works	John Conomos	Australia Video Art Histories: A media arts archeology for the future
	Paul Thomas	particular works	Anne Finnegan	Australia Video Art Histories: A media arts archeology for the future
		particular works	Danni Zuvella	Australia Video Art Histories: A media arts archeology for the future

	Seminar Room	particular works	Mike Stubbs	Abandon Normal Devices – they dont seem to work
	Chair:	particular works	Lissa Mitchell	Negotiating the future – a new media collection in a public art museum
	Lisa Gye	particular works	Rosana Monteiro	Reconfiguration of knowledges. Medical images between art, science and technology.

	Cinema 2	particular works, innovation	Ian Clothier	Animating the Inanimate: Haiku robots, multiplicities of time and intercultural context
	Chair:	particular works, performance, machines	Caroline Langill	The Living Effect: Autonomous Behaviour in Early Electronic Media Art
	Darren Toft	particular works, performance, machines	Sarah Kenderdine	The Relocation of Theatre: Making UNMAKEABLELOVE
Morning Tea
11.30 – 1.00pm	Federation Hall	innovation	Martin Constable and Adele Tan	Visual Digitality: Towards Another Understanding
	Chair:	innovation	Dimitris Charitos	Locative media art practices: locating meaning and narrative in hybrid spaces
	Helen Stuckey	performance, innovation	Anders Carlsson	The Forgotten Pioneers of Creative Hacking and Social Networking – Introducing the Demoscene


	Cinema 2	machines and innovation	Gebhard Sengmüller	VSSTV – Rediscovery and Re-Interpretation of a Televisionary Parallel Universe
	Chair:	performance	Robrecht Vanderbeeken	Relive the Virtual: An Analysis of Unplugged Performance-installations
	Melentie Pandilovski	particular works and machines	Lawrence Bird	Re-animating the technical body in the Metropolis tales: Lang, Tezuka, Rintaro
Lunch
2 – 3.30pm	Federation Hall	particular works	Nina Wenhart	ARS ELECTRONICA – re:shaping a city’s cultural identity
	Chair:	particular works	Darko Fritz *	Histories of live meetings – case study: five conferences on computer-generated art and related theories in Zagreb, 1968 – 1978
	Sean Cubitt	particular works	Ana Peraica*	Overcoming media arts

	Cinema 2	Videotage Panel	Helen Mary Grace	A Paleontology of the Present
	Chair:	Videotage Panel	Norman Ford	no title
	Alessio Cavallaro	Videotage Panel	Hector Rodriguez	The Black Box

3.30 – 5pm	Federation Hall	life sciences, machines	Roger Malina*	The History Of Intimate Science: Artists beyond the senses
	Chair:	Plenary Session
	Paul Thomas, Sean Cubitt
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