Media Art History » re:place general programme


Pre-Conference Meetings 13-15 November	Conference Day 1 Thurs, 15 November 2007	Conference Day 2 Fri, 16 November 2007	Conference Day 3 Sat, 17 November 2007	Feedback Session and Panels Sun, 18 November 2007
14 November, Wed., 10.00-19.00, Conference Hall 2 At the crossroads of Media Art, Technology and Education Workshop 13 – 15 November, Conference Hall 1 Online Archives of Media Art – Contextualisation, Metadata, Translation	Visit the Flusser-Archiv 10:00 UdK Berlin-Schöneberg OPENING SESSION: 14:00 – 15:00 Auditorium Opening Session Panel 1: 15:00 – 17:30, Auditorium Place Studies: Art/Science/Engineering Panel 2: 15.00-17.30, Theatersaal Intersections of Media and Biology Helmholtz-Zentrum18.30 Humboldt University Special Lecture Presentation: 21.00 TESLA Media>Art<Lab Berlin Cinemedia: Archaeologies of Computation and AI in Cinema	Panel 3: 10.00-12.30, Auditorium Histories of Abstraction Panel 4: 10.00-12.30, Theatersaal Comparative Histories of Art Institutions Poster Session Conversation USCO Panel 5: 15.00-17.30, Auditorium Place Studies: Media Art Histories Panel 6: 15.00-17.30, Theatersaal Media Theory in Cultural Practice General Discussion – 17.30-18.30, Auditorium Forum Discussion – ISEA2008 18:30-20:00 Conference Hall 3 Keynote 1: 20.00Auditorium On Deep Time Relations between Arts, Sciences, and Technologies Siegfried Zielinski	Panel 7: 10.00-12.30, Auditorium Interdisciplinary Theory in Practice Panel 8: 10.00-12.30, Theatersaal Place Studies: Russia / Soviet Union Poster Session Conversation MARCEL Panel 9: 14.30-17.00, Auditorium Cross-Cultural Perspectives Panel 10: 14.30-17.00, Theatersaal Cybernetic Histories of Artistic Practices General Discussion – 17.30-18.30, Auditorium Forum Discussion- Access for International Scholarship – Archiving MediaArtHistories 18:30-20:00, Conference Hall 3 (dinner discussion) Keynote 2: 20.00Auditorium Dreams of a Perfect Medium Lorraine Daston	10.00-12:00 Conference Hall 1 Presentation of Results of the LBI Workshop on Documentation and Metadata Forum Discussion: 10.00-12:00 Conference Hall 3 Music(ology) and Media Art Forum Discussion: 10:00-12:00 Conference Hall 2 Rebooting Cyberfeminism 12.00 Auditorium Feedback Session and planning for re: conference follow-up in 2009
POSTERS (to be presented in the poster exhibition and in short lunchtime presentations) (several yet t.b.c.) Su Ballard (NZ): ‘Real Time’: Early Encounters with Immersive Installation in Aotearoa New Zealand Clarisse Bardiot (FR): The Artists and Engineers of 9 Evenings: Theatre and Engineering, New York, 1966 Ross Bochnek (US): When Clinical Neuropsychology Met Time-Based Art Wayne Clements (UK): The Descent of New Media: Art, Warfare and Cambridge Cybernetics Lenka Dolanova (CZ): What They Were Cooking in There: Cooks, Their Kitchen and the Taste of Fresh Video Ernest Edmonds (UK/AU): Human and Robot Behaviour: Art meets AI Francis Arsene Fogue Kuate (Cameroon): The contribution of technical centres to the development of Media Art in Africa: A case study of the Audiovisual Professional Training Centre of Ekounou (Yaounde) Francesca Franco (IT/UK): New Media Art and an Institutional Crisis in the History of the Venice Biennale, 1968 Darko Fritz (HR/NL): Vladimir Bonacic: Dynamic Objects (1968-1971) – computer-generated works made in Zagreb within New Tendencies art network (1961-1973) Yara Guasque (BR), Sandra Albuquerque Reis Fachinello (BR), Silvia Guadagnini (BR): Skipping Stages. From constructivism in architecture and in poetry to the digital media: searching for parameters to understand the emerging media and the formation of a specialized audience in Brazil Rosana Horio Monteiro (BR): Art and Science Playing on the Margins. On the discovery of photography in the 19th century Brazil Karen Ingham (UK): A Ticket to The Theatre of The Dead: Re-framing Interdisciplinarity in the Bio-medical Theatre Maude Ligier (FR): How cybernetics entered the world of art? The case of Nicolas Schöffer David McConville (US): Cosmological Cinema: Pedagogy, Propaganda, and Perturbation in Early Dome Theaters Vytautas Michelkevicius (LT): (Post)Photography and Media Art: Rethinking Institutionalization and Public Curatorship in Lithuania Simon Mills (UK): framed: Interviews with New Media Writers and Artists Maria Jose Monge (Costa Rica), Jose-Carlos Mariategui (PE): Between a ‘New Media Hub’ and an Unknown History: New Media Art in Costa Rica Angela Ndalianis (AU), Lisa Beaven (AU), Saige Walton (AU): Technologies of Wonder – a Pansemiotic Approach Ariane Noel de Tilly (CA): The different ‘versions’ of John Massey’s As the Hammer Strikes (A Partial Illustration) Ryan Pierson (US): Thinking Space: Mediating IBM’s Deep Blue in the History of Computers Markku Reunanen (FI): Observations on the Adoption of Science in a Subculture Nina Samuel (DE/CH): Re-Reading Fractals: Towards an Archeology of the Digital Form Roberto Simanowski (DE/US): The Art of Mapping Data: Statistics, Naturalism, and Transformation Stefan Sonvilla-Weiss (AT/FI): Paul Otlet’s impact on visual knowledge building in current developments of Web 2.0 Melanie Swalwell (NZ): Early Digital Games Production in New Zealand Carolyn Tennant (US), Kathy High (US): The Experimental Television Center Claudia X. Valdes (CL/US), Phillip Thurtle (US): From Spiderman to Alba: transgenics in a post-nuclear world